REVIEW: Skyward #6 by Joe Henderson, Lee Garbett, Antonio Fabela, & Simon Bowland

Skyward #6 is out 9/19.

By Zack Quaintance — With its first arc done (and done well, I might add), Skyward finds itself in an interesting place, one where it now has motivated characters with compelling goals inhabiting a world that the story can continue developing in unexpected ways. A key aim of any great storyteller is throwing myriad obstacles into characters’ paths, separating them from their desires and thereby forcing them to act in ways that complicate situations.

What Skyward has essentially done through five issues is convincingly create a situation—the  Earth is plagued by diminished gravity—in which the setting is liable to assail the protagonists at any time. As we saw in Skyward #5, something as traditionally innocuous as a rainstorm is vastly altered by the new environment, turned perilous and far more dramatic. One can only imagine how much fun it is to tell a story with so many possibilities, imaging the ways the changed world can pose new threats.

These creators definitely seem to be enjoying all their status quo enables as they catapult from one new environmental development to the next at a breakneck speed. This, simply put, is the type of comic that moves so quickly the novelty becomes part of the attraction, and, when the plot does slow down, the change in pacing makes whatever's happening on the page all the more serious or poignant. Basically, I’m as bullish about this book’s future now as I was at its start (which is very bullish, indeed).

Skyward #6 is the first chapter in which our main character also faces a new status quo. In the context of the hero’s journey, the intro arc ended with her experiencing a tragic call to action: the death of her father and revelation she can save the world by restoring earth to its normal gravity, subsequently undoing the top down classism that now afflicts the planet, thereby honoring the sacrifice her dad made to save her. She, however, is now a wanted terrorist pursued by the most powerful man in the world, a corporate exec responsible for her father’s death (who’s also profiting like crazy from lack of gravity).

It’s all in here, the good stuff that makes for a compelling story: character with searing motivation, high stakes, commentary on power, villainy, a treacherous setting where just about anything is possible. There are, to be sure, many books with solid foundations. I was reminded again in this issue, however, that veteran artist Lee Garbett’s vast talent in particular contributes so many near-intangibles to the story, little things like individual page pacing and slight facial expressions, making the book feel organic and real, allowing the whole package to really shine.

Overall: Skyward #6 is another great issue in an impeccably constructed and perfectly executed comic. It’s the first of a new story arc and status quo, and all indications are that this will continue to be a book to follow. 9.0/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

ADVANCED REVIEW: These Savage Shores #1 by Ram V, Sumit Kumar, Vittorio Astone, & Aditya Bidikar

These Savage Shores is due out 10/10.

By Zack Quaintance — Earlier this year, the good folks at Vault Comics announced plans for books from each of the writers in London’s White Noise Collective, including the eco-fantasy series Deep Roots, plus the forthcoming comics Fearscape and Friendo (both of which I’ve read and absolutely adored). Due out Oct. 10, These Savage Shores from writer Ram V, artist Sumit Kumar, colorist Vittorio Astone, and letterer Aditya Bidikar is the latest to join this White Noise wave.

Cards on the table: of all Vault’s books this year, These Savage Shores was the one I found myself most strongly drawn to based on its description, which involves merchanteering in India circa 1766 and also vampires. I can’t really intellectualize it, but the book’s tagline—Along these savage shores, where the days are scorched, and the nights are full of teeth—is the type of poetic-yet-gaudy teaser that makes me mutter to myself, cool, especially when coupled with Kumar’s appropriately savage cover artwork.

The poeticism of the summary and tagline actually permeates much of the prose in the book, with lines like I hear it is found beyond the water’s edge on fairer shores, where men die with dignity and learn to live with shame. This lyrical, flourish-heavy writing is something I’ve come to expect from Vault, lines more likely to be found in literary journals than comic books, and Ram V’s work in These Savage Shores is rich with them.

Silent panels like this one do wonders to convey These Savage Shores interests in colonialism and power structures.

This book, however, is never overly reliant on prose. It uses letter writing as a framing device in a way that enables Kumar and Astone to create kinetic action sequences that give readers vital exposition. Kumar and Astone’s artwork is overall very strong, especially as it pertains to tone. There’s one panel in particular this applies to, depicting a proper vampiric Englishman as he surveys Calicut from beneath an umbrella, standing at the bow of an approaching rowboat, posture ramrod straight with one hand kept behind his back. You can almost hear the bustle of the shore and feel the oppressive humidity as this man condescendingly absorbs what to him must be an exotic locale, one in which he will clearly be an interloper.

Tone and feel are two of These Savage Shores most noticeable strengths, both conveyed often and with much versatility, in scenes that range from the one I described above to a creepier set piece in which an ancient tree erupts with a bat colony to a character placing a tender reassuring hand on a pensive lover’s face to, finally, another scene intercut with sensual dance and primal nightstalking. If this sounds like a unique book, that’s because it is, one I highly recommend following.

Overall: Thematically, this comic promises contemplation of power dynamics and colonialism, piloted by a creative team with the clear storytelling chops to turn deeper concern into compelling narrative. Yet another strong book from Vault Comics, These Savage Shores is one to watch. 9.0/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Comics to Buy for September 19, 2018

By Zack Quaintance — This was an especially strong week, with the penultimate issue of Mister Miracle sort of headlining the books I’m looking forward to. It kind of seems like that book has been going on for years (even though it launched in August 2017) and like we’ll have it for the rest of our days (the last issue is currently due out on Oct. 24...although if recent issues are an indication it's probably likely to slip).

The book has just been so so good, and we will most definitely be sad to see it go. That said, we’re also enjoying the heck out of these final few issues. Tom King is one of the best and most introspective superhero writers, and what he’s done first with The Vision and now with Mister Miracle is work that seems likely to find a wide audience for a good long while. It’s been really rewarding to follow it in monthly issues, even with these minor delays.

Oh hey, and also there’s a lot of other good stuff, too! Let’s take a look...

Top Comics to Buy for September 19, 2018

Crude #6
Writer:
Steve Orlando
Artist: Garry Brown
Colorist: Lee Loughridge
Letterer: Thomas Mauer
Publisher: Image Comics
Price:
$3.99
Piotr has fought his way across Blackstone to avenge his son's death. Now he faces off against the biggest bastard of them all, and only one will walk away.
Why It’s Cool: This is the finale of a fantastic book about closure, violence, secrets, acceptance, and fathers and sons. If that sounds like a lot, it’s because it is. Creators Steve Orlando and Garry Brown, however, streamline their many powerful themes into a cathartic and powerful story.

Harley Quinn #50
Writer: Sam Humphries
Artists (In Order of Appearance): John Timms, Whilce Portacio, Agnes Garbowska, John McCrea, Kelley Jones, Jon Davis-Hunt, Brett Booth, Norm Rapmund, Scott Kolins, Dan Jurgens, Guillem March, Mirka Andolfo, Babs Tarr, Tom Grummett, Cam Smith
Colorists (In Order of Appearance): Alex Sinclair, Gabe Eltaeb, John Kalisz, Michelle Madsen, Andrew Dalhouse, Romulo Fajardo Jr.
Letterer: Dave Sharpe
Publisher: DC Comics
Price: $4.99
In a special anniversary story, "Harley Saves the Universe!"-no kidding! While reading a mysterious Harley Quinn comic book, H.Q. accidentally breaks all of reality. And you know the saying: if you break it, you bought it! Now it's up to Harley to travel through both time and space to fix all the continuity errors she created. Luckily, she'll have a little help, 'cuz riding shotgun is none other than special guest star Jonni DC, Continuity Cop! Good thing, too, because if Harley fails, it means her own mom will be lost forever. Gulp! That doesn't sound very funny!
Why It’s Cool: Listen, I’m not a big fan of Harley Quinn stories. The zany superhero books (ie Deadpool) don’t usually do it for me, but this one takes a gigantic and meta idea, using it to tell a poignant story about the nature of superhero franchises, sprinkled liberally with fun deep cut nods to DC continuity. It’s a must-buy for long-time DC readers.

Ice Cream Man #7
Writer:
W. Maxwell Prince
Artist: Martin Morazzo
Colorist: Chris O’Halloran
Letterer: Good Old Neon
Publisher: Dark Horse Comics
Price: $3.99
"MY LITTLE POLTERGEIST"
Another sullen, sequential short! Here, a little girl's best friend comes back from the dead. Or does she? It's hard to say, ghosts being an unreliable sort.
Why It’s Cool: Ice Cream Man #6 was one of my favorite books of 2018 so far, accomplishing some really impressive feats of comic-making craft. It did, however, leaving me wondering if this book was becoming a bit nihilistic...until this issue put that question at rest. This is the most heartfelt issue yet of one of the best comics on the stands, and I highly recommend picking it up.

Immortal Hulk #6
Writer:
Al Ewing
Artist: Lee Garbett
Colorist: Paul Mounts
Letterer: Cory Petit
Publisher: Marvel Comics
Price: $3.99
"THE GREEN DOOR" STARTS HERE! Bruce Banner is alive - and everyone knows it. Now he's hunted by the government, Alpha Flight, the mysterious Shadow Base...and the Avengers. And someone's going to find him first. But Bruce has bigger problems. Something terrible has infected him. Something with unspeakable plans for humanity. And the only one who knows about it...is the IMMORTAL HULK.
Why It’s Cool: I’ve liked Immortal Hulk quite a bit from its first disturbing issue, but last month’s Immortal Hulk #5 introduced a new villian that in my opinion gives this story a chilling new sense of direction, one that stands to make it an even more powerful book. This is, quite simply, my favorite comic at Marvel right now.

Mister Miracle #11
Writer:
Tom King
Artist: Mitch Gerads
Letterer: Clayton Cowles
Publisher:
DC Comics
Price: $3.99
If there's one thing popular fiction has taught us by now, it's: never make a deal with the devil! And yet Mister Miracle is still listening when Darkseid approaches him with just such a devilish proposition-if Scott sends his newborn son to Apokolips, there will be peace on New Genesis. Since when has Darkseid been famous for his honesty?! It'll be a miracle if this doesn't blow up in Scott's face.
Why It’s Cool: Our site and many others have spent the past year or so heaping praise upon Tom King and Mitch Gerads Mister Miracle, and that’s not going to stop now that we’ve reached the penultimate issue. This is a series filled with equal parts introspection and misdirection. Expect some answers here, but also expect to wait for Mister Miracle #12 to really get a clear idea of what’s been going on.

Recommended New #1 Comics for September 19, 2018

  • Amazing Spider-Man Annual #1

  • Batman: Damned #1

  • Burnouts #1

  • Captain America Annual #1

  • Dick Tracy: Dead or Alive #1

  • Gideon Falls: Directors Cut #1

  • Return of Wolverine #1

Others Receiving Votes

  • Avengers #8

  • Batman #55

  • Black Badge #2

  • Black Hammer: Age of Doom #5

  • Britannia: Lost Eagles of Rome #3

  • Ether Copper Golems #5

  • Justice League #8

  • Lost City Explorers #4

  • Pearl #2

  • Skyward #6

  • Teen Titans #22

  • Thor #5

  • Usagi Yojimbo The Hidden #6

  • Venom #6

  • The Wild Storm #17

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

The Saga Re-Read: Saga #6

In Saga #6, the narration continues to do so much work, floating through panels like wisps of nostalgia gently tinging all that's taking place.

By Zack Quaintance and Cory Webber — Let’s talk about Saga’s narration, about the little snippets of Hazel looking back at the story. They just do so much work, both in setting an epic and emotional tone as well as in helping Saga stand apart from other comics, which I think is accomplished mainly through the aesthetic way the font seems to float through the panels, as if it were wisps of nostalgia gently tinging all that’s taking place.

Anyway, my point is that the narration is back and heavier in Saga #6 than it has been in some time, and I’m glad for it. This is the conclusion of the first Saga trade, the one I’ve bought for more than a few people and always been absolutely puzzled if they decide not to move on. How, I wonder, could anyone (regardless of their experience with the medium) stop following this story after these six installments? Then I shake my head and shrug, because, hey, we like what we like and anyway it’s not really my business.

What is my business is continuing this one-issue-per-week plodding Saga re-read. Onward!

Saga #6

Here’s the official preview text from way back when for Saga #6:

The epic hit series continues, as Alana and her baby finally reach the legendary Rocketship Forest, where everything changes forever.                                

Despite the presence of epic phrases like the legendary Rocketship Forest and everything changes forever, this is still a pretty bare bones teaser for the issue. The cover is decent, though, juxtaposing an indelible sign of nature (a bright green leaf) with the harsh and instantly-recognizable void of outer space. The color contrast works well enough too. I wouldn’t, rush, however, to put this cover up with the best of the series.

The cover for Saga #6.

Now on to our takes!

A Re-Reader’s Perspective by Zack: Ho boy, the brief interaction between Prince Robot IV and The Will put dread in the pit of my stomach. Oh, the things that come...anyway, here’s a great line about our lovers: Marko, the father, is a force of fucking nature. But it’s the mother who really frightens me. Awesome. In terms of craft, it’s evident in this issue that Staples potential is vast and unlimited. Her linework isn’t quite as clean as it becomes, but she’s really nailing the excellent grandeur, specifically the first shot of the spaceship. The design work on the ship’s interior is also interesting as is the ship in flight and the armor for Marko’s parents. I’m noticing upon re-reading that the domestic drama cliffhangers (And then my grandparents came to live with us) are just as significant (if not more so) than those rooted in action or blood.

A New Reader’s Perspective by Cory Webber: The family expands! I love how Marko’s parents were introduced. I just hope Izabel is okay. After all, we see her get zapped and nothing after that. Also, I’ve just assumed Horrors couldn’t die...again, but I digress. Moreover, I loved the developments here: a wood-based rocket ship with empathetic abilities, Marko’s parents being introduced, and The Will showing human emotion (again!). I can’t wait to crack the next issue and see where the intergalactic saga goes next. Although, I will admit I am pretty anxious about this journey based on the general sentiments regarding the developments in the final issue before the hiatus. For now, I’m buckled in and ready to take this ride for eight more volumes! Wish me luck!  

Cory’s New Reader Predictions: Izabel will be okay, right?! I mean, she’s bonded to Hazel. That has to mean something!

Cory Webber is a work-from-home entrepreneur who also reads and reviews comics for fun. Find him on Twitter at @CeeEssWebber. He lives in Lehi, Utah with his wife and three sons.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Modern Superhero Artists: The Sultans of Style at Marvel and DC

By Taylor Pechter — In comics, there’s always debate over what is more important: writing or art. These discussions can go either way, but they almost always conclude that both are equally important in different ways. Writers give characters their personalities, desires, and struggles, while the artists give motion and create a flow to the story. Artists also give characters different body types, faces, and ticks that writers can’t show with words alone. They are, simply put, storytellers in their own right.

Through the many decades of comics history individual artists have helped inform the style of the time. From legends like Steve Ditko and Jack Kirby in the Golden and Silver Ages, to the sleek photorealism of Neal Adams in the Bronze Age, to the incomparable detail of George Perez that helped usher in the Modern Age of comic art. However, in the past 20 years, a handful of artists have helped push the medium forward, while defining the company they belong to. This has been dubbed house style.

Exactly what is considered house style has changed during the past few years, but, even so, what I’d like to look at today are the artists who who have helped define their respective superhero universes.

DC

1. Jim Lee — Arguably the most popular artist of the 1990s, Jim Lee rose to fame drawing the X-Men for Marvel in the early years of the decade before breaking away to form Image and his company, WildStorm Productions. In the late 90s, he sold his company to DC, bringing his signature style over to the brand. Lee’s style contains heavy linework, chiseled jawlines, extreme detail, and dynamic action. This style has helped define the look of the modern DCU by making it grander and more epic in scale. Currently, Lee serves as Chief Creative Officer of DC Entertainment.

Notable Works:

  • Batman: Hush

  • All-Star Batman and Robin: The Boy Wonder

  • Justice League: Origin

  • Superman: Unchained

2. Ivan Reis — Coming to American comics all the way from Sao Paulo, Brazil, Ivan Reis has quickly become the go to event artist for DC of the past decade. Combining the sleekness of Neal Adams, the cinematic flair of Bryan Hitch, and the sheer scale of George Perez, Reis is a defining artist of the current generation. He’s also a notable collaborator with modern DC architect Geoff Johns, and his delicate-yet-cinematic style has helped bring new prominence to characters like Green Lantern and the Teen Titans. He’s currently drawing Superman, which is written by Brian Michael Bendis.

  • Infinite Crisis (With Phil Jimenez, George Perez, and Jerry Ordway)

  • Green Lantern: The Sinestro Corps War

  • Blackest Night

  • Teen Titans: Titans of Tomorrow

3. Gary Frank — English superstar Gary Frank is a roughly 23-year veteran of the business. Frank got his start at DC helping co-create the Birds of Prey team with legendary Bat-scribe Chuck Dixon. He later honed his craft at Marvel, drawing the Incredible Hulk and also collaborating with J. Michael Straczynski, but he eventually returned to DC to become one of, if not the defining Superman artists. With his keen eye for detail, simple-but-effective panel layouts, deep shadows, and expressive faces, Frank has become a favorite of mine and of many others.

Notable Works:

  • Superman: Brainiac

  • Superman: Secret Origin

  • Batman: Earth One

  • Doomsday Clock (currently ongoing)

4. Alex Ross — Arguably the most recognizable artist of this bunch, Chicago-based painter Alex Ross combines the photorealism of Norman Rockwell with the grandeur of the DCU. Ross depicts superheroes the way they were always meant to be seen: standing taller than life in the face of adversity. Using vast landscapes, strong postures, and smiles galore, Ross has become a multimedia sensation, not only drawing comics but also creating posters for film and video games.

  • Kingdom Come

  • The World’s Greatest Super Heroes

  • Justice Society of America: Thy Kingdom Come

5. Jason Fabok — The newest artist on the DC block, Canadian Jason Fabok rose to prominence during DC’s New 52. While starting on smaller stories in Detective Comics, he later became popular via the mega Bat-event Batman Eternal followed by a run on Justice League with Geoff Johns. With his blend of realism, glossy texture, cinematic layouts, and brutal action, Fabok has fast-become one of the most acclaimed DC artists of the decade.

  • Batman Eternal

  • Justice League Darkseid War

  • Batman/Flash: The Button

  • Three Jokers (upcoming)

Marvel

1. Joe Quesada —  Coming from New York City, Joe Quesada, much like his contemporary at DC Jim Lee, had a hand in crafting Marvel’s signature style coming out of the 90’. With inker Jimmy Palmiotti, Quesada redefined what street-level Marvel meant, fueling the creation of Marvel Knights. Quesada’s use of overly exaggerated proportions, dense and heavy shadows, and cartoony-yet-expressive faces is part of the blueprint for Marvel to this day. He now acts as Chief Creative Officer for Marvel Entertainment.

  • Daredevil: Guardian Devil

  • Spider-Man: One More Day

2. David Finch —  Another comics superstar hailing from the Great White North, David Finch started drawing in the late 1990s for Marc Silvestri’s company Top Cow before moving to the House of Ideas in the 2000s. An early collaborator with a young Brian Michael Bendis, Finch’s heavy shadows, musclebound heroes, and cinematic action helped Marvel craft a denser and darker universe. He now works as a freelance artist and is husband to writer Meredith Finch. Most recently he has drawn issues of Tom King’s ongoing run on DC’s Batman.

  • Avengers Disassembled

  • New Avengers: Breakout

  • Moon Knight: The Bottom

  • Ultimatum

3. Steve McNiven — This is the last Canadian artist on this list, I promise. McNiven has been a Marvel mainstay since the early 2000s, when he did many covers for the publisher. His big break, however, came in 2006, when he was tapped for Marvel’s biggest event of the decade, Civil War. After that, McNiven started a partnership with Mark Millar. He is a king of rendering, using different styles of fabric and metal to do so. He adds many layers of texture that help lend to his somewhat stylized photorealism. His explosive panel layouts and eye for epic moments have led him to become one of Marvel’s blockbuster exclusive artists.

  • Civil War

  • Wolverine: Old Man Logan

  • Death of Wolverine

  • New Avengers: The Sentry

4. Olivier Coipel —  Magical, mythical, grandiose...these are all words that have been used to describe French artist Olivier Coipel’s work. Rising to prominence as a frequent collaborator of Brian Bendis, Coipel helped tear down and rebuild the Marvel Universe many times over. With his delicate linework, his characters move with a certain grace along with detailed architecture and lush landscapes that help create truly stunning comics.

  • House of M

  • Thor (2007)

  • Siege

  • Unworthy Thor

5. Leinil Francis Yu —  Last but not least we come to Filipino artist Leinil Francis Yu, who got his start his start in the late 90’s, his claim to fame being a major stint on Wolverine and other X-Men titles. His style is much looser than the others on this list. Yu uses many different lines to add intricacies. During Marvel’s big resurgence in the 2000’s, he became, much like Coipel and McNiven, a go to artist for the blockbuster events and headlining books. His action is frenetic and that helps greatly set the pace for the books that he draws.

  • Wolverine

  • Secret Invasion

  • Ultimate Wolverine vs. Hulk

  • Captain America (currently ongoing)

In the end, these artists have all been mainstays of certain universes with styles that while influenced by many great artists before them, are still uniquely their own. They have all played significant roles in creating the house styles that differentiate the two superhero universes, with DC having a more detailed, almost photorealistic look, while Marvel features a more exaggerated, cartoony, and fantastical aesthetic. These artists have helped redefine their universes; they are true sultans of superhero style.

Taylor Pechter is a passionate comic book fan and nerd. Find him on Twitter @TheInspecter.

Check out Marvel Comics, now at comiXology.com!



REVIEW: Amazing Spider-Man #5 by Nick Spencer, Ryan Ottley, Cliff Rathburn, Laura Martin, & Joe Caramagna

Amazing Spider-Man #5 is out 9/12.

By Zack Quaintance — We as readers have maybe come to take for granted twice-monthly flagship superhero books, now basically standard at both Marvel and DC, with Amazing Spider-Man and Batman both on that schedule (plus others too). To write and edit a title at that pace surely means a yeoman effort of planning, an inability to have even a minor misstep in terms of completing one’s work, lest a high-selling title in a publishing line skip a week and cost the company all kinds of money.

As much as I’ve loved Tom King’s Batman (and overall I have loved it, quite a bit), there’s no denying the sometimes major gaps in consistency, story arcs flawed in both conception and execution. For whatever reason, Dan Slott’s recently-concluded Amazing Spider-Man run seemed to suffer from slightly different problems. Whereas King’s scripts never lack for the grandiose or poetic, leaving him prone to mischaracterizations or over-writing in service of grand ambitions, Slott’s run on Amazing Spider-Man at times mired in the minutiae of seeding the future, leading to occasionally slow or less than fully-satisfying comics.

That struggle, I think, is also an issue with Nick Spencer and Ryan Ottley’s Amazing Spider-Man #5, the end of this new team’s first story arc. I absolutely loved Amazing Spider-Man #4, to the point I wrote an effusive and glowing review, but this finale landed for me with a bit of whump. That’s right, a whump. Spencer lays quite a bit of track for the future—be it with MJ, Boomerang, or two other villains I won’t mention here for fear of spoilers—leaving the actual hero versus villain conflict of this story to resolve itself in the space of less than four pages.

And I get that the real conflict here is between two versions of the protagonist—Spider-Man and Peter Parker, who’ve been separated via sci-fi hijinx—but their conversations with each other don’t hit any ground that wasn’t covered in more interesting and concise scenes in prior issues, and, really, what resolves their plight is pretty convenient and lucky, with neither side acting in a way we haven’t just seen last issue. And, yes, this is superhero comics and growth for the main character is all but forbidden, but Spencer’s past work (especially on Astonishing Ant-Man) has found ways to obscure that stagnation with poignant heart-to-hearts or conflicts that force telling choices from the hero.

All that said, Spencer continues to have a knack for Peter’s world and voice, and Ottley’s art is sharp as ever. Slott on his run did have an established pattern wherein he absolutely nailed the biggest issues of his run, the anniversaries and events and the like. Spencer certainly showed in Amazing Spider-Man #1 that he has it in him, too. In an age of high-pressure double-shipped books, that kind of writing rollercoaster may very well be inherent to these characters.        

Overall: The end of Spencer and Ottley’s first Amazing Spider-Man arc does a better job laying track for the future than paying off this first story arc. It has quite a bit to say about the Spider-Man ethos, but it’s all stuff we heard last issue. Still, the voice and ambitions here remain strong, and I’m optimistic for this run’s future. 6.5/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: Wasted Space #5 by Michael Moreci, Hayden Sherman, Jason Wordie, & Jim Campbell

Wasted Space #5 is out 9/12.

By Zack Quaintance — Through four issues, Wasted Space has done a tremendous amount of world-building, character development, tone-setting, and plot setup. This is a book built on a foundation of Star Wars-esque high action space heroics. Said space heroics, however, are also laced with high ideas about religion, chemical escapism, terrorism, and the merits of political stances ranging from complacent apathy to total anarchy. It’s a lot, to be sure, and a less confident set of creators might buckle under its weight.

Not this team. Wasted Space #5 is the conclusion of this comics’ first arc, and it’s also this book’s most entertaining issue to date, paying off so much of the dense track that has been laid while having an absolute blast doing it. That’s not to say this book is irreverent or escapist. No, far from it. The complex and increasingly-relevant battle of one man’s desire to be loved and happy versus his responsibility to combat societal injustice and oppression at great cost to himself continues to rage. Indeed, there are choices made here as dramatic as all get out, yet still executed in a way that mercilessly tickles the brain, be it via machine gun quips, kinetic page-busting linework between panels, or a plot that feels equal parts inevitable and surprising.

What is perhaps most impressive about Wasted Space is the way that Moreci and Sherman have built a tone that gives them so much freedom to tell their story. In this issue, there is a scene wherein two blue robots designed to have sex and murder have a soap opera exchange about why one left the other at the altar. In this very same comic, there’s a three panel set of close-cropped shots of teary characters faces, one of which belongs to a possibly-hallucinated robotic god. None of this feels at odds or out of place. It speaks to the confident imagination and high craft of the storytellers that all of this is now possible and coherent within the space of a single issue.

On top of the big ideas and high adventure, Wasted Space is a sharply hilarious comic.

I see nothing but a bright future for this book. It’s already come such a long way since we reviewed its first issue way back in April, regularly popping in features written by national pop culture outlets about comics that are not to be missed (welcome to the party folks, btw). Its publisher, the very cool and very smart Vault Comics, has also wisely made Wasted Space an ongoing comic. Simply put, Wasted Space is a comic that reads like Star Wars by way of 2018, determined to honor the tradition of the space opera

Overall: Simply put, Wasted Space is a comic that reads like Star Wars by way of 2018, determined to honor the hijinx and high adventure of the space opera while fearlessly exploring the central conflict of our times: where should one’s desire for comfort end and their obligation to combat oppression begin? 9.5/10

For reviews of Wasted Space #1 - #4, plus many other titles, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: Wonder Woman #54 by Steve Orlando, Raul Allen, Patricia Martin, Borja Pindado, & Saida Temofonte

By Zack Quaintance — I tend to keep a running list of my favorite single comics in any given year, in part because I’m compulsive but also because it helps when December rolls around and it’s time to spin some Best Of lists. One of the first books for 2018 was from Valiant. It was a one-shot comprised of vignettes about random items conjured by a guy with special powers. It was called Secret Weapons: Owen’s Story, written by screenwriter Eric Heisserer and drawn by the duo of Raul Allen and Patricia Martin. Meanwhile, one of the more recent additions to my list was Wonder Woman #51, a one shot about the depths of Diana Prince’s compassion, as drawn by Laura Braga and written by Steve Orlando.

See the connection? Now in Wonder Woman #54, the artists from that first comic and the writer from the second have united to tell a two-part Wonder Woman story, and the results in this first half are fantastic. It’s easy to see why DC tapped Allen and Martin to draw this issue. First of all, they’re super talented, and second, the plot of this book takes us to a mythology-tinged anachronistic setting, not unlike territory often covered by stories over at Valiant, where the duo typically works.

Their detailed and fully-rendered linework really grounds the world of the Bana-Mighdall, emphasizing the exotic timelessness of their culture. Orlando’s Wonder Woman writing continues to be strong, as it has for the entirety of his time on this book. Orlando just gets this character, depicting her as he does with equal parts limitless empathy and boundless swagger. It’s a delicate balance, and he nails it, giving us a Diana who knows full well how important her role is, and is also determined to have fun while doing her duty.

One of my favorite visual sequences from Wonder Woman #54

There are some sequences in this comic wherein the sensibilities of the writer and the artist come together impossibly well, thinking specifically of the page in which Borja Pindado’s yellow palette accentuates Rustam’s power as he blasts Diana out of the panel as well as of the bit where the center of the page depicts Diana deflecting bullets within the actual letters of the sound effects she’s making. There’s an old school adventure sensibility to both the writing and art here, as welcomely unstuck in time as the immortals who star in the story.

Overall: Separately, Steve Orlando and the duo of Raul Allen and Patricia Martin have fast become some of my favorite emerging creators in recent years, and so I found it an absolute treat for them to collaborate, especially with a character for which Orlando in particular possesses such an evident understanding. 9.0/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Comics of August 2018

By Zack Quaintance — August 2018 was the month of Jeff Lemire, who wrapped up the 14th and final issue of Royal City, the first arc of creator-owned hit Gideon Falls, a multi-year run on Valiant’s Bloodshot, and a big reveal in mysterious superhero nostalgia trip Black Hammer (which, by the way, he’s using to build a generational superhero universe from scratch). Oh, and Lemire did all this while also writing Sentry, The Terrifics, and probably more books I’m forgetting.

That’s not all. Just when Lemire was cresting on the strength multiple impressive and prolific comics runs, he used the platform his profile affords him to castigate a rage movement that bullies and harrasses creators from marginalized groups, an action for which he’s surely gotten blowback. Still, that kind of speaking out sparked the most wide-spanning conversation yet about why it’s important to denounce such tactics and such groups.

So yeah, item of business no. 1: hats off to Lemire. Item no. 2? A look at this month’s top comics, which, unsurprisingly, will also merit further discussion of Lemire. Now that I’ve set a new record for mentions of one creator during my intro...let’s do this!

Shout Outs

Shanghai Red #3 continues Christopher Sebela and Josh Hixson’s searing pioneer revenge epic. The colors in Hixson’s artwork are especially revelatory.

The penultimate issue of Steve Orlando and Garry Brown’s six-part father-son Russian revenge epic Crude took the book to new heights in both physical and emotional stakes.

Michael Moreci and Hayden Sherman’s Wasted Space is now ongoing, which is very cool because every issue has been stellar, including this month’s Wasted Space #4.

Action Comics #1002 was the most complete Bendis Superman issue since Man of Steel #1. Bendis is slowly building his Superman status quo, pulling in vital elements and reconstructing Clark’s life with updates for 2018. Plus, art by Pat Gleason!

Meanwhile in Supergirl #21, Bendis passes a cosmic story thread left dangling in Man of Steel to the creative team of Marc Andreyko and Kevin Maguire. Excited to see where in the galaxy it goes.

I liked The Euthanuats #1, with its poeticism and blurry line between life and death, but I loved The Euthanauts #2, which declared that this comic is primed and ready for a lengthy run.

Batgirl has a new creative team: writer Mairghread Scott and artists Elena Casagrande and Paul Pelletier. So far I’ve liked all of their work, which this month alone included half of Batgirl #25, all of Batgirl #26, and Batgirl Annual #2.

Donny Cates and Ryan Stegman are doing fantastic things in Venom, expanding their vision for a character that previously seemed outdated. Hell of a run taking shape here.

Another issue of Mister Miracle by Tom King and Mitch Gerads, another spot on our monthly best of list. This book is just so good.

Finally, we got a two-issue Wonder Woman arc from Steve Orlando and Aco, high adventure that teamed Diana with Artemis and the new Aztek for mythology-meets-multiverse fun.

Top 5 Comics of August 2018

5. The Wild Storm #16 by Warren Ellis, Jon Davis-Hunt, & Brian Buccellato

The Wild Storm continues to be a wonderfully-complex slow burn of a comic, one with much to say about power structures, corporations, government, and the role of individuals within it all. Warren Ellis and Jon Davis-Hunt (with excellent Brian Buccellato colors) are really taking their time here, giving this comic a more weighty and realistic feel than past iterations of this universe.

It won’t be entirely clear until we get the final eight issues of this story, but I’m starting to suspect this book will land among Warren Ellis’ best work. In many ways, it’s the final form of so many ideas that he’s played with throughout his career, ideas that he’s able to explain through familiar character in a totally new universe that’s unburdened by past or present continuity. DC essentially told Ellis, You know those characters you’ve written on and off throughout your career...would you like to start from scratch and do whatever you want with them? He (obviously) said yes, and the end result is awesome comics.

4. Amazing Spider-Man #4 by Nick Spencer, Ryan Ottley, Cliff Rathburn, Laura Martin & Joe Caramagna

Cards on the table: Along with Uncanny X-Men, Amazing Spider-Man is the first comic I subscribed to as a kid. I’ll always and forever have it on a pull list. That is to say, I was always giving Nick Spencer and Ryan Ottley’s run on this book a shot, and, through the first three issues, I thought it was amusing, a light romp through all the qualities that make Spider-Man a beloved character, albeit a bit light on his central conflict: his guilt over passively enabling the death of his uncle.

Amazing Spider-Man #4, however, was the first issue to break through the shiny veneer of Ottley art and Spencer quips, showing that this creative team is interested in the core of the character and determined to get it right. This book broached Peter Parker’s central conflict and guiding philosophy in intriguing ways, while also continuing to double down on the strengths of earlier issues. As a result, I am one supremely satisfied long-time reader.

3. Batman #52 and #53 by Tom King, Lee Weeks, & Elizabeth Breitwesier

Batman #52 and #53 were part of the recently-concluded Cold Days arc, which is my favorite multi-part story that Tom King has told with Batman (I still like Batman Annual #2, Batman/Elmer Fudd, and Batman #37’s double date better as single issues, but I digress). The arc was drawn by Lee Weeks, who has emerged as maybe Tom King’s best collaborator on this run as well.

What makes the story work so well is how it speaks to comics collective obsession with Batman. In Cold Days, Bruce Wayne manipulates his way onto a jury of a Mr. Freeze murder trial because he worries he made a mistake as Batman, so shook was he after being left at the altar by Catwoman. He gives a 12 Angry Bat-Men kind of speech, wherein he questions the fallibility of his alter ego. Intentional or not, that speech had a meta context, raising questions about the way fandom venerates the character. Fantastic stuff.

2. Ice Cream Man #6 by W. Maxwell Prince, Martin Morazzo, Chris O’Halloran, & Good Old Neon

This comic somehow tells three self-contained stories in a single issue, doing so with little to no dialogue in a way that not only makes sense but will almost certainly haunt the vast majority of readers for weeks (at least, that’s been my experience). Really, if it wasn’t for the monster month of the creator who took the no. 1 spot, Ice Cream Man #6 would have been an easy choice for August’s best.

This comic is one of my favorite single issues of 2018 so far. The craft here is so impressive that I don’t want to think about it too hard, lest I lose motivation to ever attempt anything creative of my own again. Moreover, I have a pretty strong predisposition against stories steeped in cynicism or bleakness—and this issue is most certainly that—yet this book is so well-done I was able to overlook all that. Ice Cream Man holistically is one of the best horror books today, as well as one of the best explorations of what’s possible with the medium, in terms of form and structure. I can’t recommend it enough.  

1. Jeff Lemire

Jeff Lemire landed in the top spot for a few different reasons, many of which we touched on earlier: the conclusion of his Bloodshot epic, the quiet way Royal City’s ending issue made my eyes well, the outstanding reveal on the last panel of Black Hammer: Age of Doom #4, and, of course, the way he stood up to Comicsgate, contributing in no small part to a roiling wave of similarly-prominent creators who did the same.

We should also note that Gideon Falls first arc ended in August (in excellent fashion), and that that book’s entire first storyline has been extremely well-done. So yeah, most months are solid for Lemire output, but August felt like a statement on his part about who he is and what he wants his impact on the industry to be: a disciplined and prolific creator with no tolerance for harassment, rage, bullying, bigotry, or dumbassitude of all kinds. Not bad...not bad in the slightest.

Check out our Best New #1 Comics of August 2018 here plus more of our monthly lists here .

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, CA.

ADVANCED REVIEW: Blackbird #1 by Sam Humphries, Jen Bartel, Paul Reinwand, Nayoung Wilson, Jodi Wynne, & Dylan Todd

Blackbird #1 is due out 10/3. 

By Zack Quaintance — Blackbird #1 is an intriguing debut comic, a stylish fever dream steeped in family dysfunction and disaster and illusion and fantasy and escape, all tinged with a bright dusting of supernatural art. This book is, simply put, an incredibly-stylish story told in big clean panels, rich with memorable visuals and a firm narrative voice from its start. I found it to be thoroughly engrossing.

Blackbird is written by Sam Humphries, who had an instrumental role in DC’s Rebirth line penning Green Lanterns and has since transitioned into writing Harley Quinn. Humphries greatest strength as a comics writer is perhaps his ability to write characters who talk to the audience as if they were a friend (or at least a chatty stranger). His narration makes this protagonist sound like she’s talking directly to us, telling a story, leaning in for support, or even opening up while knowing she’ll come to regret it. The result is a hero who feels and sounds real.

My favorite bit comes about halfway through this issue, when she tells us: I became that girl. I talked about monsters and magic and wizards, like, all the time. I was a girl who made things up, said anything to get attention. But I know what I saw. There is magic in the world, I just can’t find it. The Verdugo Earthquake was ten years ago. Hi. This is me now….it’s a thesis statement, really, one that is intriguing, informative, and conversational all at once.

It’s always hard to tell after a first issue, but thematically Blackbird seems interested in exploring the disconnect between childhood wonder and adult reality. It draws a constant and powerful connection to how kids deal with trauma by finding solace in the biggest and brightest ideas they can, whereas adults are more likely to wonder what the hell happened to me and how do I stop it? There’s a lot of universality here, universality that powerfully compliments the bold and bright linework supplied by Jen Bartel, who, to be clear, is a towering talent of an artist, one with a unique and kinetic style. Really, the visuals in this book are absolutely stunning, worth the price on their own merits.

This book also seems interested in addiction, hints of which were used powerfully by Humphries in another semi-recent book, his follow up to Jason Aaron’s Weird World, which came out post-Secret Wars and was severely underrated. We live in a country where 200 people a day died last year from opioid overdoses. It is without question as serious an issue as any, and I’m curious to see how it factors into this excellent creator-owned comic moving forward.

Overall: A gorgeous urban fantasy that contrasts forlorn subject matter with clean and bright linework. Much intriguing track has been laid in this first issue, wherein Humphries and Bartel also show themselves to be a perfectly complementary team with a grandiose vision. A great debut that I enthusiastically recommend. 9.0/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Comics to Buy for September 12, 2018

By Zack Quaintance — I spent this past weekend at Rose City Comic Con in Portland (which was pretty fantastic, as one might expect from a smaller-ish con in a cool city), and as a result I didn’t have as much time as usual to go over my advanced review copies for the week. Luckily, I’d had a chance to read some books in advance and some others while I’m there. That, plus the strength of previews, is what has given us our list.

You know what? For the second straight week I’m putting six comics in our Top Comics to Buy section (plus the new #1s and the 15 in the lower section). It’s my list, I make the rules, etc. I just find that dropping that last book down to others receiving votes is too thin a margin to really justify keeping it out. And, hey, what’s the hard in just one more tiny recommendation, right? Comics are too good right now.

Onward!

Top Comics to Buy for September 12, 2018

Archie 1941 #1 (of 5)
Writer:
Mark Waid, Brian Augustyn
Artist: Peter Krause
Colorist: Kelly Fitzpatrick
Letterer: Jack Morelli
Publisher: Archie Comics
Price: $3.99
THE HISTORIC, GROUND-BREAKING MINI-SERIES STARTS HERE! Archie has been around for over 75 years and has been through many significant moments in time, but never before have we seen the characters take on real-world events as they unfold. WWII is looming and Archie and many young men from Riverdale are close to enlistment age. If you're a Riverdale teen, how would you cope with a looming world-changing event? Join the writing team of MARK WAID and BRIAN AUGUSTYN along with artist PETER KRAUSE for the all-new mini-series that is sure to have everyone talking!

Why It’s Cool: Mark Waid is a thoughtful writer with a vast respect for comics history...and this is a book steeped in thoughtful concepts and comics history. It seems like an ideal fit, a great way to look at the universality of being young and facing the churn of a tumultuous world.

Amazing Spider-Man #5
Writer: Nick Spencer
Artist: Ryan Ottley
Inker: Cliff Rathburn
Colorist: Laura Martin
Letterer: Joe Caramagna
Publisher: Marvel Comics
Price: $3.99
Things look bad for Peter Parker......but GREAT for Spider-Man! The first arc of the epic new run on ASM comes to a climactic finish!

Why It’s Cool: We’ve been pretty effusive with our praise for this new Amazing Spider-Man creative team, which you can read about in this review of Amazing Spider-Man #4. Given that excitement, we are understandably psyched to see how they rap up their very first arc with Marvel’s flagship character. They've set up a pretty intriguing plot point, and we're excited to see how they pay it off and what kind of seeds they plant for the future in the process (ahem, more Mary Jane?)

Cemetery Beach #1 (of 7)
Writer:
Warren Ellis
Artist: Jason Howard
Letterer: Fonografiks
Publisher: Image Comics
Price: $3.99
From the creators of the acclaimed TREES graphic novels, which are currently being adapted for television, comes something completely different. A professional pathfinder, his only ally a disaffected young murderess, breaks out of a torture cell in pursuit of his worst extraction scenario ever: escaping on foot across a sprawling and secret off-world colony established a hundred years ago and filled with generations of lunatics. WARREN ELLIS & JASON HOWARD ignite a high-speed new action serial.

Why It’s Cool: This is a high-speed, high-concept action thriller with a ton of the usual big Warren Ellis ideas waiting just beneath the surface to be explored. Howard’s artwork is kinetic and crackling, and the team as a whole does a fantastic job, putting together one of the best debut issues all year. Read more here.

House of Whispers #1
Writer: Nalo Hopkinson
Artist: Dominike “Domo” Stanton
Publisher: DC Comics
Price: $3.99
An all-new corner has been added to Neil Gaiman's Sandman Universe! Welcome to the House of Dahomey, the houseboat of Erzulie Fréda, where the souls of Voodoo followers go when they sleep to beseech the flirtatious and tragic goddess to grant them their hearts' desires and counsel them on their futures and fortunes. When you arrive, you'll find a party is in full swing, filled with all kinds of fabulous and fierce folk, while fish fry and music blasts. From her bayou, Erzulie scries upon the mortal realm and sees four human girls open a mysterious and magical journal filled with whispers and rumors that, if they spread, could cause a pandemic unlike any the Earth has seen, with the power to release Sopona, the loa lord of infectious disease and cousin to Erzulie, who is currently banned from the human plane. But even the fearsome Erzulie cannot be of assistance when her dream river turns tumultuous, tossing her house from her realm and into another…

Why It’s Cool: This book had me at all-new corner has been added to Neil Gaiman’s Sandman Universe...mostly because I’m a Sandman neophyte (who is very publically and shamefully making up for this on Twitter by reading an issue of that series every night). Not having a lengthy pre-existing relationship with the seminal series—but still wanting in on the fun—this book is perfect for me. I also heard Hopkinson and Stanton discuss their plans for the book at SDCC, and it sounds fantastic.   

Long Lost Book 2 #2
Writer: Matthew Erman
Artist: Lisa Sterle
Publisher: Scout Comics
Price: $3.99
Thought. Void. Space. Hazel Patch. Piper is lost and must work with an unlikely ally to find a way home while Frances is reunited with Jody as she sheds new light on everything that has happened. Piper and Frances are fast approaching the end and as questions are answered, they are forced to make game-changing decisions.

Why It’s Cool: Long Lost is a hazy and haunting dream of a comic, one that deals in nostalgia, regret, the lasting effects of childhood damage, and the ongoing fade of America’s small towns...it’s also one of my favorite new comics discoveries this year. This book is clearly headed to a massively intriguing climax, and I for one can’t wait.

Wicked + Divine #39
Writer: Kieron Gillen
Artist: Jamie McKelvie
Colorist: Dee Cunniffee
Publisher: Image Comics
Price: $3.99
END OF STORY ARC! A 2018 Eisner Award nominee for Best Continuing Series and Best Lettering by CLAYTON COWLES! "MOTHERING INVENTION": Conclusion-Well, it's the end of the arc, in just about every way you could define those particular words.

Why It’s Cool: Wicked + Divine is far into its end-game now, and so many plot points from its distant past are coming around to matter. The end of last arc was certainly heavy with revelations, and we expect the last issue of the penultimate arc of this fantastic ongoing title to be much the same. As always, here’s hoping for HBO or a similarly-prestige heavy network to tap this one for adaptation.

Recommended New #1 Comics for September 12, 2018

  • Iceman #1

  • Journey Into Mystery: Birth of Krakoa #1

  • Low Road West #1 (of 5)

  • MCMLXXV #1

  • Wrong Earth #1

Others Receiving Votes

  • Champions #24

  • Crowded #2

  • Fantastic Four #2

  • Flash #54

  • Hawkman #4

  • Hot Lunch Special #2

  • Infinity Wars #3

  • Mech Cadet Yu #12

  • New World #3

  • Seeds #2

  • Supergirl #22

  • Wasted Space #5

  • Weatherman #4

  • Wildstorm: Michael Cray #11

  • Wonder Woman #54

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

The Saga Re-Read: Saga #5

By Zack Quaintance & Cory Webber — We crossed the 50 weeks remaining mark! Congratulations for all of you who have made this trip with us. I can only speak for myself, but re-reading at this slow and careful pace has been a real treat for me so far, giving me a chance to really live within this story and consider all that I know about what’s to come before moving forward. I hope you’re having a similar experience.

Meanwhile, during this hiatus the creative team is making itself somewhat visible. I highly encourage all of you re-readers to check out this interview from Entertainment Weekly with both Brian K. Vaughan and Fiona Staples, in which they discuss that plot point from Saga #54. Also, if you happen to be one of those mythical folks who doesn’t have a gigantic surplus of comics to read, Vaughan and Staples also recently built a Goodreads list for fans of Saga, which contains some other recent favorites of mine such as Ice Cream Man, as well as some other books that are all new to me and soon to join my ever-expanding to read list.

That does it for this week’s preamble. As always, thanks for joining us on our epic journey. Onward!

Saga #5

Here’s the official preview text from way-back-when for Saga #5:

The smash hit ongoing series from Brian K. Vaughan and Fiona Staples continues, as Prince Robot IV's hunt for Hazel and her parents takes a deadly turn.

And boy does it. It’s still so early in this story, and already we have Vaughan and Staples slamming various character motivations around and making their creations pay the price. Good writing is often as simple as giving characters a clear desire, putting giant obstacles in their ways, and depicting how they respond. Saga has always had an impressive command over that, and this issue is a great example. Plus, that cover!

A Re-Reader’s Perspective by Zack: Looking back, the amount of space dedicated to humanizing The Will and Prince Robot IV in the first arc is interesting. It’s easy to think of them both as side characters who were incidentally fleshed out. That’s not entirely the case, though, considering maybe about a third of the very first arc went to giving them human and relatable motivations for who they become and how they later interact with our heroes. This issue is also notable for being the first appearance of Marko’s defining character flaw, his violent bouts of rage. Eep.

A New Reader’s Perspective by Cory Webber: This issue starts off with another signature Saga splash page of the mundane with Prince Robot IV on the toilet. I love that he’s reading the harlequin novel he confiscated as evidence back in #2. Now, let’s talk about Marko, specifically his sword skills. Umm, remind me not to piss him off. Also, I love how he goes all Kill Bill on the soldiers, but Alana shoots him before he can kill them...and he thanks her for shooting him. This pretty much sums up their relationship—she grounds him, by any means necessary. Now, let’s talk about The Will the Lord of shit vacations. It was nice to see him try and rescue the child. I like that Vaughan is creating sympathy for characters who are bad. Nothing about this book is black or white; there’s lots of gray. As for the ending, I definitely did not see that coming.

Cory’s New Reader Predictions: The Stalk is okay. Her heart is somewhere in her large abdomen. And her and the Will will go on endless shitty vacations with their newly-adopted and rescued child.

Thanks for joining us, and be sure to check back next Friday for a discussion of Saga #6! Tweet us @BatmansBookcase with your own thoughts, and we may run them here next week…

Cory Webber is a work-from-home entrepreneur who also reads and reviews comics for fun. Find him on Twitter at @CeeEssWebber. He lives in Lehi, Utah with his wife and three sons.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Five Questions With Creators: Stephanie Phillips

The final order cutoff date for Devil Within is Sept. 10.

By Zack Quaintance — Stephanie Phillips new book Devil Within (out Oct. 3 from Black Mask Studios) caught my attention after I hear her discussing it on a panel at San Diego Comic Con. It’s no stretch to say that 2018 has been a banner year for horror comics, and Devil Within seems to fit squarely into that, while also staying ground in something most readers will surely relate to — a shared romantic relationship.

We recently caught up with Stephanie to ask her about her new book Devil Within. Stephanie is also involved with a pretty diverse set of pursuits outside of comics, ranging from academia to Muay Thai and hockey. We also used this as an opportunity to talk to her about all of that, and how (if it all) it connects with her writing.

Without further adieu, here is this week’s edition of Five Questions with Creators!

1. Okay, so first things first…can I start by asking about your background as a writer? Just from taking a quick look at your website, it seems super interesting and also intellectually diverse…

I have an MA in English and I am a PhD candidate in Rhetoric and Writing (currently dissertating). I also teach technical communication in the School of Engineering and Applied Sciences at the University at Buffalo. I have worked as a technical writer, an editor, a journalist, and a writing teacher. Besides my brief stint making sandwiches at a Firehouse Subs in Florida, most of my jobs have centered on writing.   

2. I heard you describe your forthcoming book from Black Mask, Devil Within, at SDCC…and it sounds terrifying. What kind of experience should readers expect when we pick up this comic?

The main focus of the story is actually trust and relationships. I think back to old slasher movies where a couple is in peril and one person has to watch their lover get slaughtered in some horrific manner. Loss of love is terrifying, but I want to explore what it means to lose love while also being terrified of the person you love. What if the monster is sharing a bed with you?

Reveals and jump scares don’t work in comics the same way they might in a movie, so we are definitely going for a more psychologically stimulating scare that calls into question who we trust and let into our lives, while also showing off some creepy creatures. Maan’s storytelling and monsters should definitely make your skin crawl.

Rising comic writer Stephanie Phillips. 

3. The book is also set in the Philippines…what role does Filipino mythology play in the book?

I don’t want to give too much away, but a lot of our creatures are based in Filipino mythology, if not directly taken from mythology. The story also focuses on Filipino cultural practices surrounding possession. As I have said before, DEVIL WITHIN is based on a true story. Using the actual events as a jumping off point, I tried to stay authentic to the experiences of the people who witnessed what they believe was a demonic possession. One interesting thing I learned about Cebu is that a friend of mine who lived in the Philippines actually had a school day canceled on account of possessions. Snow days, hurricane days, possession days… makes sense.

4. So, compared to the academic writing, personal essays, and journalism you’ve done…how is writing comics different and do you have to drastically alter your approach?

This is actually a really tough question. There is absolutely crossover with everything I write, and I would like to think that my degrees, at the very least, qualify me to write a grammatically sound sentence. Pinpointing what bleeds into my comic writing from my time as an academic writer is a bit tough, but I think the biggest takeaway from working in technical communication is how best to work with my teams. Comics are extremely collaborative, and that means communication is essential. When I explain to Maan what I envision for a page, I need to be able to write in a way that allows Maan to clearly interpret all the things happening in my brain without taking away his creative license, but still providing enough detail to where he isn’t left in the dark. It’s actually a super interesting process and I could write an entire dissertation on it… oh wait, I am!

Kicking Ice from Stephanie Phillips and Jamie Jones is coming soon.

5. Aside from Devil Within, what other upcoming comics projects are you currently at work on? 

So much! KICKING ICE, drawn by Jamie Jones, is at the printer and will be out in the wild very soon. I am also working on a short story with Top Cow set in the Postal universe, and three secret projects that I can’t talk much about yet, but I promise they are big and I am really, really excited about them.

+1. So, you’re an accomplished beer league hockey player, and some of the proceeds from your all-ages graphic novel Kicking Ice went to help the National Women’s Hockey League grow women’s hockey…if you weren’t writing, what are the odds you’d be spending even more time on the ice?

Actually, if I wasn’t writing and teaching, I think I would be spending more of my time in a boxing ring than an ice rink! I absolutely love to play hockey, but I was never good enough to reach the level needed to play professionally. As a Muay Thai fighter, however, I had a number of bouts and worked as a trainer at a local gym in Florida. The more writing projects I took on, the less time I could spend training and fighting. I still train for fun once in a while, but I don’t think I will be stepping back in the ring for the time being (my mom is thrilled about this). 

Check out our other Five Questions with Creators pieces and other Comics Lists here!

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at@zackquaintance. He lives in Sacramento, California.

The Punisher’s Code: A Look at Frank Castle’s First Appearance in Amazing Spider-Man #129

By Theron Couch — Unlike Marvel’s other vigilante heroes, the Punisher has always used lethal means to accomplish his goals. Whether in his own series, a guest appearance in another character’s book, or even during an extended alternate future tale like the one in this week’s Old Man Logan Annual, Punisher always carries the chance for serious casualties. Frank Castle’s history of lethal justice dates all the way back to his first appearance in Amazing Spider-Man #129, wherein Spider-Man was his target and readers could be forgiven for not being able to tell whether Punisher was good or bad...despite who he was aiming his gun at.

Spider-Man vs. The Punisher

Through a lie that Spider-Man had murdered Norman Osborne, the Punisher was manipulated by The Jackal into trying to kill the wall crawler. Much of the issue focused on Peter Parker, yet I’d still call it action packed, since we are talking about a battle between Spider-Man and The Punisher, after all. And that fight started off decidedly in The Punisher’s favor, at least before Spider-Man summoned the strength to break the titanium bonds Punisher put on him.

Even after getting free, Spider-Man still wasn’t a match for the combined forces of Punisher and Jackal, the latter of which scratched him with electric claws and sent him off the side of a building. Of course, Spider-Man survived, eventually finding a clue planted by The Jackal that leads to a dead friend of the Punisher’s. The Punisher and Spider-Man arrive in the same place, and Spider-Man explains the frame job to Punisher—only Jackal could have planted the clue leading to the body, clearly killed by Jackal’s claws, but it’s Punisher who would have taken the fall. Spider-Man and the Punisher depart tolerably, if not amicably.

The Punisher’s Code

Old Man Logan Annual #1 is now available.

Even in this first appearance, Gerry Conway establishes a code of conduct for The Punisher that puts him closer to the side of the angels than the devils. The Punisher will only kill murderers. Indeed, his justification for killing Spider-Man was the supposed murder of Norman Osborne. The Punisher’s code is so rigid, in fact, he believes he must kill a target rather than allow that target to die in an accident—such as when Spider-Man falls off the roof following Jackal’s attack. Siding with Jackal may be a stain on Punisher’s shield, but Punisher remarks that he believed they were teaming up to rid New York of a criminal element.

The thing that ultimately lands Punisher in the villain column, however, comes at the end of this issue. Once Spider-Man has revealed the frame job and exposed Jackal, Punisher calls him a hero and leaves him alone, instead vowing to get revenge on Jackal. Unfortunately this set of circumstances does nothing to absolve Spider-Man of the Normal Osborne murder—the reason Punisher was hunting Spider-Man in the first place. To stay loyal to his code, the fight against Spider-Man should have continued.

The Punisher is often likened to a simple villain in Amazing Spider-Man #129, and maybe that’s the case, but I think there’s more to it than that. The Punisher follows his code of conduct throughout the issue, acting in a consistent way with a clear and avowed goal to end crime. If there is a villainous moment, it’s when he decides to stop fight against Spider-Man—abandoning his code—in favor of the pettiness of revenge.

Theron Couch is a writer, blogger, and comic book reviewer. His first novel, The Loyalty of Pawns, is available on Amazon. You can also follow him on Twitter at @theroncouch.

REVIEW: Batman #54 by Tom King, Matt Wagner, Tomeu Morey, & Clayton Cowles

By Zack Quaintance — Batman #54 is a stand-alone tale that uses the character’s longest-standing relationship—Bruce Wayne’s adoption of Dick Grayson, which goes back to Detective Comics #38 in 1940—to tell a heartfelt father-son story. In this comic, grown Dick is visiting Bruce, who is still suffering serious heartache following the events of Batman #50.

**BEWARE if you haven’t yet read it, I’d hate to spoil the emotional trajectory.**

The pattern of the book’s structure intermingles the present day with the past, using snippets of Dick’s first days at Wayne Manor, when he was freshly-orphaned, a sad and furious youth, understandably stunned by the loss of his own parents, guarded and distrustful and stubbornly bent on acting out. We get a scene of young Dick struggling as Bruce tries to comfort him. Then we get a scene of adult Dick cracking wise as he and Bruce fight some of their most ridiculous foes (Crazy Quilt, Condiment King, etc.), with now Bruce being the one who won’t express himself.

The construction is perfect, so emotional. King is a student of comics history, a writer who so obviously appreciates this character’s past. He knows what he has here with arguably the most ubiquitous duo in the world. Up there with Lewis and Clark, Sonny and Cher, peanut butter and jelly...Batman and Robin. King savvily knows his audience will mostly all have some level of emotional attachment to this bond, likely one that connects back to their own childhoods.

That brings us to the other major creative decision that makes this such a heartrending comic. King’s script never once calls for young Robin in costume, because this isn’t about the dynamic duo’s adventures. King instead reels us in with the far more relatable moments in which Bruce was simply an adult caring for a child who needed him. We’ve all been there, with older readers (of which Batman surely has many) having been on both ends.

There’s an early scene here where young Dick has a nightmare about his parents dying and wakes up screaming. Bruce runs to comfort him, to just be there. King—to his credit—gets out of the way and doesn’t overwrite. Wisely, there’s no narration throughout. While comforting Dick after his nightmare, Bruce is actually laconic, as most fathers surely were, saying It’s okay, boy. It’s a dream. You’re safe. It’s not much, but it’s perfect.  

And the issue is littered with similar relatable moments. There’s Bruce asking adult Dick how long he’s planning to stay. I practically heard my own dad trying to ask me about my life, So, uh, what’s new with you? So much always unsaid. And there’s Dick and Bruce bonding while watching football, which might as well have been my living room as a kid. It just all so perfectly captures the emotional fragility of heart-aching men, our deep desire for someone to reach out and our crazy inability to let would-be comforters see us suffer. It’s what makes father-son stuff so inherently fraught, and it’s rendered so gorgeously here via one of the most enduring father-son relationships in all of fiction.

Writer: Tom King
Artist: Matt Wagner
Colorist: Tomeu Morey
Letterer: Clayton Cowles
Price: $3.99
Release Date: September 5, 2018

Much credit should also go to Matt Wagner’s art. Wagner is an incredible cartoonist operating at full strength. As emotional as the story is, the depiction of faces and the framing of certain shots is just as vital (if not more so). Essentially, Wagner’s work brings out the potential of King’s words. I’m a noted big sappy baby, so it doesn’t mean much for me to say this issue made me cry, but oh man did this issue make me cry. I loved it.

Overall: Following the three-part Cold Days arc is a tough act, but the standalone story about the father-son relationship between Bruce Wayne and Dick Grayson in Batman #54 pulls it off. Matt Wagner’s art is fitting and emotive, and Tom King’s script is tonally perfect, an honest look at the emotional fragility of hurt men and how difficult it is to open up. 10/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: The Unexpected #4 by Steve Orlando, Yvel Guichet, Cary Nord, Scott Hanna, Jeromy Cox, & Carlos M. Mangual

By Zack Quaintance — The Unexpected has featured locales, ideas, and lore from throughout the DCU…and now in issue #4, we get other heroes, too, right from page 1 panel 1. New characters in superhero comics often face world-ending threats, and a natural question becomes why don’t they reach out to the experienced shared universe heavy hitters? This story nicely addresses that, making for another strong single issue in one of my favorite new Big 2 books in ages.

As an individual issue, The Unexpected #4 clearly has a specific goal to reach before its end, and it definitely gets there, landing in a place that promises a new evolution for the book in #5. Along the way, we see our new heroes—Firebrand and Neon the Unknown—study their plight with the tense aid of Bat-family detectives. We also see another of the grandiose set pieces that have so far appeared in every issue, plus a continued push to address the aftermath of DC’s recent Dark Nights Metal event, extending plot points from that story to new and interesting places, essentially contextualizing what happened into the history and future of the DCU.

That’s all to say writer Steve Orlando’s main strengths are very much on display here: his vast and impressive command of continuity, his commitment to taking the shared universe concept seriously, and his ability to have muscle-bound folks punching each other with stakes.

Art-wise, the book is in transition. Cary Nord, on-board from issue one, is off to G. Willow Wilson’s forthcoming run on Wonder Woman, launching in November. That leaves us with the team of Yvel Guichet and Scott Hanna, plus Jeromy Cox providing colors. And this book looks good, to be sure. Next issue will see Mark Farmer drawing, followed by Ronan Cliquet. There’s no reason to believe future installments will suffer, but if we could just take a brief moment in honor of Nord’s contributions. He will be missed.

Anyway, with The Unexpected I remain impressed by how compelling the team has made original characters—no easy feat within a publishing line of adventures that span many decades. The book being a natural extension of Metal helps. Thematically, I think The Unexpected also addresses an idea prominent in the post-Metal DCU: restraint. In surviving Metal, the Justice League broke the source wall, ushering in complex threats. The Unexpected’s central use of the volatile Nth Metal builds on that. Here, we have a powerful character who must resist giving into violent urges, lest she destroy herself and maybe the world, as threats accelerate around her. In many ways, it’s a metaphor for 2018, and I love it.

Overall: The Unexpected continues to be a standout book of DC’s New Age of Heroes line, expertly incorporating bits of the DCU’s past while making an argument for being part of its future. Artist Cary Nord’s departure is a bummer, but this book clearly still has big plans. 8.5/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Relay #3 by Zac Thompson, Eric Bromberg, Donny Cates, Andy Clarke, Jose Villarrubia, & Charles Pritchett

By Zack Quaintance — When I finished reading Relay #3, I took a moment, inhaled, and stretched a one-syllable expletive into five or six. I don’t use much profanity (or I didn't before November 2016, ahem), and I usually say words with the regular amount of syllables (because I’m not Pauly Shore in the ‘90s...anyone get that? sorry, never mind). This comic, however, is as intricate and complex as any I’ve reviewed, as laden with disparate and heady ideas as it is with plot twists and perils for our hero.

Relay is, simply put, a precisely-executed hard sci-fi book that sets out to disorient and misdirect its reader...and then wildly accomplishes its goals. It’s why I love this book, and it’s also why I, quite frankly, find this book a major challenge to review. I, however, will bravely soldier on (hold your applause) throughout the length of this series, because I think Relay’s complexity will attract a large and loyal audience, catapulting this book into a massive hit, and also I want to engage with it on a deeper level, hopefully catching as much of what’s happening as possible before my head explodes (no regrets!).

Phew. Okay, now about this issue: in some ways it’s utterly different from all that came before, yet how it expands your perception of this story is entirely consistent with the first two issues. What actually sets Relay #3 apart is the long stretches within where Andy Clarke and Jose Villarrubia absolutely decimate eyes and minds with their artwork.

I’m becoming (somewhat) used to Zac Thompson’s whip-smart scripting and the brain twists of the story he cooked up with Eric Bromberg and Donny Cates, which point one way while suddenly teleporting another. Until now, however, Clarke’s linework has been detailed and imaginative yet fairly grounded in a futuristic vision of reality. That changes here. There is a stretch in Relay #3 where the art is grotesque in its design but stunning in its execution, abstract in a way that disorients while also serving the goals of the story. It’s really impressive, and based on the cover for Relay #4, we’re surely in for more.

As with the end of the first two issues, the final panel of Relay #3 leaves our story with an entirely new status quo. As such, I think it’s becoming clear that part of this story’s ambition is a statement about reality, showing us how fallible our perceptions are due to the inherently-limited nature of the information we as individuals have access to. We just believe so much because it’s what we’ve been told, be it history, customs, religion, politics, power structures, technology. In past reviews I’ve talked about how this story’s interests are colonialism, conformity, and God, and I think all of that is still true, but I’m starting to also suspect Relay has a point to make about the very nature of reality.  

Overall: This book is becoming more engrossing with each issue, so much so that I suspect word of mouth will soon catapult it to much wider audience. I highly recommend jumping on board now. Start at the beginning, of course, but whatever you do, read this comic—this series is not to be missed. 9.5/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Best New #1 Comics of August 2018

By Zack Quaintance — I love any month wherein indie publishers sweep our top five best new #1 comics list, and this is (obviously) one of those months. I’m not sure how often this happens, but it’s always a treat. This month, simply put, brought one of the best crops of new creator-owned debut issues I’ve ever seen...two of which were even by the same writer!

What’s also great is the diversity of publisher among our top 5 best new #1 comics of August 2018, with books coming from usual suspects like Dark Horse and Image, and from other sources too, including AfterShock Comics, Scout Comics, and IDW’s Black Crown imprint. Yes, not only do we have a top 5 consisting entirely of indie books, we also have a list that features five different indie comics publishers!

The state of comics is strong, friends, strong indeed. We are truly lucky to be fans of this storytelling medium in such exciting times. Now then, let’s get to the list!

Quick Hits

It's been a while since I've enjoyed a big Marvel event as much as the first two issues of Infinity Wars, both of which came out this month. I attribute this to killer Deodato art and an increasingly strong overall state of affairs within the Marvel Universe.

The DC/Looney Toons specials were a delight, yet again. The Lex Luthor/Porky Pig Special #1 and the Catwoman, Tweety, & Sylvester Special #1 don’t hit Batman/Elmer Fudd levels of greatness, but they’re both quite good.

In my Extermination #1 review, I wrote about liking it because it seemed like minor cleanup of X-continuity in preparation for November’s relaunch of Uncanny X-Men. If that’s what this series ends up being, count me in for all five issues.

After what he did with Mike Allred in Silver Surfer, Dan Slott has 100 percent of my trust when it comes to nailing the family dynamic at the heart of the Fantastic Four. The first issue did nothing to change that.

I’m currently working my way through the original Sandman for the first time (I know, I know), one issue per night, and the reason why is because I found the Sandman Universe #1 teaser issue so intriguing.  

I loved Matt Kindt and Tyler Jenkins’ recently-concluded series Grass Kings. They’re back now, with a completely new book, Black Badge, and I’m all in. Read my review of Black Badge #1.

I have a new rotating gig writing the DC Round-Up for my favorite comics website, The Beat, and I got Pearl #1 with my first crop of books...and I loved it! Read my first DC Round-Up, in which I discuss Pearl.

Cold Spots #1 was appropriately chilling, promising more horror to come and living up to its title.

Leviathan #1 is one of those new books that brings together a creative union so perfect it seems like it's been going on for years.

West Coast Avengers #1 is a perfect use of every character in it, and a natural evolution of this franchise. I’m glad it exists.

Top 5 Best #1 Comics of August 2018

Crowded #1 by Christopher Sebela, Ro Stein, Ted Brandt, Triona Farrell, & Cardinal Rae

As someone currently working a full-time job, plus three other work-for-hire writing side gigs that involve logging keyboard time fairly regularly at all hours (nights, weekends, etc.)...this late capitalist horror story about a young woman targeted by a crowd-sourced assassination app who subsequently contracts a defender via another separate app...well, it hit close to home for me.

My own economic and professional perspectives aside, Crowded #1 is simply a well-done comic. The pacing spares no tension, giving us just the right amount of info before throwing us into rapid action, and the bits Sebela and team reveal about their two lead characters are equal parts relatable and fascinating. What this book excels at most, however, is emphasizing the absurdity of what it’s like to work in 2018, extending the gig economy to a logical-yet-horrific extreme that should make every reader afraid, or at least introspective the next time they call an Uber.

Hot Lunch Special #1 by Eliot Rahal, Jorge Fornes, & Taylor Esposito

Hot Lunch Special, as I’ve said on Twitter, blends a generational American immigrant story with Midwestern crime noir evocative of Fargo. The result is a comic unlike any other on the stands today. Essentially, you come to this book for the mafioso murder/extortion plot line, and you stay for the touches of sincere graphic memoir—or maybe vice versa.

Even with severed appendages inside sandwiches appearing pretty near the story’s start, it’s to Hot Lunch Special’s credit it feels understated, as a good Midwestern story should. This is due in large part to the impressive work Rahal and Fornes do building character, particularly with the younger members of the family. An organized crime story is just so much more compelling when you start to tangle up those who are born into it, who maybe don’t realize the extent of the dirt and certainly didn’t ask for it. Rahal and Fornes know this well, and it makes for a great comic.

House Amok #1 by Christopher Sebela, Shawn McManus, Lee Loughridge, & Aditya Bidikar

Annnnnd here we have another entry from writer Christopher Sebela, this time via IDW’s en fuego Black Crown imprint, which landed a book in last month’s Best New #1 Comics with another favorite of ours, The Euthanauts. The hits will likely keep coming for Black Crown too, what with the Laphams rolling out a crime noir book this fall about a nefarious shape-shifting travel blogger (I know, right?! sounds amazing). But I digress.

House Amok is visually rich with the work of veteran artist Shawn McManus, colored so effectively here by Lee Loughridge, one of the industry’s best at using different tones to establish flashbacks and mood. In addition to the stellar art, Sebela deploys a precocious narrative voice, a child writing about her literally crazed family in an innocent diary, trying to parse her own little healthy reality amid the violence the older relatives she’s supposed to trust continue to justify are perpetrate. Lyrical and dark, I’m all in on this comic.

Long Lost Book 2 #1 by Matthew Erman & Lisa Sterle

Speaking of lyrical and dark, our next new #1 is more of a continuation than a pure debut, but we like it so much we had to include it. And, hey, isn’t more of a continuation than a pure debut an accurate summation for nearly every new superhero #1 of the past two or three decades? Anyway, Long Lost is everything that’s healthy about indie comics right now rolled into one brilliant sequential graphic story.

In this book, readers find experimentation with form, effective-yet-subtle visuals that convey mood, patient characterization, and ideas that are mysterious and haunting. By design, much of the nature of this book is still to be revealed, yet the ride we’ve been on now through seven total issues has been thoroughly engrossing, incorporating ideas about the past, moving on, and sisterhood. Do yourself a favor: find and binge every issue of this comic. And do it while spending a long and quiet weekend somewhere, nostalgic and alone.

Seeds #1 by Ann Nocenti & David Aja

Ann Nocenti and David Aja’s Seeds #1 is the type of comic that will bug your eyes, expanding your consciousness and giving you occasion to slow down and run your hand over its pages and pages of stunning and provocative visuals. This book is probably best classified as near-future science fiction, a genre thriving in comics right now. Something about Seeds, however, feels different; as if these creators were given an actual glimpse of a future, complete with logical societal changes that are as of now impossible to predict.

Maybe that’s what makes Seeds feel so obviously brilliant—its world feels realistic, yet very much the product of the creators’ minds, sharp and visionary as they are. This is a four-part series, and after one issue I’m unequivocally on board for all of it. Nocenti and Aja are both towering talents who’ve contributed seminal works to mainstream superhero comic books, and now they’ve gone off-map. Be excited and afraid.

Check out more of our monthly lists here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

ADVANCED REVIEW: Man-Eaters #1 by Chelsea Cain, Kate Niemczyk, Rachelle Rosenberg, Joe Caramagna, & Lia Miternique

Man-Eaters #1 is out Sept. 26.

By Zack Quaintance — There’s a fantastic sense of freedom in Man-Eaters #1. The book is written by Chelsea Cain and drawn by Kate Niemczyk, a duo that last teamed together for Marvel ComicsMockingbird. I really enjoyed that comic, which was an engrossing puzzle box of a superhero story that also hinted (somewhat controversially...but I won’t get into that nonsense) at the themes in this book.

Mockingbird, however, addressed those themes subtly, putting superheroics at its forefront pretty much at all times. Man-Eaters #1, though, has the liberating benefit of being a straight satire. The book has mystery, action, and even a touch of body horror, to be sure, but all of those qualities grow from the story’s foundational poignancy, rather than having it be the other way around. The result is an unencumbered creative team firing with all its strength, and, simply put, it’s fantastic.

Visually, this comic is brimming with small details and gags that reward careful readers. Pencil Shoppe...Hand-Sharpened While You Wait!, an unseen kid labeled The Intern In Charge of Social Media., a Bitch Planet poster on the wall in a bedroom, etc. Niemczyk is a big talent, with clean and precise linework on characters and in backgrounds. There’s an eclectic two-page splash early in this book that sets the tone for the strength of the visuals to come, as well as for how much attention should be devoted to each panel, lest readers miss out on the details included for them by the creators.

And these visual gags in the early pages go a long way toward making the hefty amount of exposition we get up front story palatable. It’s not that big of a deal—stories with younger protagonists have a long tradition of heroes talking directly to the audience, introducing readers to the world the same way kids in real life explain things—but it’s still noticeable. The young protagonist and her narrative voice are both immediately likable, and the world and concept of this comic are more than interesting enough to make this comic engaging. In the end, this book is really well-done and smart, ending with a fantastic last page cliffhanger, as all great #1 issues should.

Essentially, Man-Eaters #1 did a fantastic job setting up its characters, world, and plot points, and I’m excited to see what the creative team will do with it all moving forward.

Overall: A smart and searingly clever satire, Man-Eaters #1 is a great setup for a comic that has important things to say. Visually, this book is a total treat, packing rewarding details and entertaining gags for careful readers into most of its panels. This comic gets a full endorsement. 8.5/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Comics to Buy for September 5, 2018

By Zack Quaintance — Phew, this week is packed tighter with great books than the shoebox where I used to keep my comics as a kid back before I shelled out the little bit of cash to get my first short box. That probably wasn’t as clever as I hoped it would be, but you get what I’m saying all the same. This? This is a good week for comics. In fact, we even had to write up six books instead of the usual five, and even then we were still force to make some tough choices.

In fact, it’s so good that it was a real challenge to pair down my list. I can usually confidently pick out the five comics I recommend most just by looking at what titles are coming out in a given week. This week, however, I had a near-crippling amount of indecision. Anyway, Leviathan, Relay, and Snotgirl all muscled their ways onto this week’s list just by virtue of being amazing comics.

Let’s take a look!

Top Comics to Buy for September 5, 2018

Batman #54
Writer: 
Tom King
Artist: Matt Wagner
Colorist: Tomeu Morey
Letterer: Clayton Cowles
Publisher: DC Comics
Price: $3.99
Dick Grayson-the original Robin-gets to spend some quality time fighting crime with his mentor for the first time since Batman popped the question to Catwoman. It's a walk down memory lane as Bruce Wayne helps Dick get over the loss of his high-flying acrobat parents, which in turn led to his crime-fighting career. Guest artist Matt Wagner (Mage, TRINITY) jumps on board for this special issue!
Why It's Cool: Cool is probably the wrong word for a book that seems like it's going to be a modern classic, a touching yet never saccharine examination of the father-son dynamic between Bruce Wayne and Dick Grayson. Batman's recent Cold Days arc was a near-masterpiece, but it's heartfelt and honest single issues like this seems to be \that keep Tom King's Batman among my favorite recent runs on the character. 

Border Town #1
Writer:
Eric M. Esquivel
Artist: Ramon Villalobos
Colorist: Tamra Bonvillain
Letterer: Deron Bennett
Publisher: Vertigo
Price: $3.99
When a crack in the border between worlds releases an army of monsters from Mexican folklore, the residents of Devil's Fork, AZ, blame the ensuing weirdness-the shared nightmares, the otherworldly radio transmissions, the mysterious goat mutilations-on "God-dang illegals." With racial tensions supernaturally charged, it's up to new kid in town Frank Dominguez and a motley crew of high school misfits to discover what's really going on in this town torn between worlds. 

Why It’s Cool: To quote our Border Town #1 ADVANCED REVIEW, Border Town #1 is a strong start for a reinvigorated Vertigo imprint, a relatable coming-of-age teen drama in one of the least understood yet most argued about parts of the country. The art is terrifyingly detailed, and the story leans enthusiastically into time-tested horror tropes, also finding new ground by adding Mexican/Chicano folklore and mythos.

Cover #1 (of 6)
Writer:
Brian Michael Bendis
Artist: David Mack
Publisher: Jinxworld
Cost: $3.99
Years in the making, from the award-winning team of Brian Michael Bendis and multimedia sensation David Mack, comes a brand-new graphic novel experience. And it's all kind of based on a true story. Sort of... Deep in the American intelligence community, someone realizes that comic book creators, who travel all over the world to sell their wares, might make the perfect cover for operatives in the dangerous, topsy-turvy world of intelligence and counterintelligence...and that's when all hell breaks loose. This is the story of the time the world of comics and the world of international spy work smashed together-with unexpected results!

Why It’s Cool: The creative team for this book have both worked with the government at various times, I believe, in consulting capacities, bringing their unique knowledge about narrative threats and the like to bear on real-world problems. It's poised to give this book—which is shaped by an excellent concept already—an added layer of honesty and truth. I really enjoyed Pearl #1 last month, the first fresh title from Bendis' reborn Jinxworld imprint, but Cover #1 looks like it's on another level. It stands to be such an honest look at life for comics pros, intermingled with an espionage story and stunning David Mack artwork. All indications are that this six-part series is going to be one to remember.

Leviathan #2
Writer & Letterer:
John Layman
Artist: Nick Pitarra
Colorist: Michael Garland
Publisher: Image Comics
Price: $3.99
"'TIL DEATH DO US PART," Part Two...While Ryan DeLuca tries to piece together exactly how his friends summoned a giant monster, government defense forces take the fight to the depths of the Earth, where monsters dwell. Then, of course, they piss off the wrong monster.

Why It’s Cool: The second issue of the new book from Layman and Pitarra (who are an unbelievably complimentary team, btw) really hints at a much different book than I was expecting. I won’t go into detail about a comic that’s not out yet, other than to say that if you liked issue #1 you’ll love this one, and, even if you didn’t like #1, I’d still recommend giving this a chance, because it’s quite possible this book is up to more than you think.

Relay #3
Writer: Zac Thompson
Story By: Zac Thompson & Donny Cates
Artist: Andy Clarke
Colorist: Jose Villarrubia
Letterer: Charles Pritchett
Publisher: AfterShock Comics
Price: $3.99
In the future, the galaxy is united under a monolith known as the Galactic Relay. Although the towering monument is meant to inspire conformity of ideas, technology, and progress, it is not without its enemies and many have begun to resent the foreign structure. And now, Jad Carter, a Relay employee, has found the Relay’s mythological creator. An interstellar mug causes a complete breakdown of reality. Jad travels inside the Monolith but it raises more questions than answers.

Why It’s Cool: The most complex and intricate sci-fi book on the shelves today...in market that is booming with great entries in the genre. Relay #3 expertly builds on the themes and complexity of its first two issues, while giving artist Andy Clarke some space to blow readers minds the way the story by Zac Thompson and Donny Cates has so far. This entire creativity team is firing on all cylinders. This book is a slow burn, but I’m starting to suspect it might end up being a mega hit. If you haven’t been reading this, I’d highly recommend grabbing all three issues this Wednesday, setting aside roughly 90 minutes of very quiet time, and diving all the way in.

Snotgirl #11
Writer:
Bryan Lee O’Malley
Artist: Leslie Hung
Colorist: Rachael Cohen
Letterer: Mare Odomo
Publisher: Image Comics
Price: $3.99
NEW STORY ARC! Chapter 11: "MY SECOND DATE.” While her friends have some concerns, Lottie just wants to take her relationship with Caroline to the next level-which is why she's keeping it a complete secret!

Why It’s Cool: I mean, it just is (that’s a joke from the issue). As I Tweeted immediately after finishing this issue, there's a lot of comics that comment on our times, but Snotgirl does so in a really unique and refreshing way. Its interests are seemingly innocuous, but look closer and this book is often just as scary as comics about war or fascism. Content deals heavily in social media, vanity, modern priorities and values, and the price of appearances, all through an incredibly relatable and terrifying prism of neurosis.

Recommended New #1 Comics for September 5, 2018

  • Bully Wars #1
  • Dreaming #1
  • Jinxworld Sampler #1
  • Old Man Logan Annual #1
  • Silver Surfer Annual #1

Others Receiving Votes

  • Captain America #3
  • Cosmic Ghost Rider #3
  • Dead Hand #6
  • Death of Inhumans #3
  • Deathstroke #35
  • Eclipse #10
  • Giant Days #42
  • Immortal Hulk #5
  • Justice League #7
  • Paper Girls #24
  • Seeds #2
  • Thanos Legacy #1
  • Unexpected #4
  • Unnatural #3
  • Walking Dead #183

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.