REVIEW: Friendly Neighborhood Spider-Man #1 is a quieter Spidey book with big implications for SPOILER

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Friendly Neighborhood Spider-Man #1 is out 1/9/2019.

By Zack Quaintance — I am generally opposed to comics like Friendly Neighborhood Spider-Man, a fourth Spidey title that takes its place in line behind the flagship Amazing Spider-Man, the rising and youthful Miles Morales: Spider-Man, the intriguing prestige Spider-Man: A Life Story (a six-issue mini about what it would have been like had Spider-Man aged from his creation in real-time), and the perpetual runner-up book, Spectacular Spider-Man. I know there are super fans out there who just can’t get enough of the character, but I find it all just a little much.

In fact, in all likelihood I’d have probably have skipped this book if it wasn’t written by Tom Taylor, who has a shining history of taking a little much ideas like this one and turning them into absolute gold (see Injustice, see X-Men: Red). The concept here is based around a hyper-local take on Peter Parker and his heroics, and the plot of this debut issue sees him literally tending to the troubles of his actual physical neighbors.

The main story in this comic (illustrated with clean adequacy by Juan Cabal) is totally fine. It’s not flashy and it’s mildly intriguing, featuring a nifty little mystery. There are some good jokes, and the book seems to go out of its way to let readers know its complimentary to Amazing Spider-Man, incorporating all the recent minor status quo shifts we’ve seen in that title. The latter is a really nice touch that a long-time superhero reader like myself appreciates. Nothing takes me out of a story more than when an auxiliary title for a Spider, Bat, X, or Superman title just outright ignores the status quo elsewhere in the line. It’s to Friendly Neighborhood Spider-Man’s credit that it doesn’t do this.

WARNING: POTENTIAL SPOILERS BELOW

There are also some nice character moments here, showcasing Peter Parker as a micro-scale humanitarian, but they are nothing we haven’t seen before and seen often. What is likely to really get fans talking is the backup story, which is focused on and narrated by Peter’s Aunt May, iconic Aunt May. I don’t typically make a practice of revealing plot points in these reviews, but it’s hard to discuss this comic without doing so here. The backup story exists pretty much entirely to reveal that Aunt May is suffering from cancer.

This narrative weight is a good case for the book to make for its very existence, if a little unconvincing. I could be wrong, but it seems doubtful to me that a character as iconic as Aunt May would face any real danger in the pages of the third (or arguably fourth or fifth) most prominent Spider-Man title. In fact, in this day and age, I’d only really be convinced if one of these books was headed for a line-wide event or a milestone issue. Still, Tom Taylor is a powerful writer with a big heart, and, while I doubt Aunt May is in any real danger, I trust him to tell stories with this point that intrigue and satisfy on an emotional level.

Overall: In a quiet and polished debut, Friendly Neighborhood Spider-Man #1 does just enough to justify an addition to the Spidey line. A major development for a long-time character also happens in the backup story. It remains to be seen if this title will feel worthwhile moving forward, but Tom Taylor has done great things with lesser concepts, so for now I’m sticking with it. 7.0/10

Friendly Neighborhood Spider-Man #1
Writer: Tom Taylor
Artist: Juan Cabal
Colorist: Nolan Woodward
Letterer: VC’s Travis Lanham
Publisher: Marvel Comics
Price: $4.99
*Full credits aren’t clear for the backup, but the editor notes the team included Marcelo Ferreira, Robert Poggi, and Jim Campbell.

For more comic book reviews, check out our review archives.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

Top Comics to Buy for January 9, 2019

By Zack Quaintance — Ah, after a few weeks with a lesser volume of new comics releases, it’s nice to get back to full strength. Yes, this week’s Top Comics to Buy for January 9, 2019 involves a far higher volume of books than the last two weekly installments, once of which fell the day after Christmas and the other a day after New Years (side note: already shaking my head about next year, when both Christmas and New Years will actually be on a Wednesday, leading to a rough two-week new comics hiatus, I reckon).

Anyway, this week was great for quality as well as quantity, especially as it pertained to creator-owned comics. I think I read more Image review previews this week than I did in the past three weeks combined. So many of the series from that publisher that launched late last year continued this week, and you’ll see many of them present on our list below, along with some of the usual mainstays.

So with all that in mind, let’s get to that list of Top Comics to Buy for January 9, 2019!

Top Comics to Buy for January 9, 2019

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Batman #62
Writer: Tom King
Artist: Mitch Gerads
Letterer: Clayton Cowles
Publisher: DC Comics
Price: $3.99
Now features the Story solicited for #61 written by Tom King with art by Mitch Gerads. The Eisner-winning creative team behind MISTER MIRACLE is back together as artist Mitch Gerads rejoins the Bat team for a special issue! Professor Pyg is loose in Gotham, and you know that means things are going to get weird... and bloody!
Why It’s Cool: When this run is on, it’s one of the best long-form superhero stories in comics. This week, regular series writer Tom King is joined by his Mister Miracle/Sheriff of Babylon collaborator Mitch Gerads (one of comics biggest artistic talents right now), and you know what the result is? That’s right: this run is on. Since really catching the broader industry’s attention with a 12-issue Vision maxi-series for Marvel Comics in 2015, King has had a fast rise, powered in part by his fearlessness when it comes to experimenting with comics form. This issue sees him back at it, trying a new device (second person) that to my knowledge shows up for the first time in his work here. This Batman run aspires to humanize one of the most inscrutable characters in comics, and King’s use of second person here creates an interior familiarity that is often elusive in comics. Up there with the Cold Days arc and Batman #54, this is one of the best issues of this run.

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Bitter Root #3
Writers: David F. Walker & Chuck Brown
Artist: Sanford Greene
Colorists: Rico Renzi & Sanford Greene
Letterer: Clayton Cowles
Publisher: Image Comics
Price: $3.99
With violence erupting on the streets of Harlem and his cousin possessed by a demonic force, Cullen Sangerye reaches out for help from an estranged family member. Meanwhile, in Mississippi, Ford Sangerye fights for his life at the gateway to Hell.
Why It’s Cool: Holy cow, this is the issue where all hell breaks loose, almost literally. As we noted in our Bitter Root #1 review, this is a well-constructed comic that looks amazing. It’s also moving at a brisk pace, with this being only the third issue and so many of the conflicts that were foreshadowed early on coming to a head. It really speaks to the confidence the creative team has in this story. They know they’ve built it well, that they have the audience hooked, and so it’s time to deliver on early promises. We’ll have a Best New Image Comics of 2018 piece coming later this week, and you can damn sure expect Bitter Root to be on it.

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Euthanauts #5
Writer: Tini Howard
Artist: Nick Robles
Colorist: Eva De La Cruz
Letterer: Neil Uyetake
Publisher: IDW - Black Crown
Price: $3.99
Thalia has learned that you don't get to the afterlife without breaking a few eggs and planting a few seeds. In this issue-people die. Some of them stay quiet about it. When the ego is destroyed, what remains? Find out in the final issue of our first arc, Ground Control.
Why It’s Cool: This comic has just been such a gorgeous tryst through blurred lines of life and death, and with a solicitation that promises characters will die (duh), we expect big things from the finale of this first arc. There’s been an ominous morbidity hanging over every last issue of this comic (it is called Euthanauts, after all), and if fourth issue is any indication, it’s in this chapter that the creative team will likely deliver the demise that has been foreshadowed. The only question is which member of the cast is likely to go. One last point: writer Tini Howard and artist Nick Robles both landed in our Top Comic Book Creators of 2018, and we highly recommend getting on board with their work now. There’s still time (just barely) to say you were here before they blew up.

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Friendly Neighborhood Spider-Man #1
Writer: Tom Taylor
Artist: Juan Cabal
Colorist: Nolan Woodard
Publisher: Marvel Comics
Price: $4.99
Spider-Man is the worst neighbor EVER! There are always crazy villains and property damage and drama and...and he CATCHES the villains. And he tries to fix the damage and he helps carry your groceries and actually that property damage keeps the rents down. You know what? Spider-Man is the best neighbor ever and this book will give you a closer look at Spider-Man's (and Peter Parker's) neighborhood than any book ever. Also, it wouldn't be a Spider-Man adventure without a threat that could destroy not only Spider-Man, but all his neighbors.
Why It’s Cool: Writer Tom Taylor keeps getting comics that are adjacent to Big 2 flagship titles (the third X-Men book, an alternate reality Superman/Batman comic, etc.), and he in turn keeps absolutely crushing them. I fully expect his localized Spider-Man comic to be yet another example of this. I also continue to call for Taylor to get a chance to write a more prominent Marvel or DC comic, bordering on outright begging at this point.

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Self / Made #2
Writer: Mat Groom
Artist: Eduardo Ferigato
Colorist: Marcelo Costa
Letterer: A Larger World Studios’ Troy Peteri
Publisher: Image Comics
Price: $3.99
With Amala's true nature revealed, her creator has just one night to figure out how and why this miracle occurred... before Amala is lost forever.
Why It’s Cool: Even though the debut issue came out at the end of last year, Self / Made by newcomers Mat Groom and Eduardo Ferigato (edited by Kyle Higgins) is my pick for best new title of early 2019. This book is just so good. The first issue was entertaining and high-concept, reeling readers in with a standard high fantasy war scenario that quickly gave way to something more complex: the characters were actually—hey! No spoilers! Anyway, this issue extends the surprise twist of the debut further, pushing it to a place where it questions the very nature of existence without sacrificing any forward plot momentum to do so. Yes, it’s only two issues old, but this book is rapidly becoming something special.  

Top New #1 Comics

• Barbarella / Dejah Thoris #1

• Captain Marvel #1

• Criminal #1

• Gunning for Hits #1

• Turok #1

• Young Justice #1

Others Receiving Votes

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• Avengers #12

• Cemetery Beach #5

• Deathstroke #39

• Die #2

• Dreaming #5

• Freeze #2

• The Green Lantern #3

• House Amok #4

• Justice League #15

• LaGuardia #2

• Martian Manhunter #2

• Outer Darkness #3

• Prodigy #2

• Thor #9

• Unexpected #8 (final issue)

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

Top Comics of 2018, #6 - #15

By Zack Quaintance —  The most difficult thing about a strong year for comics (like this one) is doing a year-end Best Of list. Now, to be sure, no one mandates websites do rankings. That would be a clear violation of civil liberties. There is, however, a part of the pop culture blogger brain that goes wild for it, whispering all year long...where does this one rank...and if you don’t satisfy that beast—well, bad things happen.

So, here we our with ours, freshly formulated for 2018 by our committee of one. Before we dive into part 2, which features in descending order selections #15 to #6 (Top Comics of 2018, #16 - #25 is up now, with the Top 5 due later today), let’s rehash our ground rules:

• No trades or OGNs: Building out our OGN coverage is a priority for 2019. We’re just not there yet. So, while I absolutely loved work like Tillie Walden’s On a Sunbeam, Box Brown’s Is This Guy For Real? The Unbelievable Andy Kaufman, and Ryan Lindsay and Eric Zawadzki’s Eternal, you won’t find them here. Ideally, next year’s we’ll have an entire post dedicated to OGNs.

• No webcomics, manga, or newspaper strips: Again, our site is a bit deficient covering these (if you are into these things, we’d love to chat about you writing for us!). I should, of course, mention that in 2018 someone under the pen name Olivia James took over the long-running Nancy strip and did amazing things with it (Sluggo is lit), but, again, you won’t find it on our list.

• Longevity matters: New this year, you will find what I consider a key stat—how many issues were published this year. Late debut series like Die, Electric Warriors, and Bitter Root have tons of promise. They just haven’t been around enough to be a definitive comic of 2018. Ditto for comics that ended in April or earlier.

There you have it: guiding principles of our Top Comics of 2018. Now, without further adieu, let’s keep this bad hombre going!

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15. Seeds
Writer: Ann Nocenti
Artist, Letterer: David Aja
Publisher: Dark Horse Comics
Issues in 2018: 2

The second issue of this series absolutely blew my mind. So much so it was enough to land this comic in our list, and at no. 15 too! I’m going to struggle to articulate why this is not only one of the best comics out today, but also the comic with the most potential to be an all-time great series. But here goes…

Writer Ann Nocenti and artist David Aja have clearly thought hard about the state of the world, dwelling on current trends, struggles, challenges, \and even a few victories to extrapolate a future the likes of which we’ve never seen. There are (as noted in yesterday’s list) many near-future disaster stories running through comics. Many of them do admirable jobs extending a fear or concern to logical places. Seeds encompasses much more with its predictions, in a way that feels impossibly novel yet so obvious you wonder why its ideas hadn’t previously occurred to you. If you start listing story elements—failing planet, media corruption, alien love story/menace—they sound a little rote, but the way these talented creators bring them together is nothing short of remarkable. Now, if only they could get a handle on the delays...  

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14. Doomsday Clock
Writer: Geoff Johns
Artist: Gary Frank
Colorist: Brad Anderson
Letterer: Rob Leigh
Publisher: DC Comics
Issues in 2018: 6

Speaking of delays (hey! would you look at that transition), next we have Doomsday Clock. Writer Geoff Johns and artist Gary Frank were as good as their word this year, mostly sticking to the every-other-month schedule they promised following Doomsday Clock #3. We got six new issues in 2018, and the last three were straight up killer comics. This series has, to be blunt, massive ambitions.

Indeed, the intentions of this comic are starting to crystalize, and if Johns and Frank can pull this off, they could end up with a story that speaks to the current rise of authoritarian governments across the globe, the reactions of the media and the populous, and what it means to be a public hero today, to take a strong position. It’s heady stuff, with potential to shape DC’s line and maybe even the stories the aging company does for the next decade.

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13. Ice Cream Man
Writer: W. Maxwell Prince
Artist: Martin Morazzo
Colorist: Chris O’Halloran
Letterer: Good Old Neon
Publisher: Image Comics
Issues in 2018: 8

As I’ve noted throughout, ranking the many many many excellent comics this year has been no easy feat. There were a ton of tough choices, but as my friend Rob from Panel Patter noted, at a certain point you have to choose, otherwise there’s no purpose to the endeavor. For me, placing Ice Cream Man was the most difficult decision. An anthology horror comic linked only by the titular (and hella creepy) ice cream man, this book has been a tour de force.

The reason it lands at #13 is twofold. No. 1, 13 is creepy and it seemed fitting, because aside from one other selection (we’ll get into that later), this is the highest-ranking horror comic on our list. No. 2, I’m trying to rank series for holistic reading experience. Ice Cream Man being made of vignettes makes that trickier. This book is easily one of the best comics of 2018, and we’ll heap more praise on it in future posts, specifically the Best Single Issues of 2018, coming later this week. For now, I’ll just note everyone should read this comic, just pick up random issues (they’re all self-contained) and go. The rate of success is high enough I’m confident you’ll all find flavors (sorry) you like.

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12. The Wild Storm
Writer: Warren Ellis
Artist: Jon Davis-Hunt
Colorist: Steve Buccellato
Letterer: Simon Bowland
Publisher: DC Comics
Issues in 2018: 8

It’s pretty amazing this far into a celebrated career, Warren Elllis is doing his best work, writing a slow-burning epic that strips down characters he’s handled for years before building them back into something searingly-relevant for 2018. This new The Wild Storm has a few familiar names, while remaining entirely accessible for first-time readers of this universe. And what Ellis is doing here is exploring the vast influence wielded by long-standing (and hard to comprehend) power structures.

He’s joined by Jon Davis-Hunt, one of (if not the) most underrated artists in comics. Davis-Hunt comes fresh from career work of his own on Gail Simone’s Clean Room, and as good as he was there, he’s hitting a new level, crafting graphic sequential storytelling both kinetic and real, capable of disrupting any visual laws of reality yet photorealistic and engrossing. As intellectual and nuanced a comic as we’ve seen, this is a must-read story.

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11. The Mighty Thor / Thor
Writer: Jason Aaron
Artists: Russell Dauterman, Mike del Mundo, Christian Ward, Jen Bartel, Various
Colorists: Matthew Wilson, Marco D’Alfonso
Letterer: VC’s Joe Sabino
Publisher: Marvel Comics
Issues in 2018: 4 / 12

Jason Aaron’s ongoing run on Thor is the best long-form story happening in superhero comics, and it’s really not even close. Aaron and Esad Ribic’s Thor: God of Thunder #1, which essentially marked the start of this current run, hit stands in November 2012, a vastly different time in the world and industry. Marvel has no other run close, with Hickman and Bendis gone from the company and Dan Slott off Amazing Spider-Man. Invincible has also ended, and DC’s main challengers—Batman and Deathstroke, for my money—date back to summer 2016, which is hardly a challenge at all.

Thor, however, keeps going strong, landing this year’s 16 issues (and a Jane Foster one-shot) at #11 overall on our list. Our committee of one suspects it will be higher next year, what with the War of the Realms coming. The Jane Foster finale was certainly a high point his year, but it felt like more of a pause than a proper finish, setting the table for what is sure to be some damn fine comics to come. In summation, 2018 was another great year for Aaron’s Thor run, but we all but guarantee 2019 will be even better, possibly the high water mark for this story.

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10. X-Men Red
Writer: Tom Taylor
Artists: Mahmud Asrar, Carmen Carnero, Roge Antonio
Colorists: Ive Svorcina, Rain Beredo
Letterer: VC’s Cory Petit
Publisher: Marvel Comics
Issues in 2018: 11

What a surprise this comic was. I’d tapped out on X-Men: Blue and X-Men: Gold, deciding to wait for whatever next big X-thing. Then comes an announcement of a third color, part of the Marvel Legacy line, which, let’s face it, was dead on arrival. But here’s the thing: Tom Taylor and Mahmud Asrar’s X-Men: Red was good. Like, really really really good. Taylor’s scripting understood the franchise better than any writer I’ve read in I don’t know how long, casting the team as equal parts superhero high-flyers and common defenders of the oppressed, all with a geopolitical angle.

It made Jean Gray the face of Xavier’s continuing dream, a brilliant move given her legacy (ahem) and similar skill set, and it faced the X-Men against threats essentially derived from the messages of hate coursing through the modern media landscape, be it reportage or social posting. It was a brilliant stretch of 11 issues that ended way too soon, and, in my opinion, it was the first real hint how the X-Men can be made relevant for 2018, 2019, etc., taking them out of their long-standing continuity mire. It will be missed, and I hope this new generation of X-writers draw from its example.

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9. Vault Comics: Fearscape / Friendo / These Savage Shores
Writers: Ryan O’Sullivan / Alex Paknadel / Ram V.
Artists: Andrea Mutti / Martin Simmonds / Sumit Kumar
Colorists: Vladimir Popov / Dee Cunnife / Vittorio Astone
Letterers: Andworld Design / Taylor Esposito / Aditya Bidikar
Publisher: Vault Comics
Issues in 2018: 3 / 3 / 2

Okay, so this one is cheating, but of the three new Vault Comics launched by British writers with clear literary roots in the fall, I couldn’t pick any one to elevate above the others. They’re all incredible, and so I built myself a loophole (it’s my website, afterall), and included all three on the list. I heard Vault editor Adrian Wassel on a podcast earlier this year, saying comics could swing to a literary place that incorporates both recent cinematic storytelling trends and their unique ability to synthesize words and pictures. All three of these titles reflect that viewpoint.

You can read more thoughts about each on our Reviews Page, but let me run through them quickly. Fearscape is a look at pretense, literary culture, and how the nature of creative writing often sees authors bouncing violently between bouts of outsized ego and crippling insecurity. The voice is pretentious and incredible. Friendo is a meditation on the decline of late-model capitalist countries, specifically the United States, casting apathy, ceiling-less corporate greed, and the marginalization of government checks as truly terrifying villains. These Savage Shores is a gorgeous and deep commentary on imperialism, using misdirection to to create an engaging and tone-heavy narrative. Basically, all three of these are well worth your time, and I highly recommend them all.

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8. Exit Stage Left: The Snagglepuss Chronicles
Writer: Mark Russell
Artist: Mike Feehan
Inker: Sean Parsons
Colorist: Paul Mounts
Letterer: Dave Sharpe
Publisher: DC Comics
Issues in 2018: 6

Speaking of literary comics, Mark Russell and Mike Feehan’s Exit Stage Left: The Snagglepuss Chronicles (improbably) falls in that bin as well. Last year we highlighted Russell’s work on Flintstones. Another year and another smart take on a Hanna-Barbera property, and here we are again. In Russell’s re-imagining of this mythos, Snagglepuss is a basically closeted playwright during McCarthy-ism, trying to stay true to his values without running afoul of the federal government and staid societal interests.

Russell uses this premise to tell a sophisticated story that dances with ideas about life, art, politics, group think, and conservatism. The emotional core to this thing is the Huckleberry Hound character, whose tragic story beats brought tears to my eyes a couple of times. If reading a comic about Snagglepuss doesn’t sound appealing, don’t worry—you’re not alone in that thinking. But Russell also uses the legacy of the character to do work toward the satirical points he’s making, to help drive them home.  

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7. Wasted Space
Writer: Michael Moreci
Artist: Hayden Sherman
Colorist: Jason Wordie
Letterer: Jim Campbell
Publisher: Vault Comics
Issues in 2018: 6 (counting the holiday special)

Phew, now we’re getting into the comics that I can’t imagine my 2018 without, the first being Michael Moreci and Hayden Sherman’s Wasted Space. I have heaped my fair share of praise on this book over the past 12 months, and I’m not alone. In fact, Nerdist has called it “easily the best new series to hit comic shops so far this year.” For my money, it’s without question the best wholly new property of 2018, and I’m going to quote myself to elaborate on why...

Wasted Space to me feels like Star Wars by way of 2018, determined to honor the hi-jinx & high adventure of space opera while fearlessly exploring the central conflict of our times: where should one’s desire for comfort end and their obligation to combat oppression begin? I’ve compared Moreci’s absurdist, idea-heavy writing to the late David Foster Wallace and I stand by that, noting that Sherman’s chaotic high-energy art style brings the world to life in a special way. This is maybe the highest compliment I can give: in a day and age where i buy fewer paper comics than ever before, I still have a pull list and on it near the top is Wasted Space.

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6. Thanos Wins
Writer: Donny Cates
Artist: Geoff Shaw
Colorist: Antonio Fabela
Letterer: VC’s Clayton Cowles
Publisher: Marvel Comics
Issues in 2018: 6

Toward the end of 2017, Brian Michael Bendis left Marvel, dealing the publisher as significant of a writing void as I’ve seen in the past two decades, dating back to before Bendis established himself as the company’s prime writing voice. The thing about voids like that is they force publishers to take bigger risks and bring in younger, newer talent. For Marvel in 2018, that meant Donny Cates (among others).

One of Cates’ first charges at Marvel was to takeover Thanos in the wake of another essentially departing writer, Jeff Lemire, who seemed from the outside to be off to focus on the superhero universe he owned and created, Black Hammer. What Cates and past collaborator Geoff Shaw did with the final six issues of this run was absolutely remarkable, telling what is not only the best Thanos story of all-time, but the best end of the Marvel Universe tail this side of Jonathan Hickman. It’s called Thanos Wins, and it’s exactly what it sounds like.

Thanos Wins is as bold a statement as a young writer doing his first work at Marvel could have made. Aided by the out-of-this-world Geoff Shaw artwork and Antonio Fabela colors, Cates seemed to put all of comics on notice here, not being content to just decimate the very futures of these decades-old beloved characters, but insisting on doing so with wild grin viscerally affixed to his face. You might wonder, how do I know he was laughing and smiling as he wrote all of this. I think the better question, is how could anyone who’s read Thanos Wins doubt it?  

Read our analysis of Thanos Wins here!

Check back later today for our Best Comics of 2018, #1 - #5! Check out Best Comics of 2018, #16 - #25! And check back later in the week for more year-end lists, including our Best Single Issues and our Top Creators of 2018!

For the history-minded readers, you can find our Top Comics of 2017, Part 1, 2 and 3 online now!

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

Top Comics to Buy for December 12, 2018

By Zack Quaintance — Despite the name of this website (which is ironic!), I’m prone to Batman fatigue. It’s not that I don’t like the character. No, I think it’s pretty easy to make a case for Batman being one of the most compelling characters to ever grow from American fiction. It’s just that I don’t often see much new ground for stories about Batman to cover, so prolific are DC’s Batman releases. That said, I still fairly regularly find myself drawn into and torn up by well-done Batman stories.

This week ambushed me in that way. As you’ll notice shortly, two of our Top Comics to Buy for December 12 star the Dark Knight, while a third gets a recommendation in our new #1 comics section. So yes, this is a great week for all things Batman. It’s also a great week for Marvel’s (arguable) flagship character, Spider-Man, as Amazing Spider-Man hums right along and Miles Morales returns to Marvel’s pages just in time for his big screen review. Coincidence? Hardly. This is Marvel, and synergy is what’s for sale.

Now on to this week’s comics!

Top Comics to Buy for December 12, 2018

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*PICK OF THE WEEK*
Batman Annual #3
Writer: Tom Taylor
Artist: Otto Schmidt
Letterer: A Larger World’s Troy Peteri
Publisher: DC Comics
Price: $4.99
"THE OTHER SIDE OF THE PENNY!" Alfred Pennyworth has been Batman's most trusted ally and confidant since the Dark Knight first hit the streets of Gotham City. Now, witness Batman's battle for justice from Alfred's perspective and learn how harrowing that journey has been as Batman experiences one of the worst nights Gotham City has ever seen-a night that will push Alfred to the breaking point! Best-selling writer Tom Taylor presents an epic tale that promises to be one of the most Alfred stories ever told!
Why It’s Cool: This is an emotional and well-told Batman story that may have you tearing up within the first three pages. Taylor and Schmidt are a pair of creators deserving of much bigger stages, and hopefully incredible work like this will help them get there. This is also a self-contained story, so even readers who have been off Batman proper for a while, can still pop into buy this comic.

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Amazing Spider-Man #11
Writer: Nick Spencer
Artist: Ryan Ottley
Inker: Cliff Rathburn
Colorist: Laura Martin
Letterer: VC’s Joe Caramagna
Publisher: Marvel Comics
Price: $3.99
J. JONAH JAMESON has a new job as a shock jock, but is the world ready for a pro-Spider-Man JJJ? More importantly, is Spider-Man ready? His post-secret-identity relationship with Jonah was already complicated, but this very public embrace may put him over the edge! Spidey's definitely not ready for the Enforcers to come at him harder than ever!
Why It’s Cool: If it weren’t for Immortal Hulk, Amazing Spider-Man might be our favorite book at Marvel right now (with apologies to Black Panther and Captain America). It’s just been so good since launching with a new #1 issue in July, and now it has artist Ryan Ottley rejoining writer Nick Spencer to presumably replicate the creative alchemy that made the first arc so special. It also has some momentum, with last month’s Amazing Spider-Man #10 ranking as one of our favorite issues of Marvel’s flagship Spidey title in many, many years.

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Bitter Root #2
Writers: David F. Walker & Chuck Brown
Artist: Sanford Greene
Colorists: Rico Renzi & Sanford Greene
Letterer: Clayton Cowles
Publisher: Image Comics
Price: $3.99
An evil force stalks the streets of Harlem as Berg and Cullen face off against a deadly creature that may be more than they can handle. Meanwhile, in Mississippi, a mysterious stranger unleashes furious retribution in the name of justice.
Why It’s Cool: The work of building this world and the way it works was set into motion so wonderfully by Bitter Root #1. Now, the creators are free to let us know more about their story and its characters. This is a visually lush and intellectually complex book, one that doesn’t flinch as it depicts monster hunters confronting ghoulish members of the KKK. In this second issue we learn more about the long-standing family dynamics at the heart of the relationships between our character. This book, simply put, continues to be an utter joy to read.

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Detective Comics #994
Writer: Peter J. Tomasi
Artist: Doug Mahnke
Inker: Jaime Mendoza
Colorist: David Baron
Publisher: DC Comics
Price: $3.99
Batman's strangest case begins as the new creative team of writer Peter J. Tomasi and artist Doug Mahnke take over DETECTIVE COMICS! Commissioner Gordon calls in the Dark Knight Detective when there's a murder at the Gotham City Aquarium-staged to look exactly like Thomas and Martha Wayne's crime scene, right down to the Playbill and pearls. How does this bizarre homicide tie into the shadowy monster that attacks Dr. Leslie Thompkins? This creature looks to wage a war on Batman-and it's using Joker Gas to do it!
Why It’s Cool: There’s so much Batman goodness packed into this first issue of the countdown to Detective Comics #1000, the comic that launched the character. It starts with a bizarre mystery and just gleefully builds from there. I didn’t quite know what to expect from this Tomasi/Mahnke run and hadn’t heard the kind of buzz one might expect for something like this, but this first issue is poised to build that excitement right back up.

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Fearscape #3
Writer: Ryan O’Sullivan
Artist: Andrea Mutti
Colorist: Vladimir Popov
Letterer: Andworld Design
Publisher: Vault Comics
Price: $3.99
Having escaped the clutches of the Fearscape, Henry Henry tries to... Aha! You'll use my name, I see, but won't let me speak! That you would require solicitation copy for the third issue, after the genre-redefining brilliance of the first two, is nothing short of a personal insult. The work speaks for itself. Any tale of my exploits should not be hawked to those asleep at the wheel.
Why It’s Cool: This meta story of literary writers’ doubt barrels forward, with protagonist Henry Henry returning from the mythical storytelling Fearscape realm to the real world. This is a singular comic unlike anything else coming out today, and every issue is one to be poured over. This story brims in equal parts with braggadocio and imposter syndrome. For serious patrons of the art and would-be creators, this series continues to be a must.

Check out our reviews of Fearscape #1 and Fearscape #2.

Top New #1 Comics

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• Batman Who Laughs #1

• Defenders: Doctor Strange #1

• Defenders: Silver Surfer #1

• Fantastic Four: Wedding Special #1

• Goddess Mode #1

• Magic the Gathering: Chandra #1

• Miles Morales: Spider-Man #1

• New Talent Showcase 2018 #1

• Planet of the Apes: Simian Age #1

• Sasquatch Detective #1

• Spawn Kills Everyone Too #1

• Vampirella vs. Reanimator #1

Others Receiving Votes

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• Avengers #11

• Black Panther #7

• Cemetery Beach #4

• Dead Kings #2

• Electric Warriors #2

• Hawkman #7

• Lone Ranger #3

• Murder Falcon #3

• Oblivion Song #10

• Outer Darkness #2

• Redlands #9

• Skyward #9

• Supergirl #25

• Superman #6

• X-Men Red #11

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase. He also writes comics and is currently working hard to complete one.

Best New #1 Comics of July 2018

The new comics fireworks started July 4th and just kept coming. Groan, I know. But anyway, the most impressive thing about this month’s new #1 was the wide variety of stories they told. So many boxes got checked by these books: New Orleans plus horror and drugs? CHECK. Encouraging new direction for Amazing Spider-Man? CHECK. Ethereal exploration of death that reads like literary magical realism in graphic format? Somehow also CHECK.

July’s variety of #1 comics speaks to a major change in the industry: a broader and expanding audience is fostering broader and expanding demand. You know what that means? That’s right—broader and expanding supply. Or, more and weirder comics. With this in mind, it’s easy to be bullish on comics right now, and the entries on our list today re-enforce why.

Let’s do it!

Quick Hits

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The Long Con #1 came out the Wednesday after SDCC, telling a story about a never-ending apocalyptic con. Its timing was perfect and its concept sharp. Read our full review.

Cliche alert! Catwoman #1 was a (fancy?) feast for the eyes. The story and art—both by Joelle Jones—were phenomenal. Most importantly, though, Jones gets Selina...the aesthetic, narration, villain...nigh-perfect.

I saw Donny Cates at SDCC on a panel about Image Comics. Someone was late...so Cates, obviously, put Pantera on his phone and growled into his mic, WELCOME TO IMAGE. This is also the aesthetic of his latest Marvel #1s: Cosmic Ghost Rider and Death of Inhumans, which are both madcap and grandiose.

Mariko Tamaki and Juan Cabal had to follow Tom Taylor’s excellent 3-year run on All New Wolverine. Tough challenge. In X-23 #1, however, the team meets it, preserving the best of Taylor’s work (the heart) while also heading in a horror-tinged new direction.

Everyone said read Bone Parish #1 by Cullen Bunn Jonas Sharf. They said it was excellent, frightening in a way I wouldn’t expect. Everyone was right. Bunn’s latest horror book (of an estimated 19) is frightening in a way you won’t expect, either. Now I’m the one urging you to read it.

Speaking of horror, check out Clankillers #1, a gritty story about gaelic mythology. Read our full review.

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Ever think to yourself: I’d love to read Miami Vice meets Fast Times at Ridgemont High? Of course not, few probably have, but someone is writing it as a comic and it’s a winner. The Mall by Don Handfield, James Haick, and Rafael Loureiro is a solid debut, rich with ‘80s camp. Recommended.

James Tynion IV and Alvaro Martinez nailed Justice League Dark #1. In a summer of strong new directions for DC, this is one of the strongest, with stellar art and gleeful depictions of the publishers oft-underused bench.

Vault Comics (one of our favorites) has had a great year, and Submerged #1 is the latest book to become a part of it. Vita Ayala and Lisa Sterle craft a story with intriguing family dynamics, a natural disaster, and a potpourri of mythos. 

It’s tough to evaluate Brian Michael Bendis’ debuts via Superman #1 and Action Comics #1001. Bendis is a prolific and veteran writer, a student of superhero history who thinks in eras, not in single issues. So far, he’s established tones and started unveiling his the vanguard of his plans. The full scope of his aspirations, however, largely remain to be seen.

Top Five Best #1 Comics of July 2018

Unnatural #1 by Mirka Andolfo

This book lives in an intriguing world of dystopian reproductive laws, one that has enabled Italian comic auteur Mirka Andolfo to craft a story that is at once poignant, tantalizing, and horrific. This issue is the first of 12 parts, and I knew about halfway through reading it that I was onboard for the long haul.

To quote our Unnatural #1 Review: Andolfo clearly has strong thoughts about the intersection of sex and government, but she is also well-aware that those thoughts are best served by first and foremost telling an entertaining story. As a result, Unnatural #1 is not to be missed. And we very much stand by that.

Captain America #1 by Ta-Nehisi Coates & Leinil Francis Yu

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Early indications are strong for Ta-Nehisi Coates & Leinil Yu on Cap.

This debut fittingly dropped on July 4, and it’s the best single-issue Captain America story I’ve read since Ed Brubaker’s all-time great run ended. Ta-Nehisi Coates is a writer I first became aware of via his articles in The Atlantic, before then reading his non-fiction works, specifically Between the World and Me. When he came to comics in the spring of 2016 to write Black Panther, I enthusiastically added the comic to my pulllist.

And Black Panther has been decent enough, a little wordy and dull in parts as Coates struggled to reconcile the new medium with his writerly instincts. With Captain America #1, any and all growing pains are clearly behind him. Coates and collaborator Leinil Francis Yu have made a declarative statement with this book...this is going to be a dark and action-heavy take on Cap, one that will test Steve Rogers with problems that grow out of his past continuity as well as the modern state of the U.S. It won’t be heavy handed, no, on the contrary the book seems bent on making its thematic intent slow-burning and subtle. Come along if you dare. Read our full review.

Amazing Spider-Man #1 by Nick Spencer & Ryan Ottley

I think it was in one of those retailer columns on Bleeding Cool that I read about someone saying a back-to-basics well-done Amazing Spider-Man book could be the industry’s top seller. Well, we’re about to find out if that’s true. Nick Spencer and Ryan Ottley’s debut on Marvel’s flagship title is almost indisputably those two things: well-done and back-to-basics.

We here at Batman’s Bookcase, however, have now written two full pieces about why we like it, so rather than trying to find a facet of the comic we haven’t explored, we’ll just wrap up quickly here by pointing you toward our Amazing Spider-Man #1 Review and our 5-Panel Amazing Spider-Man Explainer.

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This is easily one of our favorite covers in recent memory.

Euthanauts #1 by Tini Howard & Nick Robles

Remember way back at the start of this piece when I mentioned an ethereal exploration of death that reads like literary magical realism in graphic format? Well, here we are. The Euthanauts #1 is a unique comic, as self-assured as any debut issue in recent memory. It does understated and deliberate work familiarizing you with a relatable character, one who is maybe even a bit on the mundane side, before fitfully plunging you into a world where life and death intermingle.

Someone on Twitter asked me recently if this comic was good, and I told them yes, very good, but pretty abstract and best consumed in a way where it just sort of washes over you—read twice for good measure. That’s how I read it, and it has been haunting me ever since. I can’t wait to see what this creative team has in store for this story. Oh, and I should also note that as mesmerizing as Tini Howard’s ideas are, this without question seems to be one of those ideal books wherein her and artist Nick Robles lift each other, both seemingly poised to do career best work. Read our full review.

Relay #1 by Zac Thompson, Eric Bromberg, Donny Cates, & Andy Clarke

While reading Relay #1, I got a feeling I’ve maybe only previously had while emerging from a classic sci-fi novel. Basically, this comic reads like layered and complex sci-fi being doled out by an engaging plot line, one with evident shades of the masters of its genre, namely Philip K. Dick and Ursula K. Le Guin.

I really dug Relay #1, to the point when someone recently asked me what books I was reading (always a difficult question to answer on the spot), I stumbled around for a moment before just blurting out: Relay. For more on why I enjoyed the first issue of this book so much...that’s right...read our full review here.

Thanks as always for reading, and make sure to come back this week for our Best Comics of July 2018, period.

Check out more of our monthly lists here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.