Comics Comparisons is back, as Keigen Rea ruminates on life, death, and everything in between through the twin lenses of The Wicked + The Divine and The Good Place.
Read MoreThis comics adaptation of Bram Stoker’s Dracula is quite the equal of the film version, working both as a faithful adaptation of the film and as another entertaining retelling of the classic tale.
Read MoreIn the third installment of his weekly Daredevil series, Bruno Savill De Jong looks at 1966, which brings new looks to Daredevil both on the page and behind it, and begins to establish storytelling beats that continue to define the character.
Read MoreThis new entry in the Wic + Div Re-Read Project looks at The Wicked + The Divine #23, the metafictional magazine issue that takes a different look at this story and characters.
Read MoreBram Stoker's Dracula Starring Bela Lugosi is a good and faithful adaptation of Stoker's original novel. The artwork itself is gorgeous and it's a treat for fans of Bela Lugosi to see him, after a fashion, reprise the role.
Read MoreIn a new installment of our weekly Daredevil series, Bruno Savill De Jong looks at 1965, featuring new developments for the character, important parts of the story, and the real world implications of writing Daredevil.
Read MoreRazorblades has made a big splash in comics lately with its short horror storytelling that offers freedom with a DIY aesthetic. Today we look at the work of Ram V. and John J. Pearson in Razorblades.
Read MoreThe Classic Comic of the Week (as chosen by senior staff writer d. emerson eddy) is Fear Itself: Hulk vs. Dracula, a fun beat-em-up brawl story, with monsters and vampires, exactly as it sounds.
Read MoreIn this month’s Star Wars comics column, Certain Points of View, Keigen Rea takes a roundabout route to figuring out where to jump-on to the franchise, looking at Star Wars entry points over time.
Read MoreToday we have something very cool — an exclusive preview of Luna #3, this month’s issue of writer/artist Maria Llovet’s psychedelic 1960s-set comic about transcending consciousness.
Read MoreWelcome to The Man Without Fear, By The Year, a granular approach to examining Marvel Comics’ Daredevil, while also looking at its role in the evolving nature of mainstream comics storytelling.
Read MoreBatman & Dracula: Red Rain from Moench, Jones, Jones, Dorscheid, and Klein is a wonderful blend of two properties into a seamless, exciting horror story.
Read MoreSpider-Man Life Story is essentially a play on the old What If...? formula, delivering a tale that follows a Peter Parker aging in real time from his debut in the '60s.
Read MoreGuest writer Sean Dillon looks at the measured pacing and sometimes whimsical action of Klaus, by Grant Morrison and Dan Mora. A deeply incisive look into the mechanics of the first night of Klaus’ gift giving mission, this article is a must read for fans of Santa Claus, swashbuckling adventure, or both.
Read MoreSpider-Man: The Gauntlet – Volume 5: Lizard continues the legacy set out in Kraven's Last Hunt and carried through Torment, presenting interesting and captivating changes to Spider-Man's rogues gallery…
Read MoreStaff Writer Jacob Cordas returns to Comics Anatomy to explore Jacen Burrows’ panel layouts in his and Alan Moore’s Providence, looking at how the structure of the page emphasizes the series’ creeping dread.
Read MoreWelcome to the latest edition of Baby’s Got to Back, our monthly list of Kickstarter highlights, featuring the 10 comics Kickstarters that I am most intrigued by for the month.
Read MoreLooking back, Secret Empire is a timely story about unchecked power in places where you would least expect it: Captain America, the symbol of determination against hate in all its forms.
Read MoreSpider-Man: Torment was an incredible way to kick off a new Spider-Man title, paying homage to one of the best stories in superhero comics history, Kraven’s Last Hunt.
Read MoreThe Unwritten is Carey and Gross's magnum opus. It is a resonating story about fiction versus reality, the importance of stories, and the deconstruction of narrative and monomyth.
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