Classic Comic of the Week: GODDESS by Garth Ennis, Phil Winslade
Rosie Nolan was an ordinary girl until the day her violent paranormal powers first erupted…
Read MoreRosie Nolan was an ordinary girl until the day her violent paranormal powers first erupted…
Read MoreAir becomes the most recent under-the-radar Vertigo Comics classic to get a new edition from Karen Berger’s Dark Horse Comics imprint.
Read MoreWhat would you do if a stranger offered you a gun, one hundred bullets, and the opportunity to right a wrong in your life without any consequences?
Read MoreIt's a Bird...a heartbreaking and heartwarming tale of working through grief and pain through creativity, and one of the best stories about Superman without actually starring Superman out there.
Read MoreThe Unwritten is Carey and Gross's magnum opus. It is a resonating story about fiction versus reality, the importance of stories, and the deconstruction of narrative and monomyth.
Read MoreBy d. emerson eddy — After a week of ridiculous heat and humidity where I live, the temperature has finally dropped a bit to more reasonable levels. The humidity is still present, but we're not hitting the mid-40s Celsius. The trade-off, though, is some extreme weather patterns, thunderstorms, tornado warnings, and potential hail. Those last two left me scratching my head, but hey, what makes any sense any more in 2020?
Read MoreBy Zack Quaintance — We’ve all got classic comics blind spots — books that are considered comics cannon (if such a thing exists) that for whatever reason (or a host of reasons), we simply haven’t read. This is true in spite of our knowledge of or love for the comics medium. I know I certainly have mine. And I also know that the only way I am able to consistently read my blind spot comics is by committing to it (publicly!) and keeping a steady schedule….
Read MoreBy Taylor Pechter — Ed Brubaker is one of the most acclaimed writers of crime comics in the entire industry, with a long line of lucrative and award-winning books to his name. But today, I want to look back at one of his earlier works — Scene of the Crime, which saw Brubaker collaborating with artist Michael Lark, inker Sean Phillips (who would go on to become Brubaker’s most-frequent collaborator), colorist James Sinclair, and letterer John Costanza. Scene of the Crime — publisher by Vertigo back in the summer of 1999 — is the story of Maggie Jordan and the private investigator examining the circumstances of her mysterious death, Jack Herriman.
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