REVIEW: MY BAD #5 is a fitting finale for a very funny comic
The finale from one of the funniest books in recent memory has arrived.
Read MoreThe finale from one of the funniest books in recent memory has arrived.
Read MoreWho you gonna call? One-Star Squadron! Meet DC's superhero team where heroism meets capitalism. This ragtag group of heroes led by Red Tornado is here to provide service with a smile…check out our full review!
Read MoreNot All Robots #1 features an interesting pairing of disparate creators. They come together well in this title, putting together a story with intriguing satirical ideas around artificial intelligence and roles in society.
Read MoreFuture State - Superman vs. Imperious Lex #1 has stood out as the most idiosyncratic of DC’s Future State comics since this event was announced, and today we look at whether it succeeds.
Read MoreSecond Coming: Only Begotten Son #1 is a wonderful continuation and a fantastic exploration of living in a dying society with absolutely zero real-world parallels.
Read MoreEdgar Allan Poe Snifter of Blood #2 hits this week, delivering a second issue for an anthology series that is as fun as it is surprisingly complex.
Read MoreBy Jacob Cordas — What an ending to the series. Billionaire Island #6 sticks the landing so effortlessly, while going darker than anything Mark Russell has ever made previously. Over the last six issues, Russell, Steve Pugh, Chris Chuckry, and Rob Steen have built a dynamic and engaging satire. The world was never far off, taking a Randian fantasy and pushing it into sci fi realism. Each step of the way was equally mixed with fantastic jokes and cynical morals.
Read MoreBy Jacob Cordas — My first introduction to comic books was through the funny pages. I remember reading a Spider-Man strip in the newspaper every week next to Hagar the Horrible and Pearls Before Swine. It was all so silly and so fun. And then I got my first comic book, a beat up copy of Spider-Man #68 from a flea market. I was blown away by the seriousness of it. I was nine years old but, with only comic strips to compare it to, this was what I imagined adult art looked like. I was a tween dragged into the tail end of ‘90s nihilism and carried away into the edginess of the ‘00s. Adulthood in the art I consumed became synonymous with darkness. For a minute, I was even a fan of Mark Millar. And, while I aged out of this for the most part, there was still a “seriousness” to my comic reading.
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