How HAWKMAN by Venditti and Hitch Turns Confusing History Into Great Comics

Hawkman #8 variant cover by Bill Sienkiewicz.

By Jack Sharpe —  The first Hawkman, alias Carter Hall, was introduced in 1940’s Flash Comics #1 by Gardner Fox and Dennis Neville. Since then, the character has gone through many incarnations over a nearly 80-year history at DC Comics. Alongside Hawkman has always been his lover/partner, Hawkgirl. First introduced as Shiera Sanders, she has gone through different incarnations throughout her own 80-year history. These different incarnations, however, have created confusion about the origin of Hawks.

Are they archaeologists reincarnated often dating back to the times of Ancient Egypt? Or are they police officers from the planet Thanagar? Throw in many other contradictions and confusions, and you get characters whose origins are among the most confusing in comics. That’s not to say creators haven’t told excellent stories with the characters—including writer Geoff Johns and artist Rags Morales in the early 2000’s—but many fans struggle with the confusing history.

In late 2017, however, DC reintroduced Carter Hall and Kendra Saunders to its universe during the Dark Nights: Metal event, setting the stage for future adventures. Kendra has now joined the current Justice League comic from Metal writer Scott Snyder and artists Jorge Jimenez and Jim Cheung, while Carter’s story is being told by writer Robert Venditti and artist Bryan Hitch in Hawkman. The latter book is taking the character in a new, easier-to-understand direction with a story based on mystery and exploration. Venditti and Hitch are using the character’s various incarnations and history to their advantage, cementing Hawkman as one of 2018’s best comics. Today I intend to explore the reasons why the book has worked so well.

Exploration and Mystery

In Hawkman #2, the journal entry narrative device continues, but who is Carter Hall writing to?

The current Hawkman book is built on mystery. Why is he constantly reborn? What are the mysterious visions he keeps seeing? From issue one, Venditti and Hitch set the stage for mystery being central to the book. Through this they weave a tale of exploration and history. We as readers follow Carter as he finds clues to his past and uncovers truths about his life. We learn in issue one that Carter’s past lives go back much farther than Ancient Egypt. He has lived lives all over the DC Universe – Thanagar, Krypton, Rann, and other planets. We also get a vision of the Deathbringers, a threat returning to the DC Universe that has a tie to Carter he doesn’t yet understand.

The central stage of the first big Hawkman arc is then set. Carter goes on a quest which takes him to Ancient Egypt, Dinosaur Island, Thanagar, the microverse, and more. Throughout this journey he meets old friends and new, all while learning more about his past. We also see narration notes in the book, similar to those used in the Metal. This narration is made up of the words written in Carter Hall’s own journal. It seems likely to me he is either retelling the events to someone, or someone has found the diary and is reading it themselves. We don’t know who it is yet, but my guess would be that it is Shiera Hall.

The book also has Carter getting help from ordinary people in he DCU as well as other heroes. Issue one for example features a Greek fisherman helping Carter because Carter in a past life helped his father during the Greek Civil War. In that same issue, Carter also meets with Madam Xanadu in London. The best meeting in this book so far, though, is a team up featuring Carter Hall and Ray Palmer, taking places in issues 5 and 6. The partnership is a highlight of the current run – Carter and Ray’s relationship is so much fun and the creative team place huge importance on it. I don’t think I’m alone in wanting a Venditti/Hitch Ray Palmer miniseries from DC.

Anyway, it is through this meeting that we finally get an explanation for Hawkman’s confusing timeline. Ray explains that Carter’s past lives may not be in chronological order. This means that Carter Hall has been reborn not just through space but also through time, so we as fans now understand that Carter’s past lives may have taken place at anytime and anyplace. It’s a brilliant way of explaining the confusing mess of Hawkman’s origins. They all happened, but they could have happened at any time and in anyplace. This is how Hawkman gets a new origin, one that also explains his reincarnation cycle and his link to Hawkgirl.

New Origin and Hawkgirl

In Hawkman #7, we see a past life in which Hawkman committed unspeakable atrocities.

In issue six we see Carter Hall trapped with Ray Palmer on Moz-Ga. Ray discovers that Carter was at one point an adventurer in the Microverse and may well have left something to help his future selves uncover the truth of his origins. Ray’s hunch is right, and Carter discovers a ship built by one of his past selves. After escaping from Moz-Ga and learning how to pilot the ship, Carter sets off into space to continue his journey. During this journey Carter discovers his first life, which changes everything we knew about the character.

It is revealed that Carter Hall’s first life, Ktar, was the leader of the Deathbringers, whose hunger for life meant that Ktar and his partner Idamm had to sacrifice thousands upon thousands of people to satisfy the Deathbringers. It is clear that Ktar is not happy doing this. He is fighting amongst himself, desperate to be a better person. On Thanagar after an attack, Ktar is confronted by a mysterious woman who senses the pain inside from his actions. Only Ktar can see this woman and, while it is not said who she is, it is hinted that she is the first incarnation of Hawkgirl.

One criticism of this series has been that it ignores Hawkgirl. I don’t believe that is the case. Hawkgirl doesn’t appear in physical form, not yet anyway, but she is almost a spectre haunting Carter. Each issue has journal entries and it is clear Carter is writing this journal to someone. While he may be writing this journal for his next incarnation in case he fails to stop the Deathbringers, I feel he is writing this journal to Hawkgirl. She may not be in the book physically, but she is there in both spirit and memory. This is shown via issue seven and the mysterious woman, who only appears to Ktar and no one else. She might be a past victim of the Deathbringers, or Ktar’s own conscience trying to get him to revolt against them, but either way her appearance eventually leads to Ktar betraying Idamm and the Deathbringers, causing his first death.

Although her physical presence is not yet overt, as of issue #7 Hawkgirl may have arrived in this story.

Ktar is then awoken by a strange voice. He has done many horrific things as leader of the Deathbringers, but his final actions showed a man willing to change. As such Ktar is given a deal. He can die now and be forgotten. Or he can be reborn repeatedly, saving lives all over the galaxy until he has saved as many lives as he can. This will not be easy, but he will eventually earn final atonement and be allowed to rest. Ktar chooses to be reborn, and so begins his reincarnation cycle.

This revelation is an example of Venditti and Hitch using the mysteries of Hawkman to craft a character-based story. The audience follows Carter Hall, who grows before their eyes. The reveal that he was the leader of the Deathbringers shocks Carter, but he remains steadfast in his journey. He continues with his ship and heads towards his next adventure – Katar-Ol, the Hawkman of Krypton.

Final Thoughts

Before the current Hawkman series, I was not very familiar with the character. After giving this series a chance, I’ve become a huge fan of him. His love of history and exploration speaks to me so much. The mystery behind the character and the peeling back of said mystery shows us a character with a deep and thought-provoking past, as well as a future that is very exciting. For upcoming issues I hope the creative team continues its exploration of Hawkman while also introducing more of Hawkman’s supporting cast. I also hope that DC Comics does more with the Hawks as a whole. I’d love a Hawkgirl book or miniseries exploring some of Hawkman’s other lives.

To conclude - Robert Venditti and Bryan Hitch are currently helping Hawkman soar once again. They crafted one of 2018’s best comics, and here’s to hoping their partnership continues for years to come. It’s an exciting time to be a Hawkman fan. Let those days continue.

SOAR.

Check out more great writing about comics!

Jack Sharpe is a huge fan of history and comics. When he's not in the trenches surrounded by history, he's reading and studying comic books. You can follow him on Twitter at @JackJacksharpe5

Best Comics of 2018: Batman’s Bookcase Contributor Picks

By Various — Without our crack team of contributing writers, this site would just be one guy pretending to be furniture while churning out semi-coherent musings about comics. Yes, our super talented group of contributing writers are the lifeblood of Batman’s Bookcase, and as such, they have some pretty great takes about the Best Comics of 2018. From Allison continuing to surprise herself by riding hard for all things Thor to Taylor’s analytical impressions of the revived Wild Storm, there’s a lot to take in on this list.

So please now join our contributors on a trip through some of their favorite comics of 2018!

Allison Senecal

Euthanauts
Writer:
Tini Howard
Artist: Nick Robles
Letterer: Aditya Bidikar
Publisher: IDW Black Crown
What can I even say about this series that hasn’t already been said by people (Scott Snyder, for one) who are way cooler than me? We already know 2019 is going to be the year of writer Tini Howard, and it sure as #$&% better be the year of artist Nick Robles too (Best Layouts of 2018 Award, not a thing...but it should be). The protagonist of this comic, Thalia, is far and away my favorite original character of the year, and she is just rendered so lovingly. What a heartfelt, at times darkly funny, and just flat-out interesting comic. With its almost cheerfully morbid (not to forget the gut-punches) fixation on death, Euthanauts is in many ways the perfect comic for 2018, but it sure has a lot of great things to tell us about living too.

Mighty Thor/Thor
Writer:
Jason Aaron
Artists: Russell Dauterman, Mike del Mundo, Christian Ward, Jen Bartel, Various
Colorist: Matthew Wilson, Marco D’Alfonso
Letterer: VC’s Joe Sabino
Publisher: Marvel Comics
If you told me a decade ago that my favorite Big 2 comic would be Thor, I’d probably laugh nervously at you, but here we are, and it is. Aaron and whichever stellar artist he happens to be collaborating with month-to-month (Dauterman, Bartel, Del Mundo, Ward, Moore, to name but a handful) knock this book out of the park every single time. No hiccups, no filler, all heart and tons of action. I’ve cried with Jane Foster, I’ve wheezed with Odinson, and vice versa. I also like the prospects for this book in 2019, because buckle up, kiddos, the War of the Realms is coming, and if you haven’t caught up on this entire Aaron run, do that now before it arrives.

Read more of Allison’s thoughts about Euthanauts and Thor!

Allison buys books professionally and comics unprofessionally. You can find her chaotic neutral Twitter feed at @maliciousglee.

Jack Sharpe

The Unexpected
Writer:
Steve Orlando
Artist: Various
Colorist: Various
Letterer: Carlos M. Mangual
Publisher: DC Comics
DC’s New Age of Heroes line produced some great comics, even if it sadly did not have sales legs. The best comic of the line for me however was The Unexpected. This book features a very personal tale while also going all out on the cosmic side of the DCU. Writer Steve Orlando crafted an amazing tale and while it’s sad this book is ending in January, there is still more greatness to come from Orlando with Martian Manhunter, which launched in December.

Read more about The Unexpected on our reviews page!

Jack Sharpe is a huge fan of history and comics. When he's not in the trenches surrounded by history, he's reading and studying comic books. You can follow him on Twitter at @JackJacksharpe5  

Maya Kesh

Abbott
Writer:
Saladin Ahmed
Artist: Sami Kivela
Colorist: Jason Wordie
Letterer: Jim Campbell
Publisher: BOOM! Studios
The ‘70s are my personal golden age of comics. The decade is when I began my journey, with Superman’s Girlfriend, Lois Lane as my gateway book. In 1972 I was 8 years old. I loved bell bottom jeans, the wider the better. I even used to buy flare jeans for my daughter until one day she told me that my loving them was no reason to force them upon her. So, when I read the solicitation for Abbott, I knew I had to add it to my pull list.

Abbott takes place at the end of 1972 and stars a black female reporter, Elena Abbott. Reading it this year, it felt as if somebody was writing a comic book just for me. I had high expectations throughout, and I wasn’t disappointed.

Writer Saladin Ahmed doesn’t flinch from including the racism and sexism of the time. Civil Rights had passed in 1964, just 8 years prior, and the Women’s Liberation (feminism) movement was starting to make waves. This is the context the story takes place within. Elena Abbott lives in a white man’s world and those around her don’t let her forget that. She’s also grieving her husband. There is a really touching flashback with Abbott listening to John Coltrane’s jazz masterpiece A Love Supreme, perfectly rendered by artist Sami Kivela.

The story mixes the supernatural with murders in Detroit, and Abbott is on the beat trying to figure out what is going on. Kivela’s art is a perfect fit, adding a texture and personality to the setting.

The supporting characters also feel alive, giving this story another important dimension. The highest compliment I can give this book, though, is that when Abbott ended, I was left wishing for more adventures with Elena as she climbed the professional ladder and began to rebuild her personal life. This was a clear highlight of 2018, and I really hope there is a second series.

Read more of Maya Kesh’s thoughts about Superman and Lois Lane!

Maya Kesh is a lifetime comic reader and a writer whose articles often focus on how women are portrayed in comics. You can follow her on Twitter at @mayak46

The Stewart Bros.

The Weather Man
Writer:
Jody LeHeup
Artist: Nathan Fox
Colorist: Dave Stewart
Letterer: Steve Wands
Publisher: Image Comics
The Weather Man by Jody Leheup and Nathan Fox combines sci-fi action with black comedy to spectacular effect. This book was one of the highlights of 2018. It also feels like it’s just warming up, and we can’t wait for what’s next.

Fearscape
Writer:
Ryan O’Sullivan
Artist: Andrea Mutti
Colorist: Vladimir Popov
Lettering: Andworld Design
Publisher: Vault Comics
Fearscape by Ryan O’Sullivan and Andrea Mutti from Vault Comics is the best comic book story about storytelling since Neil Gaiman’s Sandman. Full stop. If you have ever embarked on a creative endeavor, this is a book that will speak to you.

Check out The Stewart Bros. Top 10 Comics of 2018!

Bo Stewart grinds for the Man by day so he can create comics by night. He is the lesser half of the Stewart Brothers writing team and can be found on Twitter and Instagram @stewart_bros

Taylor Pechter

Hawkman
Writer:
Robert Venditti
Artist: Bryan Hitch
Inker: Andrew Currie
Colorist: Alex Sinclair
Letterer: Starkings & Comicraft
Publisher: DC Comics
This is, simply put, the sleeper hit of the year. Written by Robert Venditii (Hal Jordan and The Green Lantern Corps) and drawn by Bryan Hitch (The Authority), Hawkman explores the character of Carter Hall. It weaves a story about history and self-discovery that is intrinsic to his character. From its start back in June, this has been a must-read series. Not only is Venditti’s script immaculate in consolidating the convoluted nature of Carter’s origins, but Bryan Hitch is supplying the best artwork of his career. The art is big and cinematic, but it also contains a lot of emotion within it. I’ll be blunt: if you haven’t already, go read this series.

The Wild Storm
Writer:
Warren Ellis
Artist: Jon Davis-Hunt
Colorist: Steve Buccellato
Letterer: Simon Bowland
Publisher: DC Comics
A holdover from last year, Warren Ellis and Jon Davis-Hunt’s gritty, stripped-down, espionage-fueled retelling of the WildStorm Universe continued to chug along in 2018, in all its greatness. Not only did we see the formation of the proto-WildCATs and John Lynch searching down his Thunderbook agents before IO could get to them, but Ellis, like always, was a master of character interactions. His injection of dark humor also added a great edge to this book. Davis-Hunt’s art work continued to be simple yet also dynamic, featuring some of the best rendering of action in the business. The end of 2018 brought us to the end of the third of four arcs for this series. With all the pieces set in place, the final arc is sure to be a doozy, and I am all here for it.

Check out Taylor Pechter’s Top 5 Comics of 2018!

Taylor Pechter is a passionate comic book fan and nerd. Find him on Twitter @TheInspecter.

So there you have it. That concludes our contributor picks for 2018. Be sure to check back next week for more year-end lists, including Best Image Comics of 2018, Top Creators of 2018, and our official overall Best Comics of 2018!

Find more from our contributing writers on our comics analysis page, and check out our Best Comics of 2017 to see how those choices have aged!

The Batman’s Bookcase contributors are a super talented bunch, and we’re very lucky that they’ve chosen our site as a regular outlet for their thoughts and feelings about comics. Check back often in 2019 for more great pieces!


Taylor Pechter's Top 5 Comics of 2018

By Taylor Pechter

1. Hawkman
Writer:
Robert Venditti
Artist: Bryan Hitch
Publisher: DC Comics

The sleeper hit of the year. Written by Robert Venditti (Hal Jordan and The Green Lantern Corps) and drawn by Bryan Hitch (The Authority), Hawkman explores the character of Carter Hall. It weaves a story about history and self-discovery that is intrinsic to his character. From its start back in June, this has been a must-read series. Not only is Venditti’s script immaculate in consolidating the convoluted nature of Carter’s origins, but Bryan Hitch is supplying the best artwork of his career. The art is big and cinematic but also contains a lot of emotion within it. Go read this series

Read more about why we like Hawkman!

2. The Wild Storm
Writer:
Warren Ellis
Artist: Jon Davis-Hunt
Publisher: DC Comics

A holdover from last year, Warren Ellis and Jon Davis-Hunt’s gritty, stripped-down, espionage-fueled retelling of the WildStorm Universe continued to chug along in 2018 and continue its greatness. Not only did we see the formation of the proto-WildCATs and John Lynch searching down his Thunderbook agents before IO gets a hand on them. Ellis, like always, is a master in character interactions. His injection of dark humor also adds a great edge to the book. Davis-Hunt’s art work continues to be simple, but also dynamic with some of the best rendering of action in the business. The end of 2018 brings us to the end of the third of four arcs. With all the pieces set in place, the final arc is sure to be a doozy, and I am all here for it.

3. Justice League Dark
Writer:
James Tynion IV
Artist:
Alvaro Martinez Bueno
Publisher: DC Comics

Re-teaming hot creative team James Tynion IV and Alvaro Martinez Bueno straight off their acclaimed run of Detective Comics, Justice League Dark focuses on the mystical side of the DC Universe. Formed by Wonder Woman after the events of Justice League: No Justice, titular team works to discover something amiss in the magic community. Much like his run on Detective, Tynion is an expert in character voices and dynamics. Wonder Woman, Zatanna, Man-Bat, Detective Chimp, Swamp Thing, and many more have great interactions with each other that help add a personality to this book. Martinez Bueno’s art is astonishingly detailed and creepy paired perfectly with Brad Anderson’s moody but vibrant color palate.

4. Doomsday Clock
Writer:
Geoff Johns
Artist: Gary Frank
Publisher: DC Comics

The series that never ends. Jokes about the delays aside, Geoff Johns and Gary Frank’s examination of the DC Universe through the eyes of Watchmen characters continues to be one of the most illuminating reads on the shelves whenever it does actually come out. How Johns expertly moves from dark and dour to hopeful and optimistic is a hallmark of his writing. His scripts are dense and complex, heavy with nuance. Gary Frank continues to be one of, if not THE, best artists in the business. He is a master of rendering and emotion, capturing both the bleak tone of Watchmen and the light tone of the DC Universe. He is also joined again here by colorist extraordinaire Brad Anderson. The release of issue eight brought this year to an end with a bang, both literally and figuratively.  

5. Action Comics
Writer:
Brian Michael Bendis
Artist: Patrick Gleason, Yanick Paquette, Ryan Sook
Publisher: DC Comics

In November 2017 it was announced that industry heavyweight Brian Michael Bendis was jumping from Marvel to DC. Speculation arose to which character he would write. In February of this year, it was announced he would write the six-issue mini series Man of Steel, a callback to the 1986 John Byrne-penned book of the same name. Bendis would then subsequently take over both Superman and Action Comics, focusing on two different aspects of the character. The main Superman book would focus on cosmic level threats and big action, while Action would be a more grounded take focusing on Clark Kent the journalist. This is an aspect that is barley touched upon in modern Superman stories, and it’s also what hooked me right away. Bendis’ main focus is on the Daily Planet. With Lois away working on writing a book, they have lost one of their premier reporters. Not only that, but a rash of unexpected fires have started popping up and a shady underground criminal organization is rising from the underbelly of Metropolis. Clark the reporter is on the case. Like most investigative journalism, there are a lot of steps to be traced. Bendis takes advantage of that by focusing on two new characters he created: fire chief Melody Moore and upstart Planet employee Robinson Goode. Intrigue is abundant as Bendis uses his signature snappy dialogue to give new life not only to the Planet newsroom but to Metropolis in general. Joining Bendis on art duties is Patrick Gleason, Yanick Paquette, and Ryan Sook. Each of them lend their unique style, adding richness to the characters and the world around them.

Taylor Pechter is a passionate comic book fan and nerd. Find him on Twitter @TheInspecter.

REVIEW: The Unexpected #4 by Steve Orlando, Yvel Guichet, Cary Nord, Scott Hanna, Jeromy Cox, & Carlos M. Mangual

By Zack Quaintance — The Unexpected has featured locales, ideas, and lore from throughout the DCU…and now in issue #4, we get other heroes, too, right from page 1 panel 1. New characters in superhero comics often face world-ending threats, and a natural question becomes why don’t they reach out to the experienced shared universe heavy hitters? This story nicely addresses that, making for another strong single issue in one of my favorite new Big 2 books in ages.

As an individual issue, The Unexpected #4 clearly has a specific goal to reach before its end, and it definitely gets there, landing in a place that promises a new evolution for the book in #5. Along the way, we see our new heroes—Firebrand and Neon the Unknown—study their plight with the tense aid of Bat-family detectives. We also see another of the grandiose set pieces that have so far appeared in every issue, plus a continued push to address the aftermath of DC’s recent Dark Nights Metal event, extending plot points from that story to new and interesting places, essentially contextualizing what happened into the history and future of the DCU.

That’s all to say writer Steve Orlando’s main strengths are very much on display here: his vast and impressive command of continuity, his commitment to taking the shared universe concept seriously, and his ability to have muscle-bound folks punching each other with stakes.

Art-wise, the book is in transition. Cary Nord, on-board from issue one, is off to G. Willow Wilson’s forthcoming run on Wonder Woman, launching in November. That leaves us with the team of Yvel Guichet and Scott Hanna, plus Jeromy Cox providing colors. And this book looks good, to be sure. Next issue will see Mark Farmer drawing, followed by Ronan Cliquet. There’s no reason to believe future installments will suffer, but if we could just take a brief moment in honor of Nord’s contributions. He will be missed.

Anyway, with The Unexpected I remain impressed by how compelling the team has made original characters—no easy feat within a publishing line of adventures that span many decades. The book being a natural extension of Metal helps. Thematically, I think The Unexpected also addresses an idea prominent in the post-Metal DCU: restraint. In surviving Metal, the Justice League broke the source wall, ushering in complex threats. The Unexpected’s central use of the volatile Nth Metal builds on that. Here, we have a powerful character who must resist giving into violent urges, lest she destroy herself and maybe the world, as threats accelerate around her. In many ways, it’s a metaphor for 2018, and I love it.

Overall: The Unexpected continues to be a standout book of DC’s New Age of Heroes line, expertly incorporating bits of the DCU’s past while making an argument for being part of its future. Artist Cary Nord’s departure is a bummer, but this book clearly still has big plans. 8.5/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

How Hawkman Soars: A Five-Panel Explainer

By Zack Quaintance — Hawkman by Robert Venditti and Bryan Hitch feels like a throwback (in a good way) for a couple reasons. First, it’s a story of a modest scale. This is an odd notion, given we're talking about a comic that spans all of space and time, but at its core Hawkman is a relatively simple adventure starring a character who is unraveling personal mysteries while also combating threats to the larger world. Second, it features killer artwork by Bryan Hitch.

Regarding Hitch: it’s often hard to see how the standards and conventions of a storytelling medium limit it until someone breaks them. This was true of my perception of comics in the ‘90s (a super weird decade, yet not as bad as its reputation...a topic for another day). Hitch’s work on The Authority showed me the freeing potential of excessively splashy spreads brimming with gigantic action and wide perspective. Basically, I’d never realized how claustrophobic most books felt until Hitch blew it up.

Lately I’d forgotten how much a revelation his style once was, especially since it has now become commonplace in superhero stories. Obviously, it’s not a fit for every book, and it has maybe been overdone at times (way overdone), but when used well as it is in Hawkman—look out. And so that’s what I’d like to discuss today via five-panel explainer: how Hawkman soars on the wings of old school adventuring and free-flying artwork. Let’s do it!  

Panel One - The Continuity

Like many DC heroes, Hawkman is a great character with a long and convoluted history, one that can potentially act as a barrier of entry for new readers. Venditti and Hitch realize this, and in Hawkman #1 we get this stunning panel, which orients us and conveys the basics while also establishing that this book is about our hero himself coming to terms with his background. Basically, they’re telling us relax...it’s okay to be confused. We’re heading out—together—to explore.

This killer spread from Hawkman #1 does a great job refreshing the current state of Hawkman's continuity. 

Panel Two - The Journal

From Hawkman #3, our hero pours through his journal, reminding us of the status of his quest.

This second panel is less visually-exciting, yet it’s just as important as the one above in terms of giving structure to the narrative. If that frenetic spread establishes we’re sorting out our hero’s past together, the journal acts as a device for reminding us what we’ve so far learned. It gives our protagonist an organic means of taking stock of his progress, and it gives Venditti a nice way to craft interesting narration without showing the writer’s hand in the story. It’s been well-done through three issues, and I'm hoping we’ll see more of it moving forward.

Panel Three - The Museum

Not to go too far into the story, but this book is about Hawkman learning he’s been reincarnated not just over time but also throughout space. In any given issue, the story goes to another planet, another time, and then back to present day. It’s a lot and it could become unwieldy...if Venditti and Hitch weren’t so good at creating pedestrian visits to things like subways and museums. Basically, this book positions Hawkman as the Indiana Jones of the DCU, and so it needs the cleaned up scenes where Indie is curating or teaching classes. So far, we’ve gotten them done well. This panel is a personal favorite.

The significant of an epic quest can sometimes get lost if there's nothing present to ground a character, which Venditti and Hitch do well in this museum scene from Hawkman #2.

Panel Four - The Monsters

An old school adventure comic book is nothing without its monsters, and Hawkman is no exception. This was the hardest panel to pick because there were so many good choices, but I went with giant angry ape (apologies to giant angry T-Rex and giant angry flock of automaton birdmen). This is classic Hitch, with larger than life kinetic artwork that explodes through panels and off pages. Love it.

What's an adventure that travels through space and time without giant angry monsters? Scene from Hawkman #1.

Perhaps the most important panels in the entire series are those in which Hawkman takes to the sky. Artwork from Hawkman #3.

Panel Five - The Skies

The best visual bits of this book, however, are the open skies...as they should be in a story about a flying character. There are plenty of closeup action shots, sure, but Hitch and Venditti often pull the theoretical camera back to show us what a speck our hero is against the vastness of the sky he moves through. This framing is used often and clearly not meant to diminish his stature, which it really doesn’t—we’re never more than a panel or two away from him hitting a dinosaur or something with his mace—but instead it aims to show us the freedom of his explorations, the limitless nature of his life and his journey, and it wildly succeeds.

To wrap up, I’ll say that through three issues Hawkman has established itself as a welcome addition to DC’s superhero line, a book that flies a bit beneath the radar, content to function on its own as a rewarding and good-looking read, hard to predict and loaded with mystery. It remains to be seen if the creative team can take the protagonist to meaningful places through a prolonged run, but Venditti has a good track record with long-form superheroics (see X-O Manowar and the recently-concluded Hal Jordan and the Green Lantern Corps), while someone in Burbank deserves a hearty pat on the back for fitting Hitch’s artwork to this character and story.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Best Debut Comics of June 2018

By Zack Quaintance — This was a great month for #1 comics, and not just in quantity but in variety too. The summer superhero relaunches carried on, while what seems like an increasingly strong wave of new indie books continued to arrive rapidfire.

And that’s fine by me. If there’s a time I associate with reading comics en masse, it’s summer. I remember being a kid in a humid part of the Midwest, camped under a fan because my folks had some kind of deep-seeded lower middle class aversion to running their AC, and reading stacks of comics over and over. Thunderbolts, Warren Ellis’ The Authority, Greg Rucka’s Detective Comics, and Kurt Busiek’s Astro City/Avengers/Thunderbolts among them.

For whatever reason, to this day I’m more likely to carve out excessive comic reading time in the hot summer months. Luckily, I’m doing well enough these days to run my AC (just barely), and so things are generally more comfortable.

Anyway, you aren’t here to read about me! You’re here about new comics, and we’ve got plenty of those. So, let’s move on to that...

One of the strengths of Justice League so far has been the characterization of Lex Luthor. 

Quick Hits

Justice League #1 by Scott Snyder and Jim Cheung felt like the DC equivalent of the start of Jonathan Hickman’s run on Avengers, which spanned years and eventually ended the Marvel Universe. Seeds were planted, many seeds, and Snyder’s vision seems as all-encompassing as Hickman’s. Exciting stuff. I’m especially a fan of his Lex Luthor, a favorite villain of mine.

In a month of cool new indie comics, one that stood out was Lost City Explorers #1 by Zack Kaplan and Alvaro Sarraseca, which blends the harsh realities of 2018 with fantastic adventure stories of bygone eras.

Shanghai Red #1 by Christopher Sebela and Joshua Hixson throws readers into some of the best action in comics all year. Gritty and sharp, this a good debut that lays solid groundwork for the future, and I love that I don’t have a guess at where it's going.

Valerio Schiti draws a good-looking Iron Man.

As a fan of Dan Slott on Amazing Spider-Man, Tony Stark: Iron Man #1 didn’t disappoint me. Slott did as I expected, writing with lots of voice, looking back while looking forward, going big but relatable, etc. What caught me by surprise, however, was how well Valerio Schiti’s art fit the character. Very nice.

Last, I’m still catching up with Jason Aaron’s excellent Thor, currently reading the last Jane trade, so I’ll just say that barring a steep and unlikely drop in quality, Thor #1 by Aaron and Mike del Mundo would have made my list had I caught up in time to read it.

 

Best Debut Comics of June 2018

Hawkman by Robert Venditti and Bryan Hitch

Hawkman #1 is an accessible Hawkman book. Let that sink in. It’s true, the creative team of Robert Venditti and Bryan Hitch have reinvented a character with one of the most convoluted histories of any Big 2 hero, making him something akin to Indiana Jones with wings and a mace. The sticking point for me with Hawkman has always been the whole ancient reincarnated legend guy versus alien conundrum thing.

Now, I know if you’re a DC continuity expert you understand it all and are thinking, What a dunce, but that’s just where I’m at. This book, however, cleared that up! In the story! Also, Hitch’s signature splashy panels are a great fit for a hero who soars. Moreover, I’m just excited to see DC playing with its many, many toys, especially after Rebirth, which strong as it was felt intentionally limited to the publisher’s most popular heroes.

Plastic Man #1 variant by Amanda Conners.

Plastic Man by Gail Simone and Adriana Melo

Speaking of relatively obscure DC heroes, the next book on our list is Plastic Man #1 by Gail Simone and newcomer (to me, anyway) Adriana Melo. The first of a six-part mini-series, this book blew us away. It had Plastic Man’s signature zaniness, but it also had a layer of depth that we wrote about at length in our review.

To sum up our feelings: this could be one of the best superhero comics about trauma in ages, but if that sounds tiresome, no worries! The creators are well aware a significant part of their audience is here for an exciting crime story about a super stretchy man, and they are determined to do a great job telling that as well.

 

 

 

The Unexpected by Steve Orlando, Ryan Sook, & Cary Nord

Next is another book we lavished praise upon in a review: The Unexpected #1 by Steve Orlando with character designs by Ryan Sook and interior art by Cary Nord (it’s weird, I know, New Age of DC Heroes reasons). This is the final (and best) book in that line, and it’s incredibly well-done, from the characters to the swagger in the dialogue.

The only thing that gives us pause about this title is it’s association with the clumsy New Age of Heroes line, which some fans have criticized for being marketed as artist-centric before then dumping said artists after an average of roughly three issues. Odd branding aside, this is still a great comic.

The Weatherman #1 by Jody LeHeup and Nathan Fox

After I wrote about the Top New Image Comics of 2018, one of my Twitter friends interjected that he had enjoyed The Weatherman #1 quite a bit. The Weatherman had gotten lost amid the weekly new comics deluge for me, likely because I was unfamiliar with its creative team.

I took this advice, caught up, and absolutely loved The Weatherman. It has a high-minded sci-fi concept (something destroyed Earth and now humans live on Mars) but is self-aware in a way hard sci-fi rarely manages. Really, this is a tough book to confine to one genre, showing shades of sci-fi, action, espionage, and humor. In its third act, the creative team also makes some choices to show just how much they are not—ahem—$@%*ing around. And the last page is a stunner.

Immortal Hulk #1 by Al Ewing and Joe Bennett

Al Ewing is writing one fearsome Hulk.

I’ve been a fan of Al Ewing’s since his Contest of Champions book during All New, All Different Marvel. Ewing is my favorite type of comic writer: one who gives every script a vast significance, as if it’s the most important thing ever to happen in the Marvel Universe. I followed Ewing to The Ultimates and New/U.S. Avengers.

All the while, I kept thinking, If Al Ewing gets the right book, he’s a breakout star waiting to happen. Well friends, that time has come. Ewing has taken the newly-resurrected Hulk (he died during Civil War II, I know, nobody liked it), and written a horror comic for the ages. In the back matter, Ewing discusses having loved The Hulk since he was a child. This shows. His new book has a deep understanding and appreciation for the character, a well-worn contemplation of Hulk that has led to him crafting one of the best #1 superhero issues of the year. Fantastic stuff.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.