REVIEW: Harbinger Wars 2 #2 by Matt Kindt, Tomas Giorello, Diego Rodriguez, Renato Guedes, & Dave Sharpe

There is a level of novelty to Harbinger Wars 2 #2 that Marvel and DC are no longer capable of reaching.

There is a level of novelty to Harbinger Wars 2 #2 that Marvel and DC are no longer capable of reaching.

By Zack QuaintanceHarbinger Wars is one of the first superhero events in a long while that feels totally justified, in large part because Valiant hasn’t overdone its crossovers. It's a luxury Marvel and DC no longer have, and it adds a level of relevance to this huge story, taking it to a significant place those larger publishers are perhaps not capable of reaching, not anymore. This all occurred to me about halfway through Harbinger Wars #2. Long-running characters were meeting/fighting on the page for the first time—what was this feeling? The story seemed...important? Maybe not quite that, but it at least seemed novel.

It was a feeling I remembered from when I was a much younger reader, and the Big 2 had a few relationships that weren’t quite as rote as they are nowadays. In recent years, event stories at those publishers have seen characters take self-aware, here we go again attitudes toward massive galactic threats. There are exceptions, of course (Hickman’s Avengers stands out), but for the most part, the major dangers of the galaxy or multiverse are met with a wink. As a younger publisher with less continuity, however, Valiant has the luxury of acting like they haven’t been here before, despite this all being a sequel to a previous event.

That to me is the single greatest strength of Matt Kindt and Tomas Giorello’s Harbinger Wars 2 #2. Not to give specific plot points away, but there were fights here that had me rooting for both sides with no idea what would happen, which is very rare for superhero comics. There were also character interactions that felt weighted and poignant, like the world depended on them, even if it was just two heads talking. That’s no easy feat, especially given one scene in particular that involved characters Kindt hasn’t recently been writing.

This issue works really well for the most part, even if Giorello’s hyper-realistic artwork felt a little out of place for characters that are usually depicted by less realistic artists, like Animalia and Faith. The range of emotions in this book is pretty stunning, though, specifically in a scene where Kindt uses a young psiot to remind us of something Marvel’s X-Men used to do better—that many of these abilities make lives worse, much much worse. It’s a brief scene of well-tread thematic space, but it’s well executed, reminding us of the human stakes behind the superhero war.

Overall: Harbinger Wars #2 has just enough action as it builds toward what is presumably a gigantic climax in the final two issues of this event. Kindt and Giorello especially excel here at giving character interactions and conflicts the weight an event story deserves. 8.0/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top New Image Comics of 2018

Image Comics has established itself as the most prolific publisher of creator-owned comics.

Image Comics has established itself as the most prolific publisher of creator-owned comics.

By Zack Quaintance — The last two years or so have felt relatively quiet at Image Comics... relatively. The company has released many wonderful oddities and gems, as always, but there hadn’t (arguably) been as many books that do things like sell movie rights before issue one (Descender), land creators TV deals (Bitch Planet, Deadly Class, Sex Criminals, etc.), or land their trades in hip indie bookstores (Monstress, Saga, Southern Bastards, Wic + Div).

That, however, changed in 2018, with Image Comics launching more hits last year than they have in possibly any other 12 month period. It’s been truly impressive, so much so that we felt obligated to update our top new Image Comics of 2018, including a bit about why we like each book as well as its odds for longevity. While it remains to be seen which (if any) will crest two dozen issues and land on end caps at Powell’s Books or The Strand, these comics are still all well worth a look today via our top new Image Comics of 2018.

Let’s do this!

Special Note: This page has been updated from an earlier piece—Top New Image Comics of 2018 (So Far)—to include comics released in the latter half of the year.

Top New Image Comics of 2018

Three issues in, Steve Orlando and Garry Brown are doing career best work on the haunting father-son story, Crude.

Three issues in, Steve Orlando and Garry Brown are doing career best work on the haunting father-son story, Crude.

Crude by Steve Orlando & Garry Brown
Crude was one of my favorite books from Image in 2018, but it unfortunately has now ended. Steve Orlando is one of my favorite writers and like his superhero work, Crude’s plotting was complex and layered, rewarding readers who kept up while shrugging at those who didn’t. What set it apart from Orlando’s other writing is that behind the violence and severe badassery was a heart-rending father-son tale. Artist Garry Brown (Babyteeth, Black Road) did fantastic work, using truly haunting imagery to depict egret and anger plaguing our protagonist.
Odds to Run for Years: Zero. This one has, sadly, ended, but is now available in trade.

Bitter Root
Writers:
David F. Walker and Chuck Brown
Artist: Sanford Greene
Colorist: Rico Renzi and Sanford Greene
Letterer: Clayton Cowles
Although this list is alphabetical, I’m happy to be starting with Bitter Root, which I’ve been waiting for since writer David F. Walker and Sanford Greene prematurely-ended their excellent run on Marvel Comics’ Power Man and Iron Fist. This book seems to have grown from the ashes. It’s a monster-hunting book set during the Harlem Renaissance that involves questions of race. It’s smart, well-done, and brought to life with phenomenal art. I love it and hope it runs for a very long time.
Odds to Run for Years: 95 percent.

Crowded also succeeds via the all-important badass attitude factor.

Crowded
Writer:
Christopher Sebela
Artist: Ro Stein
Inker: Ted Brandt
Colorist: Triona Farrell
Letterer: Cardinal Rae
As I wrote in our Top Comics of 2018 full list, Crowded has emerged from a number of challengers to rank as one of the best near-future horror stories in comics. The book accomplished this by extrapolating a startlingly-realistic idea (crowdfunded assassination bounty hunting apps) with as taught of a buddy-drama/chase thriller narrative as we’ve seen in any medium. This is a white knuckles story, both in terms of what’s happening on the page and what it has to say about the direction of society.
Odds to Run for Years: 90 percent.

Die
Writer:
Kieron Gillen
Artist: Stephanie Hans
Letterer: Clayton Cowles
Die joins a number of recent stories in different mediums aimed at capitalizing on nostalgia for role-playing games like D&D. Where it stands apart, however, is with the tone of its sensibilities, which are dark, dark, dark. I suspect that ultimately the real villain of this modern fantasy story is time, and what a scary idea that is. Also, Stephanie Hans art is worth the price of this one alone. Although it’s only two issues old, Die is an easy choice for our Top New Image Comics of 2018.
Odds to Run for Years: 100 percent.

Gideon Falls seems like a lock to become a long-running book.

Gideon Falls seems like a lock to become a long-running book.

Gideon Falls
Writer:
Jeff Lemire
Artist: Andrea Sorrentino
Colorist: Dave Stewart
Letterer: Steve Wands
As I wrote in my review of Gideon Falls #1, it feels like Jeff Lemire has spent his career dancing around the horror genre, dipping a toe in or dangling a foot, without jumping all the way in. Well, that stopped with Gideon Falls, and the result is one of the top new Image comics of 2018. While doing promo for the book, Lemire—who teams with long-time collaborator Andrea Sorrentino, one of comics’ grittiest artists—said he re-worked these characters from early sketches he did before he was published. It also, however, feels like while re-working these characters, Lemire was watching Twin Peaks, as the book’s first ar is clearly an homage to that show. Now in its second arc, however, Gideon Falls has grown into its own unsettling thing.
Odds to Run for Years: 100 percent.

Ice Cream Man
Writer:
W. Maxwell Prince
Artist: Martin Morazzo
Colorist: Chris O’Halloran
Letterer: Good Old Neon
Ice Cream Man is a unique book within our list. While the others involve continuous serialized narratives, this comic is a horror anthology series, tied together by cameo appearances from the titular awful ice cream man. It’s a smart commentary on our everyday lives, and the concepts of each issue vary wildly. One may deploy three separate narratives with little dialogue, while the next might be a straightforward horror story with a clear protagonist. The variety just one small part of why this book lands on our Top New Image Comics of 2018.
Odds to Run for Years: 75 percent.

Infinite Dark by Ryan Cady and Andre Mutti is a smart, psychological mystery story.

Infinite Dark
Writer:
Ryan Cady
Artist: Andrea Mutti
Colorist: K. Michael Russell
Letterer: A Larger World Studios’ Troy Peteri
Infinite Dark is an incredibly smart and immersive comic set in the bleakest possible time I can think of: after the heat death of the universe. It features a sparsely-populated cosmic arc in which a forlorn head of security must investigate a rare murder mystery on the vessel. Steeped in deep and thoughtful psychology, this is special sort of comic doing impressive (if unpleasant) things with its tone. Check out our interview with Infinite Dark writer, Ryan Cady.
Odds to Run for Years: 80 percent.

Middlewest
Writer:
Skottie Young
Artist: Jorge Corona
Colorist: Jean-Francois Beaulieu
Letterer: Nate Piekos of Blambot
Like Infinite Dark, the next entry on our Top New Image Comics of 2018 list is also a forlorn one. Middlewest from Skottie Young and Jorge Corona is set among the windswept plains of inner-America, re-imagined here in a way that emphasizes the inherent magic of a lonely region. Corona’s imaginative work and Young’s emotional writing have brought to life a striking and heartfelt, character-driven tale.
Odds to Run for Years: 75 percent.

Oblivion Song might be Robert Kirkman's best work yet.

Oblivion Song might be Robert Kirkman's best work yet.

Oblivion Song by Robert Kirkman & Lorenzo De Felici
Robert Kirkman’s most famous work, The Walking Dead, was adapted into a television mega hit, giving him the fan base and cachet to basically guarantee prolonged runs for new titles. Oblivion Song is no exception, and as I understand it, Kirkman and artist Lorenzo De Felici completed 12 issues before even announcing this book’s existence. And Oblivion Song lives up to that level of swagger. Launched the same day as Gideon Falls, this book is arguably Kirkman’s best (although I have a soft spot for Invincible). Everything about it is deeper and more nuanced than The Walking Dead or Outcast, yet still accessible. Simply put, this book is build for a long haul.
Odds to Reach #20: 100 percent, in fact, I think they’re probably already done with it.

Self / Made
Writer:
Mat Groom
Artist: Eduardo Ferigato
Colorist: Marcelo Costa
Letterer: A Larger World Studios’ Troy Peteri
One of the biggest surprises on our Top New Image Comics of 2018 list is Self / Made, which debuted with a creative team I was entirely unfamiliar with. It also debuted, however, with a rock solid first issue that ends in an intriguing twist. This may be cheating a bit since the second issue came out in 2019, but the follow up to the debut builds on this book’s concept even further, raising questions about the very nature of our existence and the role of creators and gods. This book is smart, stylish, and intriguing as all get out. I highly recommend it.
Odds to Run for Years: 80 percent.

Skyward is one of the Top New Image Comics of 2018.

Skyward
Writer:
Joe Henderson
Artist: Lee Garbett
Colorist: Antonio Fabela
Letterer: Simon Bowland
As I’ve been telling any comic fan that will listen, Skyward has done basically everything well throughout its earliest issues. This is a polished book, one that confidently knows exactly where it’s going, taking slow but effective steps to get there. As I’ve written in Skyward reviews, this book’s greatest strength has been the careful pace at which its creators disperse information. Too many #1 issues fall into a trap of dumping tons of exposition too soon. Skyward—which has a fantastic concept involving the world losing a dangerous amount of gravity—gives just enough info to stay oriented without feeling clunky. It’s all very impressive.
Odds to Run for Years: 80 percent.

Read more about Image Comics on our comic book Reviews Page.

Zack Quaintance is a journalist who also writes
fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

ADVANCED REVIEW: Outpost Zero #1 by Sean McKeever, Alexandre Tefenkgi, & Jean-Francois Beaulieu

Outpost Zero #1 is out July 11.

Outpost Zero #1 is out July 11.

By Zack Quaintance —  When I start an original series, I usually have preview text handy to orient myself and keep from wondering questions that might bog down the narrative. I’m sure some purists would say a comic should stand by itself, but I’m fine with this. Comics is a serialized medium informed by its past arguably more than any other storytelling format. Spider-Man has decades of audience familiarization; I'm cool allotting new books a few sentences.

Anyway, with Outpost Zero #1, the preview talks of a small town where people work the land, spend Fridays watching sports, and often lack grand aspirations because survival is so demanding. As a result, I expected this book to be analogous of modern small-town America. I was pleasantly surprised, however, to find that while there are hints of that, the book’s aspirations are much broader.

It’s actually not the plight of resource-poor regions this book is concerned with, not entirely, but rather grander philosophical questions about practicality versus ambition, both as applied to the individual and to society. Do you keep your head down and focus on your day-to-day, or do you fight to change the world? It’s a question I’ve wrestled with in my life, and I’m sure I’m not alone.

A preview page from Outpost Zero #1.

A preview page from Outpost Zero #1.

And it’s actually a question the creators float early in this first issue, before later applying it to a familiar debate about science. Do we push our economy forward in brief spurts, or do we invest in a culture of innovation and knowledge? As someone whose day job is to write about how local governments deploy innovation and technology, I found this all especially compelling, but I’m sure for those outside my (incredibly) niche industry, it will be of interest as well, given our current national climate.

Philosophy aside, this is just a well-done comic, as I’ve come to expect from the Skybound imprint. The art is top-tier, the character’s faces emotive, and the sci-fi outpost a perfect blend of familiar Earth trappings and tools of futuristic survival. The dialogue accomplishes the heavy scientific and philosophical lifting, and it rarely seems contrived, stumbling a bit during the talk between teenagers (something 98 percent of comic writers fumble).

In the end, though, it's a surprising yet logical character-driven choice that has me coming back for issue two. To say anymore would risk a spoiler.

Overall: This issue does what Skybound books do best: leaves you badly wanting to know what happens next. It seems outwardly simple, but this book is layered, character-driven, and deceptively complex. The creative team behind Outpost Zero #1 has planted some compelling seeds. 8.0/10

Outpost Zero #1 will be available July 11.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Previews for the Week of June 25

By Zack Quaintance — In week two of our new Monday morning previews feature, we’ve decided to keep things indie-centric. For a couple of reasons: 1. Marvel and DC don’t really return our calls; and 2. In general, Big 2 books get plenty of publicity.

With that in mind, this week Batman actually does make an appearance in one of our previews, while the others run the gamut from yet another promising horror book from Cullen Bunn (quickly becoming one of the most prolific horror comic writers of all time) to an interesting book from up-and-coming publisher Scout Comics.

As always, we’ll give you the preview text from the publishers, any provided artwork, and, of course, our take on why it’s exciting.

Let’s do this!

*PREVIEW OF THE WEEK*
Archie Meets Batman '66 #1

Writers: Jeff Parker & Michael Moreci
Artist: Dan Parent
Colorist: Kelly Fitzpatrick
Letterer: Jack Morelli
Publisher: Archie Comics
More Info: $3.99 / 32 pages / On Sale 7/18/18
Two iconic comic book characters meet up for the FIRST TIME in this historic crossover mini-series! A battle in Gotham City extends its reach into Riverdale—with Mr. Lodge becoming enemy #1 of the dynamic duo! Now it’s up to Veronica to recruit some help and place a call… to the Batcave! 
Our Take: We grew up watching old re-runs of the Batman (1966) live action show, which were probably on TBS or something, and we also did our fair share of paging through Archie comics while in the grocery checkout line with our parents. Basically, we expect this to be a book that's heavy on nostalgia in the best way, most likely one that also brings some funny. VERY exciting.

Bone Parish #1
Writer:
Cullen Bunn
Artist: Jonas Scharf
Publisher: Boom! Studios
More Info: $3.99 / 32 pages / On Sale 7/25/2018
Cullen Bunn (Empty Man, The Unsound) returns to BOOM! Studios with a chilling necromantic horror story! A new drug is sweeping through the streets of New Orleans.one made from the ashes of the dead. Wars are being fought over who will control the supply, while the demand only rises. While the crime families wage war, users begin to experience terrifying visions of the dead coming back to life-through them.
Our Take: Cullen Bunn seemingly won't rest until he's scared every single reader who regularly picks up a comic book. We're still catching up on some of his more recent work (Winnebago Graveyard has some really impressive buzz and is loaded and ready to go on my tablet), but this book looks great, combining zombie horror (very hot right now) with a dystopian drug culture and New Orleans. Very promising.

Patience! Conviction! Revenge!
Writer:
Patrick Kindlon
Artist: Marco Ferrari
Colorist: Patrizia Comino
Letterer: Jim Campbell
Publisher: AfterShock Comics
More Info: $3.99 / 32 pages / On Sale 9/19/2018
Disregarded, disrespected and dismissed, Renny has a chip on his shoulder. Once an equal partner in a criminal syndicate that rules Las Vegas, he now finds himself living in a shack in the desert. But the shack has a workshop, and Renny's been busy. It’s time to march his robot army into the neon hell of a cyberpunk Vegas and retake his seat at the table. Or take the wood from the table and build enough caskets for the whole syndicate.
Our Take: This book is billed as an Elmore Leonard novel set in the world of Blade Runner, a concept we can't believe hasn't happened yet. We aren't familiar with the creators, but AfterShock has established itself as a reliable publisher of new and rising talent. We're definitely game to give this one a shot, especially given that the artwork is total fire, reminding us of Daniel Warren Johnson in the best possible way.

The Thrilling Adventure Hour #1
Writers:
Ben Acker and Ben Blacker
Artist: MJ Erickson
Publisher: Boom! Studios
More Info: $3.99 / 32 pages / On Sale 07/18/2018
Writing team Ben Acker and Ben Blacker (Deadpool, Death Be Damned) return to The Thrilling Adventure Hour in this new series based on the wildly popular Hollywood stage show and podcast. Frank and Sadie Doyle are the toast of the upper crust. Headliners on the society pages. And they see ghosts. Follow the Doyles on a night when having a drink (or ten) with friends goes horribly, and perhaps predictably, wrong at a haunted house.
Our Take: We like that this book is written by two guys with the same first name and last names that are essentially slight variations on each other. Very stylish. This is also interesting because it's somewhat of a mixed media event: a comic based on a Hollywood stage show and podcast, incarnations of which have involved the likes of Paul F. Tompkins, Nathan Fillion, Linda Carellini and more. It'll be interesting to see how it plays as a comic.

Wulfborne #1
Writer/Artist: 
Brian Middleton Jr.
Publisher: Scout Comics
WULFBORNE is a fantasy adventure about a bitter swordsman who enters the underworld at the behest of an angel who has offered to heal his broken heart. Along the way, he will encounter a myriad of strange travelers, some monstrous and hostile, others intent on turning him back. But if what the legends say is true, the angel of the underworld just might be more dangerous than the monsters that call that place home.
Our Take: Scout Comics is one of an increasing number of publishers in the industry that bears watching (add it to the list with AfterShock, Lion's Forge, and Vault). The concept of this book is super straight forward, but based on the preview art, we could be in for quite a treat when it hits stands sometime in the fall.

 

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

June 2018 New Comic Discoveries: How Does it Feel?

By Zack Quaintance — I recently finished a comic, set it down, and stared into space, wondering, What just happened to me? This comic was Proxima Centauri #1 by writer/artist Farel Dalrymple. Ask about plot, and I’ll give you a few dozen boring words about a kid in a sci-fi reality trying to escape...to earth...maybe? Ask how this comic made me feel, however, and I’ll have many specific things to say, some of which might even be interesting (shocker!).

Few stories capture the anxious misery of puberty as well as Proxima Centauri #1.

Few stories capture the anxious misery of puberty as well as Proxima Centauri #1.

This sounds trite (I know), but in reading the three new-to-me comics on our Top New Discoveries List for June, I was struck by how these great books dealt so heavily in feelings. It was actually one of the creators that first put the thought in my head: Deniz Camp, writer of Maxwell’s Demons. Someone on Twitter asked for advice about pitching, and Camp said plot is less important than how a book makes readers feel.

Mind blown. For years, I’ve said there is something intangible in all my favorite stories. A comic book, for instance, could have great characterization, impeccable hero’s journey, stunning art—but if it lacks this intangible something, it leaves me cold. Camp’s Tweet and my stunned clarity after Proxima Centauri helped me realize this something is feeeeeeelings...nothing more than feelings.

Obvious? Yes, but still important. With that in mind, let’s look now at my favorite new comics discoveries of June and the feelings they wrought upon me.  

1. Proxima Centauri #1 (of 6) by Farel Dalrymple

Proxima Centauri #1 is brimming with lush artwork and clever writing.

Proxima Centauri #1 is brimming with lush artwork and clever writing.

Proxima Centauri #1 is a madcap romp through the feelings of a young boy, deploying sci-fi tropes freely and filtering them through writer/artist Farel Dalrymple’s frenetic artwork and witty dialogue/captioning. There is a pressing concern—the boy is one of a scant few confined to some realm many light years from earth—but moreover, this is to me a book about puberty.

Put simply, the angsty protagonist in Proxima Centauri talks, acts, and glowers in a way that captures what it felt like to go through puberty, to be at once a child and a newly-awakening adult—and to hate it. He’s holding onto childlike creativity while crushing on a character who lacks a corporeal form, before stomping off in a huff when intimacy is more fraught than he expected.   

These feelings are all rendered in the book, catapulting us through what amounts to a fairly quick yet packed read. The strongest feeling (for me, anyway) was one of intense and vicious anxiousness, which is entirely commiserate with my experience with puberty. Everything is amazing and full of wonder; everything is also awful. The narrator feels at once like he’s on a thrilling adventure yet alone, watching earth from afar. If only he could do as advised and meditate, slow down, enjoy being in this moment. It will all seem so quaint in just a few years. Take it from me, I'm now wiser. And with my (relative) wisdom, I highly recommend this comic.

2. Maxwell’s Demons #1 - #3 by Deniz Camp, Vittorio Astone, & Aditya Bidikar

Maxwell's Demons is the comic I most-often  give to my friends who enjoy literary fiction.

Maxwell's Demons is the comic I most-often  give to my friends who enjoy literary fiction.

Maxwell’s Demons is a powerhouse of a literary comic book, dense with top-tier writing and artwork. The vast majority of its first three issues is dedicated to sci-fi adventure in another realm that our protagonist—a genius little boy living with his surly single father—accesses via complex technology of his own design and a portal in his room.

In some ways, the plot feels well-worn. An alienated-but-brilliant kid escapes dour life through adventure. But Camp’s scripting subverts expectations in two ways: first by making our hero a literary geek who names companions after Greek thinkers (not even ones you’d guess) while quoting Shakespeare, rather than a pop culture obsessed protonerd; and second by giving the alcoholic, abusive father many quiet character moments that make him three dimensional, a stark contrast to other special teen stories that thoroughly flatten similar figures (Harry Potter, Matilda, etc.).

The real strength of this book, though, is how it makes readers feel (our motif!), at once melancholic and empowered. Maxwell in many ways has agency, gamely tolerating his father as he calmly attends to more important business alone. This makes his adventure more meaningful, more significant than if he were exploring just another throwaway realm seemingly designed for him to be a hero. It’s instead a layered romp through a complex boy’s dense subconscious. To put it all in perspective: this is a comic I suggest to friends who enjoy both graphic novels and literary fiction. So far, they've all loved it.

3. Time Grunts Chapter One by Evan K. Pozios, Alex Sanchez, & Patrick Thomas Parnell

Time Grunts is a story about American GIs who must defend the past, present, and future.

Time Grunts is a story about American GIs who must defend the past, present, and future.

Our third and final entry this month is Time Grunts, an old school comic adventure tale from Evan K. Pozios, Alex Sanchez, and Patrick Thomas Parnell that spans from Germany in World War II to Detroit, Mich. today.

Time Grunts is the type of indie comics that makes you happy you’ve read it but upset you don’t have more time to seek out work of similarly-high quality. The plot is B movie-esque, involving time travel (as the name suggests), secret missions, a Dirty Dozen military squad, and nazis. While the craftsmanship is apparent from its start, both in terms of the sharp writing and impressive art, the plot is also tight and well-constructed.

The thing I enjoyed most about Time Grunts, however, was (once more) how it made me feel. Although at times it threatens us with a different outcome for World War II, Time Grunts made me feel as all the best adventure stories do—optimistic.The stakes are high, but in the end I'm certain good will triumph. It’s a great story for 2018.  

Time Grunts is available here.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

ADVANCED REVIEW: Farmhand #1 by Rob Guillory, Taylor Wells, & Kody Chamberlain

Farmhand #1 mixes body horror, espionage, and father-son drama.

Farmhand #1 mixes body horror, espionage, and father-son drama.

By Zack Quaintance — Farmhand #1 is as packed as the fertile soil that is so central to its plot. Or maybe loose soil is better for growing? I’m not sure, as I know so very little about farming, but I am sure that there is a lot going on in this book. This book contains a father-son story, a corporate espionage subplot, an examination of the medical good versus the religious stigma of working with stem cell research, and a whole heck of a lot of scary and grotesque body horror imagery.

It’s a credit to writer/artist Rob Guillory that this issue is so linear and easy to follow. With all of its ambition, Farmhand #1 could have gotten confusing or clunky, and it never once tips into that. The pacing is strong and the on-panel action engaging, the exposition doled out in chewable (sorry!) bits that don’t slow the proceedings any more than they need to.

This greatest strength, to me, was actually its charm and levity. I know, I know — I just ran through a whopping list of heavy contents above. Also, this is a story about scientific breakthrough that enables the growing of body parts from trees, bushes, and the ground. Yet here I go calling it charming?

It’s true, though, and furthermore I would credit it to Guillory taking advantage of doing both writing and illustrating duty by throwing in background site gags at so many turns (a breakfast cereal called Chupacbr-os, a sign that reads No pets allowed, they smell. -mgmt, etc.). He’s clearly having a blast drawing this complex tale, and it shows. It’s hard not to enjoy yourself when a storytelling is having so much visceral fun with his world.

What I did struggle with a bit while reading Farmhand #1 was focus. There’s a dream scenario that opens the book that made me think we were in a straight-up sort of old school zombie horror book. Not to go into specific (spoilers!) but there was just so much more to the plot. I am, however, dead set on returning for a second issue, suspecting as I do that subsequent chapters in this story will crystalize what the book’s primary concern is as our story progresses. Guillroy has earned as much.

Overall:  Farmhand #1 is a singular and at times charming vision that juggles a super wide range of concerns. It’s an easy and entertaining comic, if a little overburden at times with its ambition. I’m very much interested to see how writer/artist Rob Guillroy will pull it all together in coming issues. 7.0/10

Farmhand #1 is out July 11 from Image Comics.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Old Justice: The Best Justice League Lineups of All Time

By Alex Wedderien The Justice League is perhaps the most iconic super-team in all of comics. With lineups that consistently feature Superman, Wonder Woman, Batman, and the Flash, the various Justice League iterations have long been some of the most-beloved and highest-selling comics in any given era.

One of the things that makes the League unique, though, is DC's willingness to expand the  roster and feature heroes from outside of the best-sellers list. With big rosters, bigger stakes, and interconnections to the larger shared universe, the Justice League offers an unparalleled take on heroism and humanity.

Nowhere are those things more apparent than in the current Justice League book by Scott Snyder (the second issue of which came out this week), and presumably in the upcoming Justice League Odyssey and Justice League Dark books, too. All three of these comics, under the header of New Justice, expand the league in such a way that it hearkens back to fan favorite eras like the animated Justice League Unlimited or even Super Friends, going so far as to restore the Hall of Justice into modern continuity. It remains to be seen how successful this new run will be, but if these first issues are any indication, there’s a very good chance the current lineups could make this list in the future.

Justice League Dark by Peter Milligan and Mikel Janin was one of the highlights of the New 52.

Justice League Dark by Peter Milligan and Mikel Janin was one of the highlights of the New 52.

5. Justice League Dark Vol. 1 (2012)

Justice League Dark was one of the first wave of titles launched after DC’s New 52 reboot, focusing on a team supernatural characters. After the Justice League’s defeat at the hands of Enchantress, the League realizes they need a supernatural team to help tackle the more mysterious elements of the DCU.

Originally featuring John Constantine, Deadman, Shade, the Changing Man, Madame Xanadu, and Zatanna, Justice League Dark also featured a rotation of heroes, including Frankenstein, Swamp Thing, The Phantom Stranger and many others at various points in its forty-issue run.

JLA Year One re-imagined the League's early days without DC's Trinity.

JLA Year One re-imagined the League's early days without DC's Trinity.

4. JLA Year One (1998)

A retelling of the Justice League’s early days without the Trinity, JLA: Year One expands on the origins of the post-Crisis JLA team that hadn’t been touched on for roughly a decade, since 1988’s Secret Origins. This lineup consisted of Green Lantern, The Flash, Aquaman, Martian Manhunter and the Silver Age Black Canary, which tied the book to the original Justice Society.

The Year One team eventually added both Batman and Hawkman to their ranks, but the original incarnation of the team remains the most iconic lineup of that era.

3. Justice League International (1987)

Spinning out of Legends in 1987, which was the first major DC event after Crisis on Infinite Earths a few years prior, Justice League International had the unenviable task of creating a team of heroes at a time when most of DC’s most popular characters were off-limits due to reboots. The result was a hodgepodge of classic yet underutilized characters, recent DC acquisitions newly brought into the fold...and Batman.       

The genius of JLI’s roster, which consisted of Green Lantern Guy Gardner, Booster Gold, Blue Beetle, the aforementioned Dark Knight, Doctor Fate, Martian Manhunter, Black Canary, Captain Marvel, Mister Miracle, and many many others. The significance of this was two fold.

First, it added a comedic balance to superhero action, bringing levity to a team that at times took itself to seriously. Second, and most importantly, it gave many characters new personalities that readers could relate to or even take inspiration from, the most notable of which was Black Canary. Now written as a strong feminist character, Black Canary often took issue with Guy Gardner, whose personality was that of a boorish misogynist prone to temper tantrums.

Grant Morrison's all-time great JLA run in the late '90s envisioned the League as a pantheon of gods.

Grant Morrison's all-time great JLA run in the late '90s envisioned the League as a pantheon of gods.

2. Grant Morrison's Pantheon (1997)

By the mid '90s the Justice League was long past its best years. It had a focus on newer characters and rotating rosters, and at times it encompassed three separate monthly books. Essentially, the Justice League had lost both its name recognition and focus.

DC, however, renewed that focus by making the League its flagship title with 1997’s JLA by Grant Morrison, with art by Howard Porter. JLA was a real back-to-basics approach to the league - led by five of its original members (Superman, Wonder Woman, Batman, and Martian Manhunter) along with successors of original members Flash and Green Lantern in Wally West and Kyle Ranyer respectively.

Along with the A-list core, characters such as Huntress, Oracle, Big Barda, Orion, and newcomers Zauriel and Aztek rounded out the team, creating a League Grant Morrison envisioned as a pantheon of gods fit for taking on the universe’s most dangerous threats.

1. Satellite Era (1970)

The Satellite Era of the Justice League, named after the team’s relocation to a geosynchronous satellite following the Joker’s discovery of the team’s headquarters, is simply one of the best and most influential lineups in League history. This is the lineup that has influenced an untold number of comics and the entire DC Animated Universe. This is a team that remains to this day the most iconic lineup in many fans' hearts, myself included.

The nearly 200-issue run during the League's Satellite Era is the defining Justice League iteration.

The nearly 200-issue run during the League's Satellite Era is the defining Justice League iteration.

In addition to DC’s “Big 7” this massive roster includes The Atom, Elongated Man, Hawkman,  Hawkwoman, Red Tornado, Zatanna, Firestorm, Black Canary, and Green Arrow. The talent on display during this time is a veritable who’s who of '70s-era comics with creators like Gerry Conway, George Perez, Len Wein, and Dick Dillin whose 12-year run on Justice League from 1968 to 1980 remains one of the all-time great superhero runs by a creator on any book.

Lasting nearly 200 issues before breaking up and relocating to Detroit and ushering in yet another new age for the ever-changing League, the Satellite Era remains the most consistent and most beloved incarnation of the team to date.

Alex Wedderien is a writer and pop culture journalist. Find him on Twitter @criticismandwit.

REVIEW: Skyward #3 by Joe Henderson, Lee Garbett, Antonio Fabela, & Simon Bowland

For the third straight issue, Skyward shows itself to be a gorgeous and charming comic.

For the third straight issue, Skyward shows itself to be a gorgeous and charming comic.

By Zack Quaintance — The concept in Skyward has been strong from the start—gravity has inexplicably lessened, sending humans floating fatally into the sky—as has the delivery of information about our characters and the world’s plight. Skyward #1, to be perfectly blunt, was a book I had few expectations for, as the creative team was unfamiliar to me, but I loved the first issue. Why? I attribute the ongoing success of this book in large part to how expertly information has been doled out from its start.

One of the most difficult tricks in plotting is knowing what to reveal and when, how to hit a sweet spot and orient an audience without gumming up the pacing with too much info. A lot of debut issues suffer from that, as if creators have accepted forced exposition as a necessary problem of #1 issues and are spilling it fast so they can get the actual story.

Skyward does not once make a concession in that regard, instead finding organic and natural ways to let us know about our hero, her family, and what’s happened to the world. The book essentially floats through its earliest reveals, focusing heavily on the family—a girl and her parents—that is at the heart of our story. The result is one of the most charming books in comics. This issue continues to be excellent.  

Skyward expertly uses storytelling tools unique to comics, including a juxtaposition of the shading and reaction in the bottom right panel.

Skyward expertly uses storytelling tools unique to comics, including a juxtaposition of the shading and reaction in the bottom right panel.

Last issue ended with our protagonist’s optimism, trust, and naivety catapulting her into danger, and Skyward #3 picks up immediately there. The expert reveals continue, but I also began to notice new strengths, too. Admittedly, I’ve maybe been too preoccupied with Henderson’s script choices to notice the feats of characterization Garbett and Fabela have pulled off with the artwork. This issue, though, it really stood out. The panels here are framed to reveal fear or recklessness, while the characters are shaded to indicate sinister motives or apprehension. Hell, even the walls in the villain's place tip toward emergency red. It’s just all so well done, using the full breadth of storytelling tools comics put at one’s disposal.

This issue also ratchets up the intensity, with some well-placed but tasteful violence. Even so, the book maintains its heart by deploying sharp incidental humor between tense moments (the bit where a kid asks a question about weak gravity creating—ahem—a new way to get pregnant is so sharp), before wrapping up with an absolutely killer cliffhanger for the third time in as many issues.

Overall: Skyward’s incredibly adept use of pacing and its engrossing concept—the gravity that once bound humans to the earth has dissipated—continue to make for one of the best original comics of the year. The team of Henderson, Garbett, Fabela, and Bowland are doing so many things right. I am once again surprised at how thoroughly I’m enjoying this book. 9.5/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: Crude #3 by Steve Orlando, Garry Brown, Lee Loughridge, & Thomas Mauer

Crude is a violent and complex revenge story, driven by a father-son relationship.

Crude is a violent and complex revenge story, driven by a father-son relationship.

By Zack Quaintance — As much as I liked Crude #1 and #2—and I did, a lot—it’s #3 that firmly establishes the book as one of my favorite ongoing creator-owned titles, up there with Saga, Monstress, and Southern Bastards. To get even more specific, it was actually this issue’s last panel that cemented it with such lofty company, a panel I will, of course, only discuss in vague terms here, because spoilers are bad, etc.

Anyway, a quick refresher: Crude is from writer Steve Orlando, artist Garry Brown, colorist Lee Loughridge, and letterer Thomas Mauer, and it's about a former Russian assassin seeking information on/revenge for the death of a son he never understood, a son who sought a new life in a far-flung oil city in Siberia (I think). When that son is murdered amid a dispute between rival oil companies, our hero heads to Siberia to do what he should have done in life—get to know his boy. And also to kick an incredible amount of ass, usually shirtless and streaked in greasy filth for a tactical advantage (I’m telling you, this comic rules).

Badassery aside, Crude’s compelling character motives and poignant imagery make it truly special. Let’s look at both of those in detail, starting with motives. Piotr (our hero) is on a dual quest, one for physical revenge, and another to know his son better. It’s the second one that’s really compelling. In fact, one gets the sense Piotr is less distraught by death—in his reality life is cheap—than by never being emotionally honest with his son, which causes him to feel culpable for the murder. Simply put, I fear more for Piotr emotionally than physically, as I learned in this issue when our hero learned details about his son during a pair of fight scenes. There’s just so much relatable father-son BS masculine angst.

Basically though, the aforementioned dual motivations are what push the book forward. An ubiquitous piece of creative writing advice is to create a character and give that character something they want, badly. The more we know what the character cares about, the more we care about the character. And the more wanting something puts the character in difficult situations, the better. That’s what Crude does so effectively (again, see #3’s final panel!).  

Garry Brown is doing career best work in Crude, especially as it pertains to the conceptualization of the imagery.

Garry Brown is doing career best work in Crude, especially as it pertains to the conceptualization of the imagery.

The second strength—poignant imagery—makes Piotr’s motivations all the more visceral, the way only comics can. Every issue has had a haunting panel conveying Piotr’s mourning and regret. This issue, however, has the most memorable yet, wherein Piotr walks through a seedy alley with a ghostly coffin chained to his neck, ridden by his son who waves his arms as if it were the bomb in Doctor Strangelove. Oof.

Overall: Crude #3 exceeds previous installments, raising this book up among my favorite creator-owned titles right now, as well as among my favorite Image books period. It’s well-constructed and perfectly-executed, a bleak and deeply emotional story about damage caused by emotional distance and dishonesty between fathers and sons. 9.8/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: Shanghai Red #1 by Christopher Sebela, Joshua Hixson, & Hassan Otsmane-Elhaou

Try not to fall overboard (sorry) during the incredible action sequence that opens this comic.

Try not to fall overboard (sorry) during the incredible action sequence that opens this comic.

By Zack Quaintance — Shanghai Red—a new creator-owned book from Image by the rising team of writer Christopher Sebela, artist Joshua Hixson, and letterer Hassan Otsmane-Elhaou—is an ambitious comic, one that opens fast and vicious, with art that makes readers all but feel salty blood mingling with the unforgiving sea. It quickly gives us a protagonist—murderous and mysterious Jack—and a reason to root for them in spite of the violence they’re committing, that reason being that they’ve spent years on the boat enslaved.

After a white-knuckled opening volley, however, Shanghai Red #1 grinds to a bit of a halt in the service of necessary but slow backstory dissemination. This exposition isn’t bad or clumsy here, no. It does, however, feel abrupt and incongruous with the high action opening of the book’s first act. As a result, the pacing in Shanghai Red is almost at odds with itself, creating an effect presumably akin to battling for your life against a mugger and then having to immediately sit through a lesson about history. No matter how exciting that history is, that shift is still a tough adjustment.

Simply put, the middle of this comic feels a bit slow relative to the action of its beginning and the tense foreboding crescendo of its end (which, no spoilers). Still, with our protagonist’s backstory so thoroughly and thoughtfully laid out, there’s every reason to believe Shanghai Red will establish itself in coming issues as a top-tier comic. The artwork is especially something to behold, not just for the craft and visual quality, but for the choices Hixson makes with perspective.

Hixson does a masterful job using space to convey the contrasting claustrophobia and limitlessness inherent to sailing the ocean.

Hixson does a masterful job using space to convey the contrasting claustrophobia and limitlessness inherent to sailing the ocean.

I was particularly impressed with the way he used spacing in each panel to convey what the characters within must have felt. Scenes below deck were kept dark and cluttered, claustrophobic the way ships in the 1800s surely felt, while scenes with characters looking to horizons were wide and free, sometimes taking up entire pages. The end result is feeling at once trapped and limitless, as if readers too were traversing the seas.

Overall: Shanghai Red #1 is the first issue of a book with MASSIVE potential, and both the writer and artist hit some truly impressive heights here. Now that the protagonist’s backstory has been made clear in great detail, this book seems poised to sail (sorry!) to some really exciting places. 8.0/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

The Most Tragic Comic Cancellations of Recent Years

New Super-Man ended last Wednesday after 24 issues.

New Super-Man ended last Wednesday after 24 issues.

By Zack Quaintance — Last week marked the 24th and final issue of Gene Luen Yang’s New Super-Man. The book was a standout of DC Rebirth, a publishing initiative that returned most of the company’s superheroes to familiar status quos. New Super-Man, however, was an exception, featuring an entirely new cast and situation.

Put simply, the comic was a story of a Chinese teenager indoctrinated into a government-run superhero program. It dealt with teen superhero tropes (while also subverting them—our hero actually starts out as the bully) as well as with current Chinese politics and ancient mythology, telling stories at the intersection of all three. Add Luen Yang’s writing—moving from poignant to funny from panel-to-panel—and the result was both unique and refreshing.

This is, of course, coming from me, a seasoned superhero fan, and when writers like me call Big 2 books unique or refreshing, they’re often bound for poor sales and swift cancellations. New Super-Man was certainly no commercial hit. Launching a new character, even one blatantly capitalizing on the popularity of Old Superman, is difficult. Volunteer critics react positively but the comic-buying public is generally unaware or, even worse, unimpressed.

With that in mind, it’s amazing New Super-Man lasted long as it did, especially since it was slated to end at #18 before getting a generous extension. This, sadly, is rare. And that’s what we’re going to talk about today: recently cancelled books that ended too soon. Ranging from gritty to whimsical, these books date back to 2015 and share one thing in common: they were all—to borrow from Twin Peaks’ Special Agent Dale Cooper—damned good comics.

Let’s do this!

Unfollow seemed to rush its narrative, presumably because its run was cut short.

Unfollow seemed to rush its narrative, presumably because its run was cut short.

5. Unfollow (2015) by Rob Williams & Michael Dowling

Unfollow, which was part of a wave of new Vertigo titles in fall 2015, reminded me of Brian Azzarello and Eduardo Risso’s 100 Bullets, with its modern noir concept built to span triple digit issues. In Unfollow, an eccentric tech billionaire dies and picks 140 users of his social media network to compete for his fortune. The last alive wins. The book started out methodical, removing a competitor or two per issue and tracking how many remained with a counter on its cover.

It became apparent (to me, at least) the narrative was being rushed when competitors started dying en mass or off panel. It’s a shame. There was a sharp literary quality to both the ideas and writing in Unfollow, especially the character that was so clearly a re-imagined Murakami. I’d have liked to have seen more of this vision. Ran For: 18 Issues

 

4. Spider-Woman (2015) by Dennis Hopeless, Javier Rodriguez, & Alvaro Lopez

As usual, the team of Javier Rodriguez and Alvaro Lopez did incredible work on Spider-Woman.

As usual, the team of Javier Rodriguez and Alvaro Lopez did incredible work on Spider-Woman.

I suppose technically this book dates back to before Jonathan Hickman & Esad Ribic’s reality-ending Secret Wars (2015) event to when Dennis Hopeless started writing the character, but the incarnation I’m bemoaning began when it welcomed the incredibly versatile, frenetic art team of Javier Rodriguez and Alvaro Lopez (and later Veronica Fish). Together, they told a wonderful story about a superhero who decided to have a baby on her own.

In Marvel’s All New, All Different (2015) line (which followed Secret Wars), the publisher tried many slice-of-life comics, combining everyday problems and superheroics, ala Matt Fraction and David Aja’s all-time run on Hawkeye. Spider-Woman was the best of the bunch, and it’s a shame it ended with 17 issues. Although, unlike others on our list, it did get a neat and satisfying ending. Ran For: 17 Issues

3. Clean Room (2015) by Gail Simone & Jon Davis-Hunt

Clean Room was another title launched on Vertigo in fall 2015, and it was absolutely killer, with writer Gail Simone laying down an incredible depth of original ideas and Jon Davis-Hunt establishing himself as a Frank Quietly-esque star artist. This book had so much going for it. The one thing it lacked, however, was timing.

After this book ended (Gail Simone has said on Twitter she’ll do more someday), I read a rumor that DC had come to view its once-vaunted Vertigo imprint as a sales liability. This has maybe changed, with an even newer wave of Vertigo titles announced this week. Even so, Clean Room was a nigh-perfect body horror book that explored saviors, trauma, and belonging. If it had come during Vertigo’s heyday, it would have run 50 issues, easy. It was that good. Ran For: 18 Issues

2. The Ultimates (2015) & The Ultimates 2 (2016) by Al Ewing, Kenneth Rocafort, & Travel Foreman

Al Ewing's Ultimates came together to proactively solve the biggest problems in the universe.

Al Ewing's Ultimates came together to proactively solve the biggest problems in the universe.

The Ultimates showed up in the wake of Secret Wars (2015) and did my favorite thing comics teams can do: state a mission and work toward it. The team was America Chavez, Black Panther, Blue Marvel, Captain Marvel, and Monica Rambeau; and their mission was to solve the biggest problems in the universe—starting with Galactus in #1.

Ewing is a writer who for some reason (low sales) can’t seem to sustain a title, despite having done strong work on books like Contest of ChampionsNew Avengers, and the Inhumans book Royals. Sigh. In a different world, this could have been the flagship title of All New, All Different Marvel, but it got lost in the shuffle and ended up doing 22 issues (just shy of New Super-Man) over two volumes. Ran For: 22 Issues

1. Nighthawk by David F. Walker, Ramon Villalobos, & Tamra Bonvillain

Nighthawk was a Batman, analog, a wealthy black man who fought corporate explotation, corrupt police, and racism in Chicago.

Nighthawk was a Batman, analog, a wealthy black man who fought corporate explotation, corrupt police, and racism in Chicago.

Nighthawk isn't just one of the best cancelled titles in recent years, but one of the best period. It’s a seeringly-relevant story starring a Batman analog who is a black magnate in Chicago. Racial politics factor heavily into it, but the book also contextualizes race with how society is under assault by corporate agendas, corruption, and segments of the public acting against their interests because change is scary.

Also, Villalobos and Bonvillain's art is incredible (side note, they’re re-teaming on the first of the aforementioned new Vertigo titles this fall, Border Town), and Walker’s script is just as good, with expert pacing, character motives, and straight-up action. As someone on Twitter said, this loss would be harder to bear if it wasn’t for the perfect final panel. No spoilers, though...go read this trade for yourself! Ran For: 6 Issues

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: Lost City Explorers #1 by Zack Kaplan, Alvaro Sarraseca, Chris Blythe, & Troy Peteri

Lost City Explorers #1 is out June 20. 

Lost City Explorers #1 is out June 20. 

By Zack Quaintance — There’s an interesting dichotomy in AfterShock Comics’ latest series, Lost City Explorers. On its surface, the book has all the trappings of a traditional teen adventure story—bickering siblings, a diverse group of friends, a parent lost to a mysterious realm beneath the city—but rather than lean into the ‘80s nostalgia that has come to define this sort of story in recent years (see Netflix’s Stranger Things), this comic goes the other way, makings its protagonists very much of our time.

For example, the introductory scene depicts a science experiment deep beneath New York City that suddenly goes wrong and swallows its researchers. This entire scene feels timeless, as if it could have happened from 1950 on. Once it has concluded though, artists Alvaro Sarraseca and Chris Blythe give us an establishing shot of modern New York City (with One World Trade Center and all) that next gives way to teens at a Bleachers concert (great band, btw).

The characters in the first scene may as well be ‘80s teen adventurers grown up, while those who follow are their kids, left to navigate a less rosy world. In fact, our protagonist’s fitting first line is, This world sucks. And the scene goes on from there to expertly capture the vast uncertainty of heading toward high school graduation without a blueprint for what comes next. One fantastic panel has main character Hel standing with her toes over the edge of subway platform, musing, Everything just seems so pointless. 

This comic brings the teen adventure genre out of the '80s and into 2018.

This comic brings the teen adventure genre out of the '80s and into 2018.

Essentially, Lost City Explorers #1 seems to have its kids saying, Yes, we remember teen movie nostalgia, but what does that have to do with our plight? It’s an interesting ideological contrast, and I hope the book delves into it more substantially as things progress.

This issue is ambitious, deliberately working toward its (excellent) final panel, which marks the proper start of the adventure to come. In getting there, however, there is A LOT of exposition, dolled out in too-large chunks that occasionally slow the pacing. Kaplan writes great dialogue, but in one scene following a funeral, a character lapses into straight info dumping that feels a little jarring.

I can’t, however, imagine there’s much left to impart in the second issue, and as such I’m optimistic this book will get even better as it goes. For now, though, I’d say this is a solid comic, very much worth a read for fans of teen adventure stories, especially those born after 1994 who just don’t understand my (slightly...only slightly!) older generation’s fascination with the ‘80s.

Overall: Lost City Explorers #1 is a mashup of bygone teen adventure stories and 2018 sensibilities, blending earnest wonder with the blunted expectations of today. It's a really interesting book, seemingly bent on reclaiming the genre from decades past. There is, however, much exposition in this first issue, and I won’t be surprised if #2 is stronger. 7.8/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

ADVANCED REVIEW: Unnatural #1 by Mirka Andolfo

Look carefully and you may miss the pig features, likely a deliberate blurring of perception by artist/writer Mirka Andolfo.

Look carefully and you may miss the pig features, likely a deliberate blurring of perception by artist/writer Mirka Andolfo.

By Zack QuaintanceUnnatural #1 has intrigued me since it was announced. The first sentence of its summary reads: Leslie is a simple pig girl. She loves sushi, she's stuck with a job she hates, and she lives under a brutal totalitarian government—one that punishes transgressors for anything deemed "unnatural." Meanwhile, its cover features said pig girl in a state of undress. Look quickly, and you almost miss the pig, so faint are the animal touches. See what I mean? Intriguing.

That aside, I didn’t know what to expect from this, first of a 12-part story originally published in writer/artist Mirka Andolfo’s native Italy. It is, however, pretty straightforward. Unnatural #1 is essentially an exploration of government interfering with sex and freedom. Andolfo has cited George Orwell’s novels as inspiration, which certainly shows. Indeed, a simplistic and reductive pitch for this book could be: Animal Farm meets 1984 with a dose of 2018 sexual politics.

The result, though, is a comic of the highest order. I loved Unnatural #1, from the artwork to the capital B Big ideas beneath it. This first issue is a joy, both entertaining and filled with smart questions. There’s a central metaphor here conjures images of governmental decisions on birth control, abortion, same-sex marriage...all of which are recent or ongoing.

This is, perhaps, part of why Unnatural works so well on an intellectual level. There has been tension between government and its constituents in this area likely back to the dawn of civilization, and Unnatural extrapolates what could happen if that tension tipped too far toward one side (in this story it’s a prurient interest in further reproduction among the same species).

Unnatural #1 does a wonderful job using relatable character moments to deliver its complex questions and central metaphor.

Unnatural #1 does a wonderful job using relatable character moments to deliver its complex questions and central metaphor.

Past the Big ideas, however, the book is well-done and engaging, devoting time to relatable character moments—a love of sushi, a disdain for rain, banter between roommates—while checking standard first issue boxes: world-building, character names, cliffhanger ending, etc. As for the art, Andolfo’s work is sexy, reductive as that sounds. It isolates notions of beauty—steely blue eyes, voluptuousness, confident smirks—and telegraphs them onto anthropomorphic figures, giving the animals desirability, if only for a moment. Andolfo has said she doesn’t like drawing humans, and her choice to go anthropomorphic may be simple as that, but I suspect blurring lust lines between species was a deliberate means of depicting inherently fuzzy lines of sexual attraction.

I only took issue with one panel in this book. A lot of comics do a wonderful job of subtly building a central conceit without explicitly stating it—before going ahead and stating it anyway. One famous example is The Walking Dead, with a full-page early on wherein protagonist Rick Grimes yells something like, Don’t you see? WE are the walking dead? There’s a similar panel in Unnatural, though not as grievous. Really, it’s a small compliant in an otherwise stellar comic.

Overall: This is a captivating book, at once smart, poignant, and stylish. Andolfo clearly has strong thoughts about the intersection of sex and government, but she also knows well that those thoughts are best served by first and foremost telling an entertaining story. As a result, Unnatural #1 is not to be missed. 9.5/10

Unnatural #1 comes out July 4, 2018.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top Previews For the Week of June 18

By Zack Quaintance — In recent weeks, we’ve launched a semi-relentless campaign to be added to as many comic book publisher media lists as possible. Okay, full disclosure, this has been an ongoing campaign for some time. But recently there’s been success! Anyway, thanks to some good folks who do publicity for many of our favorite comic publishers, we’re now regularly getting previews to share with you.

As such, this is the first in a weekly series titled Top New Previews From Last Week, which is exactly what it sounds like. Below you’ll find promotional copy and photos from some of the most exciting previews that came our way last week, along with a lukewarm take, in which we give a brief reaction to the book.

Enjoy!

Archie #32
Writers: Mark Waid & Ian Flynn
Artist: Audrey Mok
Colorist: Kelly Fitzpatrick
Publisher: Archie Comics
More Info: $3.99 / 32 pages / On Sale 7/11/18
It all comes down to this! The Riverdale gang—held hostage by Cheryl Blossom's father! Reggie—at last paying for his crimes! And when all is said and done, Riverdale is turned upside down once more!
Our Take: Archie has become one of those books that is so good we take it for granted, dating back to when Mark Waid and Fiona Staples relaunched it back in July 2015. This latest arc has been solid, too. Enjoy guilt free!

Britannia: Lost Eagles of Rome #1 (of 4)
Writer: Peter Milligan
Artist: Robert Gill
Publisher: Valiant Entertainment
More Info: $3.99 / 32 pages / On Sale 7/25/18
The Roman standard – the eagle borne at the front of each Roman legion – was more than just a symbol of the soldiers that carried it…It was a symbol of Rome itself, the ultimate embodiment of the empire’s power…

But now, in the mist-shrouded Germanic forest of Tottenwald, the unthinkable has happened: A rampaging barbarian horde has crushed three of Rome’s most highly skilled detachments in battle…and captured their mighty Roman eagles.

His authority threatened by this all-too-public shame, the mad emperor Nero has dispatched Antonius Axia, the empire’s finest “detectioner” and hero of Britannia, and Achillia, the sword-wielding champion of the gladiatorial arena, to reclaim his stolen relics at any cost.

But what began as a simple mission will soon become a terrifying journey into the dark heart of belief itself as the isolated woodlands of Rome’s enemies reveal unseen dimensions…and the true power of the legion’s lost eagles threatens to consume any who would pursue them…

Our Take: We’ve loved previous volumes of Britannia. The adventures of Valiant’s detectioner are as creepy as they are unpredictable. Some of Milligan’s best work (which is saying a lot), we’re all in for volume three! Also, for new readers these books really do stand on their own nicely.

Giant Days #40
Writer: John Alison
Artist: Max Sarin
Publisher: Boom! Studios
More Info: $3.99 / On Sale 7.4.18
Ed Gemmel returns to Sheffield after a summer spent healing bones and also his heart. Esther does her best to welcome him back, but neither of them have forgotten his drunken confession.
Lukewarm Take: Giant Days has been so good for so long, that’s it’s earning its place among all-time great slice-of-life comics. Powered by John Alison’s brilliant sense of character and dry wit, this book is a regular favorite of ours. Extra points for any issues featuring Ed Gemmel.

Harbinger Wars 2: Aftermath #1
Writer: Matt Kindt
Artist: Adam Pollina
Publisher: Valiant Entertainment
More Info: $3.99 / 32 pages / On Sale 9.26.18
The power’s back online and the fighting is over…but who are the real victors of Harbinger Wars 2, and what was truly lost in the carnage? For those who survived the terrible onslaught – and who must now witness the devastating aftereffects of their actions – will there ever be peace again?
Our Take: Harbinger Wars 2 is shaping up to be the Valiant Universe’s Civil War, and so far we’ve loved every moment of it. This event has done some deep, nuanced work with character motivations that is really paying off. Sign us up for this aftermath one-shot, too.

Moth & Whisper #1
Writer: Ted Anderson
Artist: Jen Hickman
Letterer: Marshall Dillon
Publisher: AfterShock Comics
More Info: $3.99 / 32 pages / On Sale 9.12.18
Everyone knows that the two greatest thieves in the city are the Moth and the Whisper. Very few know that the Moth and the Whisper disappeared six months ago. And what nobody knows is that the new Moth and Whisper are actually one person pretending to be both of them. One supremely skilled but uncertain young genderfluid thief: Niki, the child of the Moth and the Whisper.

Niki has been trained by their parents in the arts of stealth and infiltration, but they’re still just a teenager, and now they’re alone, searching for their parents in a hostile cyberpunk dystopia. Corporations run the streets while crime lords like Ambrose Wolfe run the alleys—identity is a commodity and privacy is impossible. The truth about Niki’s parents and their disappearance is out there, but can Niki survive long enough to find it?

A Young Adult cyberpunk thriller starring a genderqueer super-thief, Moth & Whisper is the brainchild of Ted Anderson (My Little Pony, Adventure Time) and Jen Hickman (Jem and the Holograms, The Dead), that just HAD to be told at AfterShock!

Our Take: AfterShock Comics has been on some kind of roll lately, with a slew of new books in 2018 that are high on quality and also rich with what’s becoming a trademark AfterShock sensibility—heavy on the thrills with a side of genre, be it science fiction, dark fantasy, or horror. This book has an interesting premise and one hell of a creative team.

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Top 5 Avengers Eras: A Look at Avengers Teams of the Past

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By Alex Wedderien The Avengers may be a massive name in comics and entertainment now, but that wasn’t always the case. Created in the early ‘60s as a way to fill a slot left by a late issue of Daredevil, The Avengers are a product of Stan Lee smashing together some of Marvel’s most popular heroes to form the company’s first super team. From those humble beginnings, the team grew from plucky upstarts to comic book icons.  

Now the basis for a multi-billion dollar movie franchise and a major part of Marvel’s most-recent publishing initiative under comic scribe Jason Aaron, The Avengers look to be in good hands for years to come.

In looking ahead, though, it’s important to also remember comics are a unique medium, and along with their headstrong march into the future, they always keep an eye on the past. With that bright future for Earth’s Mightiest Heroes in mind, I'm taking a look today at The Avengers of the past, specifically at the best lineups of years gone by. These are the five bestin my humble opinion of course.

5. The Late '80s Avengers

By the late 80s, The Avengers team was in flux. Taking over for a beloved run which featured what many people feel is the definitive Avengers lineup, Roger Stern and John Buscema decided to mix in some lesser-known heroes to give their book a new dynamic.

Boasting a lineup that featured Monica Rambeau, Black Knight, Dr. Druid, and Namor among the likes of veteran Avengers Captain America and Thor, the run also includes classic storylines like Avengers Under Siege, which sees a Helmut Zemo-led Masters of Evil destroy Avengers Mansion.

4. The West Coast Avengers

If Avengers is the cooler older brother, West Coast Avengers was definitely the scrappier younger brother. Born in the early ‘80s, West Coast Avengers became the first ever spinoff of The Avengers, as well as an answer to the question, Why are all superheroes in New York City?

Based in Los Angeles and featuring a unique roster, the West Coast team was lead by Hawkeye and comprised of Wonder Man, Tigra, Mockingbird, Jim Rhodes’ Iron Man, and eventually even Moon Knight. West Coast Avengers served as a breath of fresh air alongside an Avengers lineup that had remained pretty consistent for the past decade, but by no means were they an inferior version of the main team.

Throughout their 10-year run, the West Coast team battled important Avengers foes like Ultron before it was eventually folded back into the main lineup.  

3. The Late '60s/Early '70s Avengers

Being the follow-up to a beloved debut run can be daunting, but when the duo you’re following is Jack Kirby and Stan Lee it might as well be an impossible task. That’s just what Roy Thomas, Barry Windsor-Smith, and Sal and John Buscema walked into with their late ‘60s/early ‘70s run on Avengers.

When it was all said and done, however, they would create one of the best Avengers eras of all-time, their greatest villain in Ultron, iconic stories like The Kree/Skrull War and the debut of one of the team's most beloved heroes, the android Vision.

Along the way Thomas and crew would add a returning Scarlet Witch and Hawkeye, as well as the debuts of Hercules, Vision, and Black Panther to the team, leading the small core of heroes to some of their most classic storylines.

2. Captain America Returns

It was clear in the first three issues of The Avengers that Earth’s Mightiest Heroes would need a leader to rally its members. More of a ragtag group than an inspirational team of heroes, the original Avengers were a loose alliance who seemed like they could turn on each other at a moment's notice.   

That all changed with the discovery of the long frozen Captain America, who would shape not only the history of The Avengers, but superhero comics themselves. Almost immediately the team became a unified force under Cap’s tutelage and would go on to become the juggernaut it is today. Simply put, it all started here.

1. New Avengers Vol. 1

New Avengers came directly after the disbandment of the original team in Avengers: Disassembled, and it explored the idea of having a group of characters who had largely never been Avengers previously. Fan Favorites like Spider-Man, Wolverine, Daredevil, Iron First, and Ms. Marvel bolstered the popular lineup that quickly became known for its strong characters and frenetic action.   

Bringing the team back to the forefront in a big way after The Avengers had slipped out of mainstream comics consciousness, New Avengers was the start of The Avengers renaissance that continues to this day.

Alex Wedderien is a writer and pop culture journalist. Find him on Twitter @criticismandwit.

Top Batman #50 Wedding Variants (and Why We Love Them)

By Zack Quaintance — Batman and Catwoman are getting married (probably) in Batman #50, which drops on July 4. Unlike most weddings on holidays, the inconvenience here is actually minimal (no RSVP required...just go and buy the book) and the ceremony will likely get bombed or gassed or whatever by the Joker. You know how it goes—ol’ Batman is fated to forever make obsessive sacrifices to illustrate how his crusade against crime precludes him from being truly happy. Aren’t comics a nice escape?

That all, however, is a problem for our leather-clad couple to address later. These days before the nuptials are reserved for basking in romance, for hope that this time will be different, that keeping Bats tormented and alone has become a tired trope DC is willing to trade for expanded narrative options, you know, like having a happy married couple getting bombed or gassed or whatever by the Joker. At least for a couple years and a few dozen issues, maybe.

Anyway, in honor of said romance, comic book artists throughout the industry have created more than 40 variant covers...and counting. This is, to be certain, an overwhelming number of choices, even for savvy and adept collectors. So, we’re here today to help by laying out some of our favorites plus a few quick words about why we like each of them.

SPECIAL NOTE: I am a sappy fool about all things weddings-related. Apologies in advance if any of this tips into mush! Also, much thanks to Twitter user @batcatposts, who did a stellar job collecting the variants as they were announced.

Let’s say I do!

Top 5 Best Batman #50 Covers

Standard Cover by Mikel Janin
As noted, I’m a bit of a sentimentalist with weddings, and so this classic You may now kiss the bride shot, surrounded by flowers, is a must for me. I also like it as a companion piece to the cover of Batman #44, a Joelle Jones piece that gave us a wonderful look at Catwoman’s perfect wedding dress.

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Comic Sketch Art Variant by Dave Johnson
Dave Johnson is one of my favorite Batman cover artists of all time, dating back to his early 2000 covers for Greg Rucka’s run on Detective Comics, and this cover is classic Dave Johnson, complete with minimal design, strong monochromatic colors, and an image that speaks to the heart of the featured character, Catwoman. Bruce is entirely absent here, save for the Bat iconography on the dress, and that’s just fine. When it comes to weddings, the bride is the headliner, after all.

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Dynamic Forces Variant by Jae Lee
This one is a strong contender for our overall favorite. It easily makes the best use of the history between the couple with that colorful bit in the background, while at the same time dedicating the foreground to Selina’s dress and the romantic tension that has long driven this relationship—is she friend or foe? Does she love Batman? More importantly, does she love Batman enough to overcome the urge to rob Batman? It’s a cover with more questions than answers, which is my favorite type of art.

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Salefish Comics Variant by Joshua Middleton
Joshua Middleton has really emerged as one of the best cover artists in comics as of late, creating some true classics for DC’s artist-driven variants on both Aquaman and Batgirl. This cover, like Dave Johnson’s, is Selina only, and while the austere image is a goregeous one, it’s the expression on her face we like most, seeming to say, I can’t believe I’m getting married either, but isn’t this all a thrill? It’s perfect.

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ZMX Comics Variant by Jorge Jimenez
This one made our list for two reasons: 1. Nobody is drawing superheroes at Jorge Jimenez’s level right now. Nobody. And 2. While maybe a bit randier than wedding-related imagery ought to be, this is an image that again speaks to the nature of the Bat-Cat romantic dynamic. Also, it has Selina in charge (as it should be). Mercy!

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Others Receiving Votes

Best of the Bride Only Covers
Again, this is a wedding, and so the vast majority of attention should be on the bride. As such, there are far more covers featuring Selina than Bruce. Here are some of our favorite bride-only variants. From left to right, Eric Basaldua, Warrren Louw, Natali Sanders, and Ale Garza.

Who Needs Physics?
Cover by Guillem March for Kings Comics. Alls I’m saying is there’s no way this doesn’t end with injury...

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Why Are You Mad?
I'm not, but I wish this connecting Joe Madureira cover was a little more wedding-y. It's still very good, as is all of the rare comic artwork Joe Mad does at this stage of his career. Available via 4colorbeast.

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Can I See the Ring?
This last variant, which is by Mike Mayhew and available through Comicpop Collectibles, is a look at the realistic star of any wedding between a billionaire and a jewel thief—the ring.

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Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

REVIEW: Plastic Man #1 by Gail Simone, Adriana Melo, Kelly Fitzpatrick, & Simon Bowland

Plastic Man #1 cover by Aaron Lopresti.

Plastic Man #1 cover by Aaron Lopresti.

By Zack Quaintance — Plastic Man has gotten much run lately in the DC Universe, first as part of the uber event Dark Nights Metal and next as a member of The Terrifics, a Fantastic Four homage and standout title from DC’s New Age of Heroes line. Now, he’s starring in a 6-issue Plastic Man mini series by Gail Simone, Adriana Melo, Kelly Fitzpatrick, and Simon Bowland. Like Plastic Man himself, issue #1 is madcap and tense to the point of straining, yet it never breaks, resulting in an entertaining superhero comic that lends a different and refreshing voice to the DCU.

On a craft level, this book is incredibly well done. Simone is a veteran with all-time great runs to her name, and while this is my first exposure to Melo, her visuals cohere quite well with the script, which excels at building flourishes around fundamentals. In almost all Simone’s #1 issues, she wastes little time having both hero and villain introduce themselves, be it via dialogue or narration, but she also leaves room between exposition for killer writing, like: Cole City. A city where commerce takes place in the alleys and gutters. But not without a certain style… That’s an A+ opener.

Melo and Fitzpatrick’s art, meanwhile, gives Plastic Man #1 a timelessness similar to that of the character. The setting could be anywhere from the 1930s up to modern times. I don’t think Plastic Man himself is really certain, which brings me to the story’s greatest strength: it’s unreliable narrator. This book features the comic equivalent of what fiction writers call close first-person narration, and as such, it seems like Plastic Man’s own disorientation about his origin is influencing the story. It really works.

Humor is, of course, inherent to a hero called Plastic Man, yet he's not quite as self-aware or meta as characters like Deadpool or Harley Quinn, which is nice. His humor functions within the plot. Not all the jokes landed for me (humor is risky in comics), but I appreciated what the script was trying to do at all times.

How far will Plastic Man stretch seems to be the metaphorical question at the heart of this series.

How far will Plastic Man stretch seems to be the metaphorical question at the heart of this series.

Basically, Plastic Man #1 features big personality and a set of loosely-defined boundaries. It’s a special type of superhero comic dealing in dark contrasts, featuring one panel where the narrator tells readers, They’re my best friends in the world...as said best friends whack him in the face with a baseball bat. His signature humor seems to be hiding great pain and darkness. Perhaps it’s fitting then that Plas himself says at one point, I’m not entirely sure how far I stretch. Before I snap, I mean. Wanna see? Let’s! He may as well be asking us.

Overall: Simone and Melo deploy a set of storytelling tools that create a unique aesthetic and tone, setting this book apart from DC’s line the same way Plastic Man stands out from their other heroes. Mileage may vary by sense of humor, but most fans will agree this book is fascinating and unique. 8.5/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Obscure Characters for Geoff Johns' The Killing Zone Imprint

Geoff Johns is launching a new DC Comics imprint dedicated to obscure characters.

Geoff Johns is launching a new DC Comics imprint dedicated to obscure characters.

By Various — News broke this week that Geoff Johns is stepping down as DC Entertainment president and chief creative officer for a writer-producer deal with Warner Bros. and DC Comics. Essentially, Johns is going from visionary/planner back to being mostly a creator.

This is exciting. Johns is like the Property Brothers of comics. He takes fixer-upper characters, so badly neglected it’s hard to see their charm, and renovates them, playing to original strengths while also introducing new, modern touches. Whereas the Property Brothers might put a flat screen in someone’s kitchen (right? I’ve never seen that show…), Johns is a one-man maternity ward, rebirthing superheroes (sorry) like Aquaman, Green Lantern, the Justice Society of America, and more.

The most exciting part of this week's news is that Johns will also run a comics imprint called The Killing Zone. Odd name aside, this imprint will focus “on new and lesser-known or dormant DC characters and titles.” Essentially, Johns is getting a slew of properties to fix up.

So, we lit the Bookcase Signal for ideas on which characters most need the Geoff Johns treatment, and here’s what some friends of the site replied…

1. @Kimota1977 - HUGE DC Comics Fan, Deep Love of Obscure Characters

The Atomic Knight.

The Atomic Knight.

The Atomic Knight a.k.a Gardner Grayle - The Knight has an odd history. He originally appeared in ‘60s sci-fi comics, where he rode giant Dalmatians (yes, Dalmatians!) in a post-nuclear holocaust world. Eventually, he was linked to DC’s Great Disaster continuity via Hercules Unbound. In the ‘90s, he was brushed off and renewed as a member of The Outsiders.

Recently, though, his character was retconned and used in the One Year Later storyline of Battle For Bludhaven, eventually killed by Darkseid’s minions in Final Crisis. With Johns’ ability to make convoluted history work, the Atomic Knight is perfect for his new imprint. Basically, it’s science fiction, post-apocalyptic settings, quirky relatively forgotten superheroes…what’s not to love?

Ma Hunkel\Red Tornado - The original Red Tornado was not the crimson android most people know, but rather an initially-comedic, Rosie the Riveter-style factory worker in the Golden Age who earned an honorary spot in the JSA by battling neighborhood wise guys. She was last seen in the most recent JSA book, as the caretaker of the Society’s brownstone in NYC.

Ma Hunkel could be written with a rich sense of DC history. In Pre-Flashpoint continuity, she was at the beginning of the age of heroes, an inspiration to many female heroes who followed. Much like his Stars and S.T.R.I.P.E. series, this character would open up the possibility of Johns adding more characters, dating back to the Golden Age. This is a good thing—whenever Johns taps DC's deep bench and extensive history, his books are pure unadulterated fun.

Brother Power the Geek.

Brother Power the Geek.

Brother Power the Geek - The Geek character appeared in a brief, two-issue series in 1968. Starting as a pile of dirty hippie clothes left to dry on a seamstress’ mannequin while the hippies themselves just kind of….hung out. Brought to life by a combo of dry cleaning chemicals, a bolt of lightning, and a healthy suspension of disbelief; this mannequin shambled into the world, taught about life by the freewheeling hippies.

Other than a ‘90s one shot from Vertigo, he hasn’t been seen much, but this character could be used as a crux to access many forgotten Bronze/Silver Age DC characters. Prez. Stanley and his Monster. Claw the Unconquered. Stalker. So many opportunities.

Red Torpedo/Red Bee - This could be one of the greatest duo books ever. Both characters originated with now-defunct Quality Comics. They were acquired by DC and later retconned into the All-Star Squadron (Red Bee) and Freedom Fighters (Red Torpedo and Red Bee). The Bee was mostly a fists and domino mask hero, but he also trained bees (seriously) that he took into battle. Torpedo, meanwhile, had a submarine. Yep. A submarine. Both characters died tragic deaths.

They were also both members at one time or another of the Freedom Fighters, which was originally comprised solely of Quality characters. Introducing them would enable Johns to add more Freedom Fighters and other forgotten Quality characters, perhaps in the same story, ala Watchmen. With two of the most oddball superheroes in DC’s archives at the forefront, this is one of my biggest hopes for a non-team book!

Inferior Five.

Inferior Five.

Inferior Five - A team of superheroes originally from humor comics, this group was made up of the offspring of more successful heroes on an alternate earth. Their parents–analogous of the Justice League–had retired and left the world to be protected by their kids…every one of which was more slapstick than heroic. The super-powered female member of the team–Dumb Bunny–was even retconned into being the sister of Angel from Angel and the Ape.

This title is my number three pick only because my last two are so deserving of a serious take. But these characters are still fun and could be easily added anywhere into continuity, plus they haven’t been seen since (yet again) a ‘90s miniseries.

Super Friends Trio - Apache Chief, Samurai, and Black Vulcan. The short pants alone could provide an entire story arc. These characters were created as additions for the old Super Friends cartoon, and they most recently popped up on the cover of a Superman in Bizarro World story.

These characters are perfect picks for Johns, boasting enough back story for him to tease old fans yet not enough to scare new fans away. They’ve long-deserved a real comic story and the nostalgia factor alone lands them at number 2 on my list of most wanted series.

The Legion of Substitute Superheroes.

The Legion of Substitute Superheroes.

Legion of Subs - This is my number one pick. Johns tackled the convoluted Legion of SuperHeroes/Superboy storylines in his epic Action Comics run, and he also brought back the Legion of Substitute Heroes. As a longtime fan of this odd bunch, I loved every single panel of it.

The Subs are without a doubt the best possible odd and barely-remembered property you could put Johns on. They have a history dating back to the ‘60s and are one of the best parts of the Legion/Superman mythos. Chlorophyll Kid, Infectious Lass, Stone Boy….the entire team is one incredibly neurotic misfit after another. If all I get from The Killing Zone imprint this book, I’ll still be the happiest fan boy ever.

2. @AnderWriter - Co-host of Omni-Comics Podcast, Aquaman Super Fan

The nuclear superhero Firestorm.

The nuclear superhero Firestorm.

Firestorm - Firestorm is perhaps more popular now than ever, having appeared on the CW show Legends of Tomorrow, and he’d be perfect for a series in The Killing Zone. Despite the show, this character has had little exposure in the comics recently. Firestorm is a strong concept and a character I’d love to see more, whether it's a version with Ronnie, Jason, or someone new.

Captain Atom - Like Firestorm, Nathaniel Adam (Captain Atom) is a nuclear-themed superhero who underwent a scientific procedure that resulted in powers and metallic-like skin. He's a character who’s served on the Justice League and is regularly depicted as one of DC's strongest superheroes. During the New 52, he had a solo series, but he’s rarely been seen since, making him another prime choice for Johns.

Fire - Beatriz Bonilla da Costa is a Brazilian superheroine known as Fire (not to be confused with Firestorm). She has also served on Justice League teams, and DC fans will likely recognize her green hair and body engulfed in green flames. However, she hasn't been seen in years, and it's a great time to re-introduce her. Hey, maybe it's also time for DC to bring back the Global Guardians! Anyway, Fire is an iconic heroine who hardcore DC fans instantly recognize and care for, so here's hoping she gets the attention she deserves with this new imprint.

3. @HaroldLauder4 - Big Ounce, Enjoys Bouncing, Comics, Inventing Superpowers

Captain Boomerang -  I’m biased, because Digger Harkness is one of my favorite DC characters, but I also think I’m not alone. I mean, Johns himself is an admitted fan, and he’s previously given Boomerang a compelling backstory, expounded on his ethics, and, hell, even revived him as a @#$%# White Lantern—that's got to count for something. Who knows, with Johns writing, maybe a Captain Boomerang book could rival Harley Quinn and Deathstroke as one of DC’s best villain-lead titles.

Resurrection Man.

Resurrection Man.

Resurrection Man - Depending on how he dies, this character resurrects with a different superpower. Ever since the short-lived New 52 Resurrection Man, I’ve been in awe of this idea. To me, it’s a concept Johns can take so many directions, potentially involving Death of The Endless, The Black Racer, the foreboding realm of The Rot or The Red, and even ethereal guardians like The Spectre (more below). Whether he goes one of these routes or takes an entirely different approach, Resurrection Man would be a great new series.

The Spectre - One of DC’s oldest and most powerful heroes, seeing Jim Corrigan determine what constitutes good and evil while dishing out judgement could make a solid crime story in 2018.

REVIEW: Deep Roots #2 by Dan Watters, Val Rodrigues, & Triona Farrell

Deep Roots No. 2 takes readers—ahem—deeper into the world of the story, and the book is all the more compelling for it. As I wrote last month in my review of No. 1, there’s a dual narrative in play here, with one story rooted (sorry) in the familiar world we know and another that details a knight lost in another realm, a realm of flora and more flora but not much fauna. In this issue, the distinction between the two dimensions crumbles a bit, as the creators do a wonderful job of starting to entangle the plots they set into motion during the first installment.

The artwork by Rodrigues and Farrell is incredibly strong. It’s no easy thing to flow so seamlessly between drawing a fight between a knight and a hulking grotesque monster in a world that exists only in tree roots, to the back of a limo on a crowded street in London, where  high-ranking government operatives discuss a massive civic emergency. But Rodrigues creates two fascinating environments, which Farrell easily differentiates via subtle shifts in color. All throughout, Watters knows exactly when to back off with dialogue or narration to let the visuals shine.

I wrote pretty glowingly about Deep Roots in my last review, so hooked was I by the first issue and the premise, and when one is so taken with a first issue, there’s always a risk the second will come be a let down. Deep Roots avoids that, and it actually felt like the team was freer in this issue, having established just enough exposition to really start hitting its plot points. In other words, none of my excitement for Deep Roots has diminished.

To read a history of the world in the trunk of a great oak…

I’m way in on all the book's main themes, the commentary about the environment, about what’s happened to man in technological world, and about governmental response to  crisis. I also like the characters, especially the dynamic between the two women who've gone into the other realm in search of the knight from our ongoing legend. And although I’m yet to grasp it, there seems to be something consequential happening with time, as the tagline of the book is “To read a history of the world in the trunk of a great oak…”, and our other world leaves behind those who have inadvertently gone to wander among the plants. I don’t yet have a supposition about what it all means, but I’m excited to find out.

Overall: Deep Roots No. 2 continues to build on the bold vision from the first issue. I went to bat hard for this book after reading part one, and in this second issue the story progressed in a substantial way that made me feel validated. Deep Roots is quickly growing (I’ll see myself out) into one of the best indie books on the market. 9.5/10

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.

Rodrigues and Farrell's artwork shows hints of tree rings in the characters' faces.

Rodrigues and Farrell's artwork shows hints of tree rings in the characters' faces.

ADVANCED REVIEW: Euthanauts #1 by Tini Howard, Nick Robles, & Aditya Bidikar

Euthanauts #1 is an intriguing comic that lives up to its incredible cover art.

Euthanauts #1 is an intriguing comic that lives up to its incredible cover art.

Tini Howard and Nick Robles’ Euthanuats #1 first caught my attention weeks ago with its title and cover. In tandem, the two evoke thoughts of a woman journeying through death, body withered to bones as her head and mind are protected by a glass bauble, one that glows with life and attracts insects like a light bulb. My interest was bolstered further by the books presence on IDW’s imprint, Black Crown, from former long-time Vertigo editor Shelly Bond. I’ve enjoyed all Black Crown offerings (more here), but it was another book by Howard that really stood out to me: Assassinistas, a collaboration with the legendary Gilbert Hernandez that applies complex modern family dynamics to an archetypal femme fatale death squad.

Whereas Assassinistas is more of a character study, one laced with appropriate bits of humor and modest bouts of action, Euthanuats is better-described as an abstract and surreal walk through our fears, expectations and attitudes around death. Our protagonist is an alienated receptionist who works in a funeral home and is dissatisfied with her life and friendships. For the first two-thirds of the book, the story grounds us in this struggle, functioning well as a slice-of-life comic.

Howard’s characterization is strong, with effective interior monologue lines like, “I was thinking about how weird it is that I don’t like my friends and they don’t really like me—when I first saw her…”, as well as snappy character banter, such as, “It’s like, communism works just fine, you just have to really, really likeable.” Robles art is also wonderful, detailed and realistic, glazed over with a fitting color palette that manages to be forlorn without tipping into morbid or noir.

Nick Robles' art in Euthanauts #1 depicts a non-conventional side of death.

Nick Robles' art in Euthanauts #1 depicts a non-conventional side of death.

It is, however, the plot point that catapults us into the third act that really establishes this book as something special. Not to give too much away, but reality blurs into a world of ethereal surrealism, seemingly a realm of death, or near death. It's unclear, and the book makes a wise decision to keep readers disoriented. I’ve been reading comics for two decades and change, and as such I’ve seen an excessive number of visual depictions of death, limbo, the afterlife, etc. I’ve rarely seen one as intriguing as in Euthanuats, which I take as a testament to both the imagination and research that went into this story.

This has already been a fantastic year for comics as unfettered explorations of nigh-universal fears, concerns, or hang ups (see Eternity Girl, Mister Miracle, and several inward-facing horror books), but Euthanauts charges headlong at the most towering concern of all—death—and emerges with a fascinating and beautifully-told story. I barely have a guess for where this book is headed next, and I love that.

Overall: Engrossing and complex, Euthanauts is the best book yet from former Vertigo editor Shelly Bond’s new IDW imprint, Black Crown. Howard’s script dives confidentiality into a universal concern—death—as Robles' ethereal visuals blur reality. An intriguing and gorgeous comic, this one is highly recommended. 9.0/10

Euthanauts #1 is out July 18. Learn more about it here!

Zack Quaintance is a journalist who also writes fiction and makes comics. Find him on Twitter at @zackquaintance. He lives in Sacramento, California.