Top Comics of September 2018

By Zack Quaintance — This month is one that has the potential to be infamous, in that it ended with an event—Heroes in Crisis—that saw one of the Big 2 (DC) embrace a sort of grit and darkness that feels outdated. Word is now coming out that in addition to being a viscerally uncomfortable book, Heroes in Crisis also undersold expectations. Really, it almost feels to me as if the larger line itself is working like an antibody to reject Heroes in Crisis, purging its anachronistic themes from a shared superhero universe that is now bent on being brighter.

But, hey, this isn’t a piece about Heroes in Crisis! This is, instead, a piece about the comics from last month that I really liked, and within it you will find talk of some of my usual favorites—Wasted Space and Immortal Hulk—as well as some discussion of comics I haven’t written as much about, including The Seeds and Supergirl. And because I can’t help myself: yes! Okay, fine. I found Heroes in Crisis disappointing, but I still enjoyed September holistically as another great month for comics.

Let’s take a look at why!

Shout Outs

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Snotgirl #11. I’m just so happy this book is back. The art is phenomenal, even if the story has seemed to search for direction. Still, there’s nothing else quite like this comic, one of the most singular today. It’s like reading a guilty pleasure Instagram feed.

While I thought the opening arc of Jason Aaron’s Avengers run was maybe two issues longer than it needed to be, Avengers #7 & #8 are two of my favorite standalone Avengers stories in years, Avengers #7 for its biblical qualities and #8 because of its deep focus on team dynamics.

Relay #3. I’ve been enthralled by this book from its start. It’s, to be reductive, mind-expanding sci-fi brought to life with illustrations that oscillate from detailed and realistic to totally psychedelic. It’s a complex read, one I’m doing my damndest to analyze via reviews.

I’m all in on the SuperBendis run these days, and I liked Superman #3 and Action Comics #1003 quite a bit. Supergirl #22, however, was a fantastic surprise. This is a smaller title, but it’s bringing a welcome additional depth to Bendis’ larger aspirations.

September’s Wonder Woman #54 & #55 teamed one of my favorite rising comics writers, Steve Orlando, with one of my favorite underrated art teams, Raul Allen and Patricia Martin. The results were (unsurprisingly) to my liking.

DC Comics is in a bit of holding pattern in a couple places, waiting for new superstar runs to start (Aquaman, The Green Lantern, Wonder Woman, etc.), but Justice League #8 & Justice League Dark #3 continue to establish its team-up book as a true flagship.

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In Black Hammer: Age of Doom #5, some of this series’ mysteries become clear, and the team of Jeff Lemire and Dean Ormstron have more than built a satisfying resolution.

I continue to be impressed with the world-building going on in Skyward, a charming comic that’s clearly lasting for a long haul. Check out our review of Skyward #6.

Not to give too much away, but the last panel in The Wild Storm #17 is well worth your time, provided you’ve read The Authority...

Tom King and Mitch Gerads work in Mister Miracle #11 is once again excellent, featuring action, a future classic nine-panel grid of Darkseid double-dipping a carrot, and a promise that mysteries will be unraveled next month (maybe).

Top Comics of September 2018

5. Wasted Space #5 by Michael Moreci, Hayden Sherman, Jason Wordie, & Jim Campbell

This month saw the conclusion of Wasted Space’s first arc, and what a doozy. What I find most compelling about Wasted Space is that it lives a double life, both as a slapstick space opera and as a deep ideological exploration of culture and society. I’ve said this before but it’s worth reiterating: there’s a David Foster Wallace-esque quality to the ideas and concerns in this book, one that is especially evident in some of the lengthiest bits of dialogue as well as in the intelligence woven throughout.

Aesthetically, it’s a bright and vibrant comic with a quick plot and jokes that feel surprising yet never inappropriate. I’m a vocal proponent of Vault Comics, and, as such, I’m often asked where new readers should start. After this issue (and arc), my answer is now Wasted Space.

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4. Doomsday Clock #7 by Geoff Johns & Gary Frank

This issue caught me off guard. In Doomsday Clock #7, there is more plot and action than in the first half of this maxi-series combined. Indeed, the first six issues here were almost introspective in nature, carefully building the individual concerns of different Watchmen characters as they moved from their world into the proper DCU.

In Doomsday Clock #7, our principals start to slam together, with a good deal of direct involvement from usual DC heroes as well. The result is a comic that almost serves as a mission statement for this entire event. It’s an entertaining read that has me more excited for the final five issues. There is a little bit of a bittersweet tinge to it, in that one can only imagine what it would have been like had this book kept to a monthly schedule, as well as what it would have meant for the larger DCU, too. Sigh.

3. Immortal Hulk #5 & #6 by Al Ewing & Lee Garbett

September brought us two new issues of my favorite Marvel comic, Immortal Hulk, and so I’m including them here together. It seems to me like these two books together took a deeper turn into the supernatural, opening the door for the titular undead Hulk to explore some darker, perhaps even supernatural spaces.

The glowing red visage of Banner’s demon father is the MVP of this new scary turn. Designed to horrific perfection by usual series artist Joe Bennett, the face is memorable and terrifying, a fitting personification of this book’s ambition to be a different, unnerving sort of Hulk story. I also like that this book is seemingly separate from the usual cash-grabby fray of crossing over Marvel titles. Indeed, it’s starting to feel like the publisher is actively separating prestige titles from gimmicky cash grabs, and discerning readers are better for it.

2. Batman #54 by Tom King, Matt Wagner, Tomeu Morey, & Clayton Cowles

Batman #54 was a comic that made me emotional. As I wrote in my Batman #54 review, I found this issue to be an all-time great Batman story, a father-son take on one of the most famous duos not only in comics but in the entire world. It’s also largely indicative of what I’ve liked most about King’s run so far: its humanity.

I think I’m far from alone in saying King’s Batman has been one of peaks and valleys, and I attribute this to a two steps forward, one step back journey he has Bruce on. King is trying to slowly humanize and grow a character whose owners have everything to gain by keeping him static. His solution seems to be a series of small pushes in lieu of any major leaps. This issue is one of the most blissful small pushes forward so far.

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1. Seeds #2 by Ann Nocenti & David Aja (read our review of Seeds #1)

I didn’t know what to make of Seeds’ first issue. It was a blatantly creative comic, one that intrigued me and seemed to have something much deeper to say beneath the compelling visuals that made up its veneer. The first issue, though, withheld much about what the book intended to be about, and, as such, I withheld a bit of enthusiasm. After reading the second issue this has changed. I’m all in on The Seeds, to the point I now suspect that when the four-issue series concludes, it is likely to be praised as one of the best comics of the decade, if not longer.

This is a story that feels both impossible and real, that feels of our moment and also forward-looking. It’s thematic interests are disparate at first glance, ranging from sex between humans and aliens, the environmental death of the earth, and the bludgeoning impact of human reliance on technology. Look closer, though, and you’ll find a creative team that is almost unnervingly prescient. This is a comic book story that in my opinion is clearly laying out what should (or soon will be) easily the most pressing concerns of our time, and doing it with some of the finest art in the industry. Simply put, if you’re not reading this comic, you are making a mistake.

Check out our Best New #1 Comics of September 2018 plus more of our monthly lists here.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

REVIEW: Batman #54 by Tom King, Matt Wagner, Tomeu Morey, & Clayton Cowles

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By Zack Quaintance — Batman #54 is a stand-alone tale that uses the character’s longest-standing relationship—Bruce Wayne’s adoption of Dick Grayson, which goes back to Detective Comics #38 in 1940—to tell a heartfelt father-son story. In this comic, grown Dick is visiting Bruce, who is still suffering serious heartache following the events of Batman #50.

**BEWARE if you haven’t yet read it, I’d hate to spoil the emotional trajectory.**

The pattern of the book’s structure intermingles the present day with the past, using snippets of Dick’s first days at Wayne Manor, when he was freshly-orphaned, a sad and furious youth, understandably stunned by the loss of his own parents, guarded and distrustful and stubbornly bent on acting out. We get a scene of young Dick struggling as Bruce tries to comfort him. Then we get a scene of adult Dick cracking wise as he and Bruce fight some of their most ridiculous foes (Crazy Quilt, Condiment King, etc.), with now Bruce being the one who won’t express himself.

The construction is perfect, so emotional. King is a student of comics history, a writer who so obviously appreciates this character’s past. He knows what he has here with arguably the most ubiquitous duo in the world. Up there with Lewis and Clark, Sonny and Cher, peanut butter and jelly...Batman and Robin. King savvily knows his audience will mostly all have some level of emotional attachment to this bond, likely one that connects back to their own childhoods.

That brings us to the other major creative decision that makes this such a heartrending comic. King’s script never once calls for young Robin in costume, because this isn’t about the dynamic duo’s adventures. King instead reels us in with the far more relatable moments in which Bruce was simply an adult caring for a child who needed him. We’ve all been there, with older readers (of which Batman surely has many) having been on both ends.

There’s an early scene here where young Dick has a nightmare about his parents dying and wakes up screaming. Bruce runs to comfort him, to just be there. King—to his credit—gets out of the way and doesn’t overwrite. Wisely, there’s no narration throughout. While comforting Dick after his nightmare, Bruce is actually laconic, as most fathers surely were, saying It’s okay, boy. It’s a dream. You’re safe. It’s not much, but it’s perfect.  

And the issue is littered with similar relatable moments. There’s Bruce asking adult Dick how long he’s planning to stay. I practically heard my own dad trying to ask me about my life, So, uh, what’s new with you? So much always unsaid. And there’s Dick and Bruce bonding while watching football, which might as well have been my living room as a kid. It just all so perfectly captures the emotional fragility of heart-aching men, our deep desire for someone to reach out and our crazy inability to let would-be comforters see us suffer. It’s what makes father-son stuff so inherently fraught, and it’s rendered so gorgeously here via one of the most enduring father-son relationships in all of fiction.

“Writer: Tom King
Artist: Matt Wagner
Colorist: Tomeu Morey
Letterer: Clayton Cowles
Price: $3.99
Release Date: September 5, 2018”

Much credit should also go to Matt Wagner’s art. Wagner is an incredible cartoonist operating at full strength. As emotional as the story is, the depiction of faces and the framing of certain shots is just as vital (if not more so). Essentially, Wagner’s work brings out the potential of King’s words. I’m a noted big sappy baby, so it doesn’t mean much for me to say this issue made me cry, but oh man did this issue make me cry. I loved it.

Overall: Following the three-part Cold Days arc is a tough act, but the standalone story about the father-son relationship between Bruce Wayne and Dick Grayson in Batman #54 pulls it off. Matt Wagner’s art is fitting and emotive, and Tom King’s script is tonally perfect, an honest look at the emotional fragility of hurt men and how difficult it is to open up. 10/10

For more comic book reviews, check out our review archives.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Comics to Buy for September 5, 2018

By Zack Quaintance — Phew, this week is packed tighter with great books than the shoebox where I used to keep my comics as a kid back before I shelled out the little bit of cash to get my first short box. That probably wasn’t as clever as I hoped it would be, but you get what I’m saying all the same. This? This is a good week for comics. In fact, we even had to write up six books instead of the usual five, and even then we were still force to make some tough choices.

In fact, it’s so good that it was a real challenge to pair down my list. I can usually confidently pick out the five comics I recommend most just by looking at what titles are coming out in a given week. This week, however, I had a near-crippling amount of indecision. Anyway, Leviathan, Relay, and Snotgirl all muscled their ways onto this week’s list just by virtue of being amazing comics.

Let’s take a look!

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Top Comics to Buy for September 5, 2018

Batman #54
Writer: Tom King
Artist: Matt Wagner
Colorist: Tomeu Morey
Letterer: Clayton Cowles
Publisher: DC Comics
Price: $3.99
Dick Grayson-the original Robin-gets to spend some quality time fighting crime with his mentor for the first time since Batman popped the question to Catwoman. It's a walk down memory lane as Bruce Wayne helps Dick get over the loss of his high-flying acrobat parents, which in turn led to his crime-fighting career. Guest artist Matt Wagner (Mage, TRINITY) jumps on board for this special issue!
Why It's Cool: Cool is probably the wrong word for a book that seems like it's going to be a modern classic, a touching yet never saccharine examination of the father-son dynamic between Bruce Wayne and Dick Grayson. Batman's recent Cold Days arc was a near-masterpiece, but it's heartfelt and honest single issues like this seems to be \that keep Tom King's Batman among my favorite recent runs on the character. 

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Border Town #1
Writer: Eric M. Esquivel
Artist: Ramon Villalobos
Colorist: Tamra Bonvillain
Letterer: Deron Bennett
Publisher: Vertigo
Price: $3.99
When a crack in the border between worlds releases an army of monsters from Mexican folklore, the residents of Devil's Fork, AZ, blame the ensuing weirdness-the shared nightmares, the otherworldly radio transmissions, the mysterious goat mutilations-on "God-dang illegals." With racial tensions supernaturally charged, it's up to new kid in town Frank Dominguez and a motley crew of high school misfits to discover what's really going on in this town torn between worlds. 
Why It’s Cool: To quote our Border Town #1 ADVANCED REVIEW, Border Town #1 is a strong start for a reinvigorated Vertigo imprint, a relatable coming-of-age teen drama in one of the least understood yet most argued about parts of the country. The art is terrifyingly detailed, and the story leans enthusiastically into time-tested horror tropes, also finding new ground by adding Mexican/Chicano folklore and mythos.

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Cover #1 (of 6)
Writer: Brian Michael Bendis
Artist: David Mack
Publisher: Jinxworld
Cost: $3.99
Years in the making, from the award-winning team of Brian Michael Bendis and multimedia sensation David Mack, comes a brand-new graphic novel experience. And it's all kind of based on a true story. Sort of... Deep in the American intelligence community, someone realizes that comic book creators, who travel all over the world to sell their wares, might make the perfect cover for operatives in the dangerous, topsy-turvy world of intelligence and counterintelligence...and that's when all hell breaks loose. This is the story of the time the world of comics and the world of international spy work smashed together-with unexpected results!
Why It’s Cool: The creative team for this book have both worked with the government at various times, I believe, in consulting capacities, bringing their unique knowledge about narrative threats and the like to bear on real-world problems. It's poised to give this book—which is shaped by an excellent concept already—an added layer of honesty and truth. I really enjoyed Pearl #1 last month, the first fresh title from Bendis' reborn Jinxworld imprint, but Cover #1 looks like it's on another level. It stands to be such an honest look at life for comics pros, intermingled with an espionage story and stunning David Mack artwork. All indications are that this six-part series is going to be one to remember.

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Leviathan #2
Writer & Letterer: John Layman
Artist: Nick Pitarra
Colorist: Michael Garland
Publisher: Image Comics
Price: $3.99
"'TIL DEATH DO US PART," Part Two...While Ryan DeLuca tries to piece together exactly how his friends summoned a giant monster, government defense forces take the fight to the depths of the Earth, where monsters dwell. Then, of course, they piss off the wrong monster.
Why It’s Cool: The second issue of the new book from Layman and Pitarra (who are an unbelievably complimentary team, btw) really hints at a much different book than I was expecting. I won’t go into detail about a comic that’s not out yet, other than to say that if you liked issue #1 you’ll love this one, and, even if you didn’t like #1, I’d still recommend giving this a chance, because it’s quite possible this book is up to more than you think.

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Relay #3
Writer: Zac Thompson
Story By: Zac Thompson & Donny Cates
Artist: Andy Clarke
Colorist: Jose Villarrubia
Letterer: Charles Pritchett
Publisher: AfterShock Comics
Price: $3.99
In the future, the galaxy is united under a monolith known as the Galactic Relay. Although the towering monument is meant to inspire conformity of ideas, technology, and progress, it is not without its enemies and many have begun to resent the foreign structure. And now, Jad Carter, a Relay employee, has found the Relay’s mythological creator. An interstellar mug causes a complete breakdown of reality. Jad travels inside the Monolith but it raises more questions than answers.
Why It’s Cool: The most complex and intricate sci-fi book on the shelves today...in market that is booming with great entries in the genre. Relay #3 expertly builds on the themes and complexity of its first two issues, while giving artist Andy Clarke some space to blow readers minds the way the story by Zac Thompson and Donny Cates has so far. This entire creativity team is firing on all cylinders. This book is a slow burn, but I’m starting to suspect it might end up being a mega hit. If you haven’t been reading this, I’d highly recommend grabbing all three issues this Wednesday, setting aside roughly 90 minutes of very quiet time, and diving all the way in.

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Snotgirl #11
Writer: Bryan Lee O’Malley
Artist: Leslie Hung
Colorist: Rachael Cohen
Letterer: Mare Odomo
Publisher: Image Comics
Price: $3.99
NEW STORY ARC! Chapter 11: "MY SECOND DATE.” While her friends have some concerns, Lottie just wants to take her relationship with Caroline to the next level-which is why she's keeping it a complete secret!
Why It’s Cool: I mean, it just is (that’s a joke from the issue). As I Tweeted immediately after finishing this issue, there's a lot of comics that comment on our times, but Snotgirl does so in a really unique and refreshing way. Its interests are seemingly innocuous, but look closer and this book is often just as scary as comics about war or fascism. Content deals heavily in social media, vanity, modern priorities and values, and the price of appearances, all through an incredibly relatable and terrifying prism of neurosis.

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Recommended New #1 Comics for September 5, 2018

• Bully Wars #1
• Dreaming #1
• Jinxworld Sampler #1
• Old Man Logan Annual #1
• Silver Surfer Annual #1

Others Receiving Votes

• Captain America #3
• Cosmic Ghost Rider #3
• Dead Hand #6
• Death of Inhumans #3
• Deathstroke #35
• Eclipse #10
• Giant Days #42
• Immortal Hulk #5
• Justice League #7
• Paper Girls #24
• Seeds #2
• Thanos Legacy #1
• Unexpected #4
• Unnatural #3
• Walking Dead #183

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.