REVIEW: The Weatherman #5 by Jody LeHeup, Nathan Fox, Dave Stewart, & Steve Wands

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The Weatherman #5 is out 10/10.

By Bo Stewart — There’s not much I like more than a comic that gets better with each new issue. The Weatherman, for example, is a comic that knows exactly what it is, featuring a unique blend of dark comedy and sci-fi action that sets it apart from everything else on the shelf. In The Weatherman #5, the creators brought their A game once again, telling this story with a sheer confidence that’s evident on every page.

Over the course of these first five issues, writer Jody LeHeup and artist Nathan Fox have built a fully fleshed out world. The amount of thought that went into every character, vehicle, weapon and architectural design is almost mind-blowing. Let me lay it out like this: every single panel in this comic is a feast for the eyes. This is essentially a book that pushes current products and trends to their logical (and sometimes terrifying) extremes, without anything in it seeming out of place. Weatherman plays within the clear rules that it sets for itself. It’s a perfect example of how a world with real depth can seem more engaging than a world with more breadth. The creators have an intimate familiarity with this world, and they are clearly having a blast playing in it.

While the creators may be having fun making Weatherman, most of the characters in their story are definitely not enjoying themselves. This is a world that’s in deep deep pain. In this story, the Earth was destroyed and the humans now living on Mars are desperate for justice. If justice isn’t available, vengeance will have to suffice…even if it’s gratuitous or misplaced. Our main protagonist, Nathan Bright, is paying the steep price for all of mankind’s pain. I don’t want to spoil exactly what his punishment is here, but, trust me, it’s nightmare fuel. In short, the thematic territory LeHeup explores is challenging, and I admire how the book refuses to take a clear side. Like many of my favorite stories, Weatherman lets you make up your own mind.  

This is a dark and cynical take on the future, to be sure, but the creators leave plenty of room for fun. Riffing off the ridiculousness that is life-in-2018 (and the destructive path we seem so intent on staying on) seems to be the only way to cope with said ridiculousness. And no comic is doing this better than Weatherman.    

Overall: The Weatherman gets better with every issue. Its unique blend of dark comedy and sci-fi action make this a comic you simply cannot afford to miss. 9.5/10

Bo grinds for the man by day so he can create comics by night. He is the lesser half of the Stewart Brothers writing team and can be found on Twitter and Instagram @stewart_bros

New Comics Previews for August 15, 2018

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By Zack Quaintance —  Soooo, we’re changing up the previews formula this week, moving to featuring some of our top picks for this upcoming Wednesday, rather than the top PR preview stuff that got sent to us last week, a move that should be more useful and more fun, two things that rarely go together.

This week features some of our favorite new creator-owned books for 2018 continuing on, as well as the launch of a pair of promising new ones. There are also some pretty high profile books wrapping up big arcs, ongoing mega superhero stories, and more. With all that in mind, let’s get into the solicit text plus a quick line or two about why we think some of these books are cool.

Top Comics for August 15, 2018

Batman #53
Writer: Tom King
Artist: Lee Weeks
Publisher: DC Comics
Price: $3.99
"Cold Days" continues! The jury in the Mr. Freeze trial is hopelessly deadlocked because one man won't vote guilty-and that man is Bruce Wayne. Freeze's defense is that Batman used excessive force, making his arrest illegal, and Bruce is the one man who actually knows for sure what went down between Batman and his ice-cold nemesis. And if Bruce is right, that means everything he's devoted himself to as the Caped Crusader is a lie; he is hurting more than helping. With Dick Grayson putting the Batsuit back on to keep Gotham City safe while Bruce is sequestered, could this be the out Bruce needs to discard the cape and cowl forever?
Why It’s Cool: There has been no wedding hangover for Tom King, who (in our opinion) is telling one of the best stories of his run, exploring Bruce Wayne’s emotional recovery from what happened at the wedding, which actually speaks to his emotional recovery from all trauma in general, an idea that’s pretty relevant given his life decisions.

Crude #5
Writer: Steve Orlando
Artist: Garry Brown
Publisher: Image Comics
Price: $3.99
Blackstone is ready to explode! Piotr has beaten every thug, mercenary, and soldier Petropinnacle has sent to kill him. Now, the city’s true ruler steps up to show this tired KGB dog what true power is.
Why It’s Cool: Deeply violent, deeply emotional. This is a cold and savage father-son story that has us hooked with its nuanced emotional center. This is one of our our favorite new creator-owned titles of 2018, hands down.

Gideon Falls #6
Writer: Jeff Lemire
Artist: Andrea Sorrentino
Publisher: Image Comics
Price: $3.99
"THE BLACK BARN": Conclusion-Father Fred enters The Black Barn on a daring rescue attempt but nothing can prepare him for the horrors within. Meanwhile Norton and Angie delve deeper into Norton's past and zero in on the secrets of the Barn. A 2018 Eisner Award nominee for Best Writer, JEFF LEMIRE!
Why It’s Cool: We’d say this conclusion to the first arc stands to give us more answers to the many mysteries spread throughout Gideon Falls, but this is Gideon Falls. Nothing is a given, except that this book will be expertly-written and loaded with incredible imagery. This is another of our favorite new creator-owned titles of 2018

Skyward #5
Writer: Joe Henderson
Artist: Lee Garbett
Publisher: Image Comics
Price: $3.99
END OF STORY ARC “MY LOW-G LIFE,” Conclusion The pulse-pounding conclusion of our first arc! Everything comes to a head as Willa takes the fight to Barrow. And not everyone’s getting out of this one alive…
Why It’s Cool: This yet ANOTHER of our favorite creator-owned titles, the one that probably caught us the most by surprise given we’re not familiar with the creative team. The last line about a character dying here, though? Oof, that’s going to be interesting in this book that until has been somewhat light.

The Weatherman #3
Writer: Jody Leheup
Artist: Nathan Fox
Publisher: Image Comics
Price: $3.99
Cut off, on the run, and hunted by The Marshal, Nathan and Cross try to stay alive long enough to find Nathan’s lost memory and the key to stopping another world-ending attack. But they’ll have to survive each other first…
Why It’s Cool: HOLY WOW WHAT ARE THE ODDS...this is yet ANOTHER of our favorite new creator-owned comics of 2018. This is just one of those comics that feels like its creators have something vital and important to say. We have no idea what that is, but the telling has been super compelling thus far.

 

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New #1s for August 15, 2018

  • Crowded #1

  • Extermination #1

  • Pearl #1

Others Receiving Votes

  • Babyteeth #12

  • Catalyst Prime Summit #8

  • Catalyst Prime Superb #12

  • Ether Copper Golems #4

  • Infinity Wars #2

  • Justice League #6

  • Lost City Explorers #3

  • Thor #4

  • Tony Stark: Iron Man #3

  • Vagrant Queen #3

  • Wic + Div #38

  • Wild Storm #16

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at@zackquaintance. He lives in Sacramento, California.

 

REVIEW: The Weatherman #2 by Jody LeHeup, Nathan Fox, Dave Stewart, & Steve Wands

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The Weatherman #2 drops on July 18.

By Zack Quaintance — The Weatherman #1 was a pretty impressive debut comic, one that I like even more after getting some additional context from this second issue. In the first issue, there’s a montage in which it’s established that the titular Weatherman is painfully earnest, an irreverent entertainer who is blatant about his thoughts, feelings, desires, and corny jokes. I wasn’t sure last issue if these qualities were established for laughs, or if there was a greater narrative function for them.

After reading The Weatherman #2, it’s now clear it was the latter. Not to give too much away (ahem, spoilers!), but the central conceit of this series is that our protagonist at some point had his mind wiped. This plays to one of the comic book medium’s greatest strengths: the ability of drawings to create rough approximations for readers to envision themselves in characters better than they can in movies or on TV. Working a hero’s innocence into the plot plays to that strength, engendering a powerful amount of sympathy for our lead, feckless and crude as he may sometimes be. He’s basically a man who likely committed a horrific crime but has been more or less good ever since, cleansed of that memory and persona, turned into an utter innocent.

So, that’s all really strong, and the art in #2 is as captivating as it was in the first issue. The third act also expertly rushes toward a searing cliffhanger, much like the first issue again. Between this book and another new favorite of mine, Skyward, Image Comics is putting out some really fundamentally sound books that incentivize reading monthly versus waiting for a trade. There’s something very endearing and old school about that, and I’m loving it.

Before I give this book my full-on, must-read glowing mega endorsement, however, I should note there’s a scene with some pretty gruesome animal cruelty. This is an adult comic, and violence is to be expected—hell, elsewhere it’s established that seven years ago one of our characters maybe aided a terrorist attack that killed 18 billion people—but there’s imagery in The Weatherman #2 that crosses some usual lines. I cringed. So, be warned that you might, too.  

Overall: The Weatherman continues to establish itself as yet another must-read science fiction comic in a banner year for that genre. The art, pacing, and concept are confident and complex, and I wouldn’t be surprised if the best of this book is still yet to come. 8.0/10

SPECIAL NOTE: For more thoughts about The Weatherman, see our Best Debut Comics of June 2018.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Best Debut Comics of June 2018

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By Zack Quaintance — This was a great month for #1 comics, and not just in quantity but in variety too. The summer superhero relaunches carried on, while what seems like an increasingly strong wave of new indie books continued to arrive rapidfire.

And that’s fine by me. If there’s a time I associate with reading comics en masse, it’s summer. I remember being a kid in a humid part of the Midwest, camped under a fan because my folks had some kind of deep-seeded lower middle class aversion to running their AC, and reading stacks of comics over and over. Thunderbolts, Warren Ellis’ The Authority, Greg Rucka’s Detective Comics, and Kurt Busiek’s Astro City/Avengers/Thunderbolts among them.

For whatever reason, to this day I’m more likely to carve out excessive comic reading time in the hot summer months. Luckily, I’m doing well enough these days to run my AC (just barely), and so things are generally more comfortable.

Anyway, you aren’t here to read about me! You’re here about new comics, and we’ve got plenty of those. So, let’s move on to that...

One of the strengths of Justice League so far has been the characterization of Lex Luthor. 

Quick Hits

Justice League #1 by Scott Snyder and Jim Cheung felt like the DC equivalent of the start of Jonathan Hickman’s run on Avengers, which spanned years and eventually ended the Marvel Universe. Seeds were planted, many seeds, and Snyder’s vision seems as all-encompassing as Hickman’s. Exciting stuff. I’m especially a fan of his Lex Luthor, a favorite villain of mine.

In a month of cool new indie comics, one that stood out was Lost City Explorers #1 by Zack Kaplan and Alvaro Sarraseca, which blends the harsh realities of 2018 with fantastic adventure stories of bygone eras.

Shanghai Red #1 by Christopher Sebela and Joshua Hixson throws readers into some of the best action in comics all year. Gritty and sharp, this a good debut that lays solid groundwork for the future, and I love that I don’t have a guess at where it's going.

Valerio Schiti draws a good-looking Iron Man.

As a fan of Dan Slott on Amazing Spider-Man, Tony Stark: Iron Man #1 didn’t disappoint me. Slott did as I expected, writing with lots of voice, looking back while looking forward, going big but relatable, etc. What caught me by surprise, however, was how well Valerio Schiti’s art fit the character. Very nice.

Last, I’m still catching up with Jason Aaron’s excellent Thor, currently reading the last Jane trade, so I’ll just say that barring a steep and unlikely drop in quality, Thor #1 by Aaron and Mike del Mundo would have made my list had I caught up in time to read it.

 

Best Debut Comics of June 2018

Hawkman by Robert Venditti and Bryan Hitch

Hawkman #1 is an accessible Hawkman book. Let that sink in. It’s true, the creative team of Robert Venditti and Bryan Hitch have reinvented a character with one of the most convoluted histories of any Big 2 hero, making him something akin to Indiana Jones with wings and a mace. The sticking point for me with Hawkman has always been the whole ancient reincarnated legend guy versus alien conundrum thing.

Now, I know if you’re a DC continuity expert you understand it all and are thinking, What a dunce, but that’s just where I’m at. This book, however, cleared that up! In the story! Also, Hitch’s signature splashy panels are a great fit for a hero who soars. Moreover, I’m just excited to see DC playing with its many, many toys, especially after Rebirth, which strong as it was felt intentionally limited to the publisher’s most popular heroes.

Plastic Man #1 variant by Amanda Conners.

Plastic Man by Gail Simone and Adriana Melo

Speaking of relatively obscure DC heroes, the next book on our list is Plastic Man #1 by Gail Simone and newcomer (to me, anyway) Adriana Melo. The first of a six-part mini-series, this book blew us away. It had Plastic Man’s signature zaniness, but it also had a layer of depth that we wrote about at length in our review.

To sum up our feelings: this could be one of the best superhero comics about trauma in ages, but if that sounds tiresome, no worries! The creators are well aware a significant part of their audience is here for an exciting crime story about a super stretchy man, and they are determined to do a great job telling that as well.

 

 

 

The Unexpected by Steve Orlando, Ryan Sook, & Cary Nord

Next is another book we lavished praise upon in a review: The Unexpected #1 by Steve Orlando with character designs by Ryan Sook and interior art by Cary Nord (it’s weird, I know, New Age of DC Heroes reasons). This is the final (and best) book in that line, and it’s incredibly well-done, from the characters to the swagger in the dialogue.

The only thing that gives us pause about this title is it’s association with the clumsy New Age of Heroes line, which some fans have criticized for being marketed as artist-centric before then dumping said artists after an average of roughly three issues. Odd branding aside, this is still a great comic.

The Weatherman #1 by Jody LeHeup and Nathan Fox

After I wrote about the Top New Image Comics of 2018, one of my Twitter friends interjected that he had enjoyed The Weatherman #1 quite a bit. The Weatherman had gotten lost amid the weekly new comics deluge for me, likely because I was unfamiliar with its creative team.

I took this advice, caught up, and absolutely loved The Weatherman. It has a high-minded sci-fi concept (something destroyed Earth and now humans live on Mars) but is self-aware in a way hard sci-fi rarely manages. Really, this is a tough book to confine to one genre, showing shades of sci-fi, action, espionage, and humor. In its third act, the creative team also makes some choices to show just how much they are not—ahem—$@%*ing around. And the last page is a stunner.

Immortal Hulk #1 by Al Ewing and Joe Bennett

Al Ewing is writing one fearsome Hulk.

I’ve been a fan of Al Ewing’s since his Contest of Champions book during All New, All Different Marvel. Ewing is my favorite type of comic writer: one who gives every script a vast significance, as if it’s the most important thing ever to happen in the Marvel Universe. I followed Ewing to The Ultimates and New/U.S. Avengers.

All the while, I kept thinking, If Al Ewing gets the right book, he’s a breakout star waiting to happen. Well friends, that time has come. Ewing has taken the newly-resurrected Hulk (he died during Civil War II, I know, nobody liked it), and written a horror comic for the ages. In the back matter, Ewing discusses having loved The Hulk since he was a child. This shows. His new book has a deep understanding and appreciation for the character, a well-worn contemplation of Hulk that has led to him crafting one of the best #1 superhero issues of the year. Fantastic stuff.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.