REVIEW: Lazarus Risen #1, same fantastic comic, new deeper format

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Lazarus Risen #1 is out 3/20/2019.

By Zack Quaintance — I really don’t think it’s possible to heap enough praise atop writer Greg Rucka and artist Michael Lark’s immersive dystopian near-future comic epic, Lazarus. I recently re-read the entire series, and once I got about mid-way through the second volume, I almost literally could not put it down. The world is so well-built, the characters compelling and complex, the dilemmas they face suspenseful. All in all, this is one of the smartest and most compulsively readable comics on the market, a must-read for any fan of the medium.

To date, there have been 28 issues of Lazarus in the main series, plus a six-issue auxiliary series titled Lazarus: X+66, which fills in the gaps of side characters and the story’s broader world over the course of a 12-month period. All told, that’s about 34 incredible issues of content, plus some other supplemental material with more information that help support a Lazarus RPG. This is all a means of saying that even though Lazarus: Risen #1 is a a new #1 issue, it’s set in a thoroughly explored world during what seems like not-quite the midway point of a long story.

The reason this issue gets the new #1 treatment is that the book is back with a new format: quarterly releases that clock in at an extended length. Let me start this review (three paragraphs in, streamlined I am not) by noting that the story, artwork, plot, and characters are just as strong as ever. The quality in Lazarus never wavers, not even a little bit. Rucka and Lark are a skilled and veteran team that have worked together for years, and it shows. This is the most fully-formed comic on the market—bar none—and as a result it often feels like the creative team is a conduit for the truth of this plot. Nothing is ever contrived, not even a bit, and Lazarus Risen #1 is no exception. It’s as compulsive readable and utterly immersive as all that’s come before it.

So, what then of the new format? Surely, it must have changed something. I suppose it did. Rucka and Lark being such a veteran creative team means each issue of Lazarus to date has tread that rarefied ground in which the individual chapters feel both episodic and part of a larger narrative. Each issue has story beats and damn near close to a three-act structure. Extending the length allows the team to pace the story just a tiny bit differently, opening up a few pages for quieter and more subtle character work and plotting. Rucka points this out in publication, but in this issue that means we get a very telling moment between Bethany Carlyle and and her husband. It’s the type of scene that maybe didn’t fit into any of the tighter issues of the past.

This issue hums along, and Lazarus remains the type of comic you start, blink, and realize you’ve devoured...before going back to pour over every page again. Few comics feel as real as this one, and Lazarus Risen #1 does a number of interesting things with the ongoing plot and characters, moving pieces into place that speak of a larger coming battle, at home and with the forces abroad. It’s not really a jumping on point for new readers—indeed, the previous five volumes at minimum are necessary here—before for those who have followed this journey in recent time or come to it lately, this comic is everything they could hope for from a return.   

Overall: Lazarus Risen #1 with its new extended format feels like a natural evolution of one of the best comics on the market today. At this point, the world is so well-realized and the plot so compelling, nothing is lost with a longer wait and much is gained with more space for additional complexity. 9.8/10

Lazarus Risen #1
Writer: Greg Rucka
Artist: Michael Lark w/Tyler Boss
Colorist: Santi Arcas
Letterer: Simon Bowland
Publisher: Image Comics
Price: $7.99

Get caught up on the book with our Lazarus Retrospective!

For more comic book reviews, check out our review archives.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

A Lazarus Retrospective: Family Above All

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Lazarus Risen #1—the launch of the series new, quarterly super-sized format—is out 3/20/2019.

Lazarus Risen #1—the launch of the series new, quarterly super-sized format—is out 3/20/2019.

By Taylor Pechter — What family truly means can be complicated. Is it just the people that are closest to you? Or is it something greater? It’s a complex question, and in many ways the answer is a core focus of Image Comics’ soon-to-return series, Lazarus. Written by Greg Rucka, illustrated by Michael Lark (with inking assists from Tyler Boss), and colored by Santi Arcas, the world of Lazarus is one rooted in dystopia. After an economic collapse and a war that led to an event known as the Macau Accords, the globe has been sectioned off into regions run by certain wealthy and powerful families. Each family has a specially engineered being called a Lazarus, which acts as both a liaison and the leader of its military force. Forever Carlyle is the Carlyle family Lazarus. This comic is her story.

Who is Forever Carlyle?

Staring in the year X+64 (which means 64 years after the Macau Accords divided the planet), we are introduced to Forever. In this introductory scene, she is shot, killed and subsequently self-revived. She is being monitored from afar by her family members Johanna, James, and Bethany Carlyle, who watch everything from her actions to her vitals.

As James goes over her trauma report, the audience slowly becomes familiar with the unforgiving world of the series. This is a world where the ruling families are in constant conflict over land, where they preside too over civilians separated into a quasi-caste system. The civilians who work directly for the families are their Serfs. Everyone else is Waste, treated as second class. Occasionally, they have a chance to be Lifted to become Serfs. It’s all very frightening.

In the story of Lazarus, the two factions spearheading the conflict are the Carlyle Bloc and the Hock Coalition. Caryle rules most of the Western United States while Hock oversees the Eastern regions. Both of them have allies in conflict across the world. Forever is the pride of the Carlyle Family. She is the commander of their elite strike force called the Daggers. However, Forever gets a mysterious message in the middle of the night that sows seeds of doubt about her role in the family.

The message reads “He is not your father. This is not your family.” As Forever ponders her place in the world, Hock and his allies start to move on Carlyle territory while Carlyle moves on Hock. This conflict comes to a head at the Conclave, driving the plot forward.

The Conclave that Rules the World

Not all of Forever Carlyle’s battles in Lazarus are physical.

The Conclave is a meeting of the families where they discuss terms regarding territory, and—if worse comes to worse—war plans. The meeting takes place on Triton 1, the floating base of the Armitage family, who is officially neutral in the ongoing conflict but has heavy ties to Carlyle. As tensions rise, Forever confronts her brother, Jonah. Jonah was kidnapped by the Hock’s while planning treason to his family. This is the first betrayal that Forever is subjected to and it won’t be the last as she helps Jonah escape custody. She is then thrust into a fight with Sonja Bittner, Lazarus of the Bittner Family, which is then a member of the Hock Coalition. Forever fights to prove her family’s innocence. She prevails in the contest but her father and patriarch of the family, Malcolm Carlyle, is subsequently poisoned and left in a coma. Little does Forever know, Malcolm has been secretly training a younger version of her to possibly be a replacement should she falter.

As the Conclave War rages on, the forces of Carlyle, Hock, and their allied families are in all-out conflict. In the middle of this, Forever’s crisis of conscience reaches its zenith. Not only has Jonah’s betrayal hit her hard, she also starts to forgo her normal regimen of medication, which keeps her stamina in top condition and also allows her family to control her. This does not go over well with her sisters Johanna and Bethany. Johanna breaks and tells the truth to Forever, about her development and her potential replacement, thinking it would build trust with her again. It has an opposite effect.

Forever denounces Johanna, not only for her personal actions, but for the overall way the family has treated her. Forever has been betrayed by the people she holds closest to her. It is then she sets out with her allies on a final push. Along with the forces of Morray and Bittner, they start a Lazarus hunt, targeting first the Rausling family in Central Europe.

The Conclave War

The gritty, photo-realistic artwork in Lazarus makes for one of the most immersive reading experiences in comics.

After a decisive victory over the Rausling Lazarus, Sonja Bittner along with Forever and the Morray Lazarus Joaquim (who is romantically engaged with Forever), set their sights on the most dangerous and secretive Lazarus of them all, the Vassalovka Lazarus, simply known as the Zmey, or the Dragon. As the name implies, Vassalovka’s seat of power is in Russia, and they remain a question mark until at last entering the war against Caryle and its allies. The fight against the Vassalovka Lazarus is brutal, with yet another betrayal, with Forever’s paramour Joaquim being forced to turn on her by the chemical control maintained over him by his family.

Meanwhile, after his escape from the Conclave, Jonah Caryle washes up in the Danish town of Agger in disputed Bittner territory. It is there where he creates a new life and eventually falls in love with a local and have a baby. However, a tragic event cuts that relationship short as we move into the Fracture storyline in the upcoming Lazarus: Risen #1, which is due out next week (stay tuned for our review!).

With Lazarus, Greg Rucka weaves a tale of intrigue that is predicated on the concept of family. Forever is a woman trying to find her place. Who she really is as a person is tested not only through her psychological inwardness but also her interactions, not only with her immediate family, but also their allies and enemies. Joining Rucka is his collaborator from his classic work for DC Comics, Gotham Central, Michael Lark. Lark adds a layer of reality with his rough and textured style. The pages are perfectly paneled, whether they are dynamic action scenes or emotional character beats. Adding hues is colorist Santi Arcas whose colors are mood driven, including  moody blues, stingy greens, warm oranges, abrasive reds, or even drab tans and browns.

All together, these creators have made a lived-in world that has both its light and dark sides. Overall, Lazarus is an achievement in world building and storytelling with a deeply thought out setting and relatable characters with resonant themes. As a parting gift, I leave you with the Carlyle family motto: Oderint Dum Metuant...which means, Let them hate, so long as they fear.

Read more of Taylor’s writing on our comics analysis page.

Taylor Pechter is a passionate comic book fan and nerd. Find him on Twitter@TheInspecter.

Gotham Central: How Characters Like Renee Montoya Make a Story

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Gotham Central #6 by Greg Rucka and Michael Lark starts the classic Half a Life storyline, which centers on Renee Montoya.

By Jack Sharpe — In December 2002, DC launched a new comic that was very different from the usual adventures of Superman or Batman or Wonder Woman. This comic would run for 40 issues, focusing not on super-powered heroes themselves, but instead on the members of the Gotham City Police Department, the everyday people working to make a living and keep the city safe. This comic is Gotham Central. Written by Greg Rucka and Ed Brubaker, with art from Michael Lark, Stefano Gaudiano, and Kano, Gotham Central is, simply put, one of the most important comics of the 2000s.

A large part of what makes this book so important is the characters at its center. The protagonists in Gotham Central are not aliens from other planets, and its villains are not trying to take over the world. No, this comic’s story is small and personal. Gotham Central is the story of the GCPD, the story of Renee Montoya, Crispus Allen, Maggie Sawyer, Marcus Driver, and others. It is the story of Gotham City, the very same inhabited by Batman, seen here through the eyes of police officers and detectives. Seen in a way that makes Gotham City feel real. From Renee Montoya revealing a deep secret to Stacey the GCPD intern and her fantasies, Gotham Central presents a wide array of characters who are rich with relatable humanity and realism.

What I’d like to explore today is one of the stories found in Gotham Central, paying special attention to how it makes this series such an important work of superhero fiction.

Renee Montoya

Gotham Central’s unique and thought-provoking storytelling shines most clearly through the character of Renee Montoya. Renee had been a recurring character in Batman comics dating back to her introduction in 1992. First created for Batman: The Animated Series and later adapted to comics, Renee was a detective who spent most of her time partnered with Harvey Bullock.

At the start of Gotham Central, Bullock has been kicked out of the GCPD, and Renee is now partnered with Crispus Allen. The storyline Half a Life, which appears in Gotham Central #6 - #10, focuses on Renee, who experiences an emotional ride that includes everything from sadness to anger. Renee’s story is told in a way that really makes readers empathize with her, really makes them feel her pain. It is, quite frankly, one of the best stories to ever be told through superhero comics.

To understand Renee’s arc in Gotham Central, one must first understand Renee. She is a no-nonsense cop, dealing with both her police career and her family life. She is also hiding something from many of those closest to her: Renee Montoya is a lesbian, currently in a relationship with another woman. She is also a latina from a very Christian family. Renee’s struggles with her sexuality and her family’s reaction to it in Gotham Central are something many people all over the world face. She fears being disowned by her family and looked down upon in her work place. Essentially, Renee knows that being honest about who she is could be disastrous for her relationships. Sadly, Renee also has enemies in Gotham. And in Half a Life, one of those enemies discovers her secret and outs her in her workplace.

As a result, Renee’s relationships at the GCPD and with her family change. She is shunned at work by many of the officers and detectives. Perhaps worse, Renee’s parents disown her. The scene of Renee in her lover Daria’s car breaking down in a flood of tears as she tells Daria about her parents is truly heart-wrenching, written and illustrated by the creators in a way that really makes you feel her pain.

Basically, writer Greg Rucka and artist Michael Lark craft a story here that shows how we as humans all have a breaking point, no matter how tough we are. Half a Life builds to a crescendo, while also planting seeds for continued growth for Renee throughout the series. By the final arc of Gotham Central, Renee leaves the GCPD, disgusted both by her treatment and the corruption she has seen in the department. The events of Gotham Central and the story of Renee Montoya are later followed up on in 52, where Rucka again takes the character and creates wonderful stories for her.

The Importance of Gotham Central

There are other stories and character moments throughout Gotham Central that also show a real side of Big Two comics that we do not normally see. But to me, the best example of these moments and the style of storytelling that makes this book so important is still Renee Montoya. Before I read Gotham Central, Renee was a character I did not know all that much about. Now, I know who she is, and, more importantly, I know why so many readers hold her as a beloved favorite.

Her story is one of identity, sadness, anger, betrayal, and ultimately growth. In Gotham Central, Renee faces difficult circumstances and obstacles, and she faces them in a way that shows who she is: someone who can overcome challenges and feelings, who can deal with suffering and use it grow into much more. Her pain and how she responds to it is something all readers can relate to, can aspire to emulate. Renee Montoya becomes a question (more on that in 52) and an answer. She is a special character and her story makes Gotham Central a special book.

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Jack Sharpe is a huge fan of history and comics. When he's not in the trenches surrounded by history, he's reading and studying comic books. You can follow him on Twitter at @JackJacksharpe5