Best Comics of January 2019: A disparate bunch

By Zack Quaintance — There was a weird start to the year, what with the first Wednesday of 2019 coming the day after a holiday. There was also this thing going on in January, wherein DC Comics had more books than usual due to not shipping any at all on the fourth Wednesday of December, which was itself the day after Christmas. So yeah, it felt like it took a week or two for the comics-availability world to sort of jog back into its normal form.

With that in mind, I—as usual—still struggled a bit with narrowing my sections down to their usual number of selections: 10 for Shout Outs and 5 for the Best Comics of January 2019. I won’t go into the gruesome details, but I without question had to get rid of some books that it absolutely hurt me to cut. Thus is the life of a volunteer comic book website editor, though. All in all, I’m super happy with the books that landed on our list, and I hope you find some of your favorites here too.

So then, what are we waiting for? Let’s get to the comics!

Shout Outs

I’m stealing this from my friend Kirk on Twitter, but with Saga on hiatus, Monstress is my Saga. This is true first in how much I look forward to/enjoy the comics, and in how well-done and immersive they are. Monstress launched a new arc this month with Monstress #19.

Speaking of well-done and immersive, Kelly Sue DeConnick and Robson Rocha’s burgeoning Aquaman run continued this month with Aquaman #44, which was even better than the previous issue. This feels like superhero comics by way of DeConnick’s creator-owned opus with Emma Rios, Pretty Deadly. That’s a very good thing.

Meanwhile at Marvel, shout out to Jason Aaron and Mike Del Mundo’s Thor #9, which got me excited as all get out for the upcoming War of the Realms. More on all of this in the next section (oooo, cryptic!)...

And now back to DC! One of my favorite comics from that publisher is The Terrifics, which has really taken a major step forward in recent issues. The Terrifics #12 from Jeff Lemire and Viktor Bogdanovic was the book’s best yet, featuring several all-time great modern Plastic Man moments.

On the indie tip, I’m absolutely loving the Kyle Starks and Chris Schweizer collaboration Mars Attacks, which is using a touching father-son relationship and a classic hero’s journey structure to breath life into this licensed franchise I know little to nothing about.

On to properties I do know something about (aren’t you just living the segueys today?). Archie 1941 #4 was just as fantastic as the rest of this series (I have a feeling you’ll see this book back here next month—ahem), feeling both true to history and its iconic characters.

Are you looking for low-key the most disturbing series in comics? Well then, let me just point you to Black Crown’s, The Lodger, which had its best issue yet with this month’s The Lodger #3. Black Crown editor Shelly Bond said this at SDCC when announcing the title, but in crime comics one name is above the rest: the Laphams.

Another sublimely-disturbing comic (a seguey again!) is Immortal Hulk. This month saw the release of Immortal Hulk #11 and #12, a storyline in which the Hulk goes to hell and the book remains utterly alone as Marvel Comics’ current best.

I’ve made it no secret for a while that Mark Russell is one of my favorite new comic writers, and he’s most-certainly doing his thing this month with Lone Ranger #4. This book has the complex societal commentary that has long-defined Russell’s work, with a better sense of suspense than any of his previous comics.

Warren Ellis continues to re-imagine characters he’s been writing for years in the context of 2019. In The Wild Storm #19, this story introduces the group of these characters with the widest appeal: The Authority. Even if you don’t care about/like that group, though, this is just a straight-up great comic that begs to be read.

Best Comics of January 2019

Walk Through Hell #7.jpg

5. A Walk Through Hell #7
Writer:
Garth Ennis
Artist: Goran Sudzuka
Colorist: Ive Svorcina
Letterer: Rob Steen
Publisher: AfterShock Comics
Garth Ennis is as consistent a writer as we have in comics and has been for many years. While his new WWII story with TKO Studio, Sara, is grabbing the most attention from comics fans, readers would do well not to sleep on his AfterShock Comics title, A Walk Through Hell. This is a scary book with a patient storytelling tact and a lot to say about our times. What else do you want?

In this issue, the full scope of Ennis and co-creator Goran Sudzuka’s ambitions continue to become clearer. This has been a disturbing mystery story from the start (albeit one that seemed like it might tip into overly grim territory). And that has all continued, but now we’re seeing more commentary about our times. What I continue to find most impressive about this series, however, is the way it somehow manages to both make ample use of flashbacks while also remaining rooted in the present. It’s great stuff, from both a reader’s and craft student’s perspective.

4. Action Comics #1007
Writer:
Brian Michael Bendis
Artist: Steve Epting
Colorist: Brad Walker
Letterer: Josh Reed
Publisher: DC Comics
Earlier this week, site contributor (and all around great guy) d. emerson eddy choose Action Comics #1007 as his pick for Comic of the Week, noting as he did that Brian Michael Bendis’ ongoing Superman saga was one of his favorite things at DC Comics. I absolutely 100 percent agree with this. As eddy notes, it often feels like a light shining from their superhero offerings. This is even true of this individual issue, which launches a new storyline that presumably involves conspiracy.

Moreover, this issue is a must-read for any long-time superhero fan because of a landmark conversation that takes place between Lois Lane and her father. All of it is illustrated by espionage comics master Steve Epting, with Brad Anderson colors. Simply put, this is just all-around strong comic book-making.

3. Avengers #12
Writer:
Jason Aaron
Penciler: Ed McGuinness, Cory Smith
Inker: Mark Morales
Colorist: Justin Ponsor
Letterer: VC Cory Petit
Publisher: Marvel Comics
Hoo man did this comic ever spark a lot of conversation on comics Twitter. On the surface, it sounds like a real chore: Black Panther, the Avengers current chairman, sets about shoring up the team’s new headquarters and its support staff. It’s procedural stuff, but writer Jason Aaron uses it to launch a new concept within the Marvel Universe, which can perhaps best be summed up with Hello Agents of Wakanda, Good Bye Agents of SHIELD!

A central theme to Aaron’s Avengers run has become the transition of America-centric heroes to a more global network of planetary protectors (or at least this stands to become a central theme very soon). As such, the transition from SHIELD, which almost always read as a more fantastical depiction of a combined FBI and CIA, with the Agents of Wakanda is basically perfect, as the latter group culls its membership from all across Marvel continuity, from Gorilla Man to Ka-Zar to some great surprises. Like all Aaron books this one is a slow-burn, well worth it to those willing to invest the time. This one is made even better by the entire Marvel line seeming to acknowledge that yes, this comic is the company’s flagship.

2. Livewire #2
Writer:
Vita Ayala
Artists: Raul Allen and Patricia Martin
Letterer: Saida Temofonte
Publisher: Valiant Entertainment
As I wrote on Twitter immediately after putting this comic down, this young Livewire comic feels like the best X-Men series in years. Valiant’s psiots have long-cribbed parts of the X-Men’s central metaphor, but this is perhaps the purest exploration of it. And writer Vita Ayala with the art team of Raul Allen and Patricia Martin (one of my favorites in the industry) are more than doing it justice.

I often use this column to award long-tenured runs versus the hot new thing. Livewire #2, however, was so good that I threw all of that out the window. It’s a tense, well-told story that really tests its central protagonist. It’s the type of comic that has me eagerly checking the calendar in anticipation of Livewire #3.

1. Ice Cream Man #9
Writer:
W. Maxwell Prince
Artist: Martin Morazzo
Colorist: Chris O’Halloran
Letterer: Good Old Neon
Publisher: Image Comics
We’re getting tight on space here (damn my self-imposed 1,500-word limit!), so I’ll keep this brief. Ice Cream Man #9 massively expanded the scope of this series, simultaneously re-contextualizing everything I thought I knew about this book. I thought this was an anthology series, with a few somewhat random appearances of the titular Ice Cream Man thrown in to heighten the sinister ambiance.

And it is some of that. I’ve read Ice Cream Man #10, and the horror anthology construction continues. This issue, however, adds a layer of multiversal, almost biblical consequence to the book that owes more than a little to the works of David Lynch and Stephen King’s Dark Tower. There are three issues left in this series, and I have a feeling Ice Cream Man #9 is not the last time our perceptions of what this comic really is will be upended.

Check out our monthly lists, plus all of our Best of 2018 coverage, here.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.

Comic of the Week: Action Comics #1007 is a must-read chapter in the Bendis Superman run

Action Comics #1007 came out 1/30/2019.

By d. emerson eddy — Last year, Brian Michael Bendis walked across the aisle in terms of Big Two comics publishers. After nearly two decades of shaping the Marvel Universe, he hung up his Spider-tights and donned a pair of red underoos at DC. It was a pretty big deal, probably one of the biggest exclusivity changes we've seen in the past 10 years. Some people cheered, some jeered, some waited patiently to see what would occur. I shrugged, because I wasn't reading any DC Comics at the time of the announcement and wouldn't again until recently. I just knew I was going to miss Bendis' writing on Jessica Jones and Defenders.

Fast forward to late last year, when the temptation for The Sandman Universe and Jinxworld titles became too great. I started with those titles, before giving the broader DC Universe a chance again. Although I may have some trepidation at some bleaker corners of their publishing, I feel like Brian Michael Bendis has become like a shining light for them, a light in the darkness. With the Superman titles, Wonder Comics, and Jinxworld, I feel like he's been rejuvenated. Some of his familiar writing quirks are still there, but not to excess. The dialogue tics and decompressed storytelling approaches are present, but not at the point where they feel overboard. And Cover and Pearl (with the inimitable David Mack and Michael Gaydos respectively) feel like some of the freshest, most inventive work that he's written in years, possibly ever.

It could be the excitement of playing in a new sandbox, but that joy, wonder, and freshness carries over into the Bendis-penned Superman titles as well. People may argue about Superman itself, but I feel like he's nailing Action Comics month in and month out. Action Comics #1007 begins “Leviathan Rises” (or “Leviathan Rising” if you go by the cover) that promises to unearth secrets of the DC Universe, and this is a promising start. There have been hints of things going on since #1001, but this issue starts with a bang when it comes to someone targeting other shadowy organizations. It's a decent hook, but what particularly puts the story over the top here is a personal moment between Lois Lane and her father. I won't spoil it, but it's a conversation that will have huge ramifications and is something that you probably don't want to miss.

Steve Epting joins the series to provide the line art for this arc, a perfect choice. Shadowy conspiracy and espionage-tinged stories are his forte, and he shines here. Despite the brightness of Superman's world, he brings a tinge of darkness from the corners in the attacks on the other secret societies and black ops organizations. Those attacks are also beautifully enhanced by the explosion effects provided by Brad Anderson. It's nice to see the contrast between Superman's bright, bold colors and the darkness of an organization like Kobra as well. I'd also go back to the conversation between Lois and her father, wherein Epting and Anderson play it out like a spy meeting her handler for the first time in years in its composition and coloring, adding a nice tension to the entire scene. And Josh Reed serves as the backbone again for the series with his lettering. There's a quite nice effect with the “Faith to Kali Yuga!” chants.

Overall, Bendis, Epting, Anderson, and Reed provide a good jumping-on point here with Action Comics #1007. Although it does build on what's come before, it's not absolutely necessary to have read since the run started with #1001, giving you more than enough to be hooked by this issue alone. The mystery of the attacks and the character work pretty much make this unmissable if you're a Superman fan. It's also laying some of the groundwork for the future of the DC Universe. I'd suggest getting in now.

Action Comics #1007
Writer:
Brian Michael Bendis
Artist: Steve Epting
Colorist: Brad Anderson
Letterer: Josh Reed
Publisher: DC Comics
Price: $3.99

d. emerson eddy is a student and writer of things. He fell in love with comics during Moore, Bissette, & Totleben's run on Swamp Thing and it has been a torrid affair ever since. His madness typically manifests itself on Twitter @93418.

Top Comics to Buy for January 30, 2019

By Zack Quaintance — Ah! Here we are on the first fifth Wednesday of the year. Jeez, 2019 really wasted no time in giving us one of those to deal with. Luckily though, this fifth Wednesday is a bit atypical. DC Comics didn’t ship any new books for the fourth Wednesday in December, effectively bumping a ton of titles to this one and making it seem a bit less unusual. So, there’s that little nicety.

And, as usual, the other publishers put out plenty of nice titles too! In our Top Comics to Buy for January 30, 2019, we have another diverse group of titles, coming from publishers ranging from the Big 2 to Dynamite to Image. We’re a bit heavier on the superhero stuff than usual, but, also, Ice Cream Man #9 is so totally bonkers that it makes up for any feeling of staid cliche that might arise from the other choices. Seriously.

Enough banter, though! Let’s move onward to this week’s top comics!

Top Comics to Buy for January 30, 2019

*Pick of the Week*
Peter Cannon: Thunderbolt #1
Writer:
Kieron Gillen
Artist: Casper Wijngaard
Colorist: Mary Safro
Letterer: Hassan Otsmane-Elhaou
His level of genius is matched only by his heroics, and in humanity's darkest hour, he's the hero they need the most-alas, poor humanity.  Peter Cannon-the man known as Thunderbolt-is only too happy to leave civilization to face its end. Kieron Gillen (The Wicked + the Divine) teams up with powerhouse artist Caspar Wijngaard (Doctor Aphra) as he returns to the superhero genre with a dark, humorous and relentless love song to the genre. Well, "Love Song" in a Leonard Cohen Love Song kind of way. Peter Cannon, Thunderbolt: saving a world he hates.
Why It’s Cool: We have a review coming tomorrow that will explain the coolest of this book in much greater depth, but, simply put, this is just a great comic. It reads really well, created as it is by major talents like Kieron Gillen, Casper Wijngaard, and Mary Safro. Moreover, the last page reveal sets up an absolutely intriguing premise that I for one cannot wait to see play out. I didn’t really know what to expect from this title going in, even though I like the creative team. Now? Totally hooked.

Action Comics #1007
Writer:
Brian Michael Bendis
Artist: Steve Epting
Colorist: Brad Walker
Letterer: Josh Reed
Publisher: DC Comics
Price: $3.99
The Kobra Cult conspiracy ensnares Daily Planet photographer Jimmy Olsen, drawing the attention of the Man of Steel. But be careful, Superman-there's more lurking in the shadows of Metropolis than just a snake cult.  
Why It’s Cool: In my humble opinion, Brian Michael Bendis’ ongoing Superman saga just keeps getting better. This issue is a whole lot of setup, illustrated brilliantly here by Steve Epting with Brad Walker colors. Bendis continues to use more and more of the Superman mythos to tell this ever-expanding story, which is apparently gearing up for a big-time summer event centered around Leviathan. Ah well, check it out for yourself!

Amazing Spider-Man #14
Writer:
Nick Spencer
Artist: Chris Bachalo
Publisher: Marvel Comics
Price: $3.99
You know what's annoying? Having to save J. Jonah Jameson's life. Sure, he's been on Spidey's side for a little while, but that's after YEARS of him making Spider-Man's life a living heck. I feel like this amount of responsibility should come with even more power. Anyway, who, other than most of New York, would want to punish J. Jonah Jameson?
Why It’s Cool: One of my other major Big 2 superhero pleasures of the moment is the ongoing Amazing Spider-Man run by Nick Spencer, who is joined this time by veteran artist Chris Bachalo. This book just wrapped up a poignant arc in which J. Jonah Jameson seemed to maybe learn something...and now apparently all of New York City is coming for J. Jonah Jameson. I am 100 percent there for this, since I’m yet to dislike an issue in this run.

Ice Cream Man #9
Writer:
W. Maxwell Prince
Artist: Martin Morazzo
Colorist: Chris O’Halloran
Letterer: Good Old Neon
Publisher: Image Comics
Price: $3.99
NEW STORY ARC
"HOPSCOTCH MÉLANGE," Part One
A wild western one-shot which witnesses the way the world once was.
Why It’s Cool: Ice Cream Man has been one killer comic since its start, seemingly dealing in a series of disparate vignettes that share one commonality: the titular Ice Cream Man makes a sinister and brief appearance in each story. Well, now we’re about to learn just a bit more about that (maybe). This marks the start of this book’s first multi-part story arc, and, perhaps unsurprisingly, it’s bonkers as all get out, going full Stephen King’s Dark Tower in the process.

Terrifics #12
Writer:
Jeff Lemire
Artist: Viktor Bogdanovic
Inker: Jonathan Glapion
Colorist: Michael Spicer
Letterer: Tom Napolitano
Publisher: DC Comics
Price: $3.99
The Terrifics disband, but they're going to need to get back together if they're going to save Mr. Terrific from Doc Dread's new team, the Dreadfuls! Plus, Rex Mason takes a huge plunge, Phantom Girl bolts Bgztl and Plastic Man stretches out the family drama with his son Luke, who's struggling with his own super-elastic powers. Will our heroes reunite in time to save Mr. Terrific-from an evil version of themselves?!
Why It’s Cool: Jeff Lemire and his collaborators have somewhat quietly been doing absolutely wonderful work on this little book since its start. That work continues here with The Terrifics #12. Lemire is approaching his end game with just two issues left to go, and here he gives us what for my money is the story currently making the best use of the DC Multiverse. Also, there are some all-time great moments in this comic between Plastic Man and his estranged son. All-time great.

Top New #1 Comics

  • Age of X-Man: Alpha #1

  • Fight Club 3 #1

  • Journey Into Unknown Worlds One-Shot

  • Mysteries of Love in Space #1

  • Wyrd #1

Others Receiving Votes

  • Bone Parish #6

  • Captain America #7

  • Catalyst Prime: Kino #13

  • Crimson Lotus #3

  • Detective Comics #997

  • Exiles #12

  • Flash Annual #2

  • Justice League Annual #1

  • Lone Ranger #4

  • Marvel Knights 20th #6

  • Punisher #7

  • Quantum Age from the World of Black Hammer #6

  • Skyward #10

  • Teen Titans Annual #1

  • Vagrant Queen #6

See our past top comics to buy here, and check our our reviews archive here.

Zack Quaintance is a tech reporter by day and freelance writer by night/weekend. He Tweets compulsively about storytelling and comics as BatmansBookcase.